The Cold - TWW S7E13

 

Original airdate: March 12, 2006

Teleplay by: Debora Cahn (13)
Story by: Debora Cahn  & Lauren Schmidt (5) 
 

Directed by: Alex Graves (30)

Synopsis

• New polling numbers after the San Andreo incident give a jolt of excitement to the Santos staff, while the Vinick campaign tries to change the subject. President Bartlet makes the decision to send troops into Kazakhstan, with long-term effects on whomever wins the election. Will and Kate take their relationship to another level, while Josh and Donna consider what theirs might mean. And Vinick has a cold.
  

"What's your exit strategy?"

"I don't have one. I suggest you both start giving it some thought."

An episode that begins on a couple of high notes - the polls showing the Santos campaign catching Senator Vinick in the wake of the San Andreo nuclear accident, the prospect of Irish rock star Bono meeting with Matt, not to mention Josh and Donna falling into each other's arms as the emotions swell with all the good polling news - takes on a much more sober, dramatic turn. The situation in Kazakhstan forces President Bartlet to order in American troops while Senator Vinick sees a trusted staffer fall on the sword in an effort to change the course of his campaign. All in all, it really highlights how political campaigns can find themselves at the mercy of unexpected events outside their control, particularly in the closing weeks as the election looms.

We start with Annabeth, Bram, Ronna and the other staffers breathlessly search out the latest tracking polls, polls that show a dramatic increase in support for Santos in important swing states in the wake of the San Andreo nuclear accident and essentially resetting the entire Presidential contest. The looks on their faces tell it all:

As Donna and the rest pound on doors, awakening everyone on the floor of the hotel to the good news, she reaches Josh's room to let him know. The celebration of the moment starts with a quick friendly kiss, and then:

 

 Hubba, hubba.

 

Viewers of the show have known since Pilot that Donna and Josh (thanks to the acting of Janel Moloney and Bradley Whitford) have a tremendous chemistry together. Moloney famously said she started from the beginning playing the role of Donna with the subtext of being desperately in love with Josh, and the moments they've shared together have become almost legendary: the (unseen) note Josh wrote in Donna's Christmas gift in In Excelsis Deo; the "If you were in the hospital I wouldn't stop for a beer"/"If you were in the hospital I wouldn't stop for red lights" exchange in 17 People; Josh's willingness to breach ethics and maybe even the law to save Donna from embarrassment over her diary in War Crimes; Josh's reassessment of their connection after she nearly dies in Memorial Day. They always seemed to be dancing around their personal relationship, which made sense considering the workplace supervisor/assistant framework they were in. And of course Josh not doing enough to help Donna advance in her career caused her to leave her post in the White House and work for Will Bailey and the Russell campaign, to Josh's regret and anger (anger that really came out once she came back looking for a job with Matt Santos).

That all comes to an emotional head now, driven by the huge rush of emotion and endorphins they get by seeing that maybe they've actually got a chance to win this thing in the final weeks. They both seem a little surprised by it, and Donna actually, maybe, tries to talk it out and talk herself out of it in a conversation with Will:

Donna: "If something had happened with us, when we were working, romantically, would that have been inappropriate?"

Will: "Wow, uh ... I'm flattered ... but --"

Donna: "Oh, no, no, no."

Will: "I'm actually seeing someone in a nonpublic and very poorly defined way."

Donna: "No, not you. I was talking about someone like you with your job in relation to me."

Will: "You're talking about Josh?"

Donna (two steps behind): "You're seeing someone?"

Will: "You're seeing Josh?"

Donna: "No."

Will: "Then who?"

Donna: "I'll tell you mine if you tell me yours."

Will: "Yours is Josh. You're not cryptic."

Donna: "And yours is ..."

Will: "Classified."

Donna: "Nothing happened with me and Josh, at all. I'm sorry. I shouldn't have brought this up. We should drop it."

Will: "Good idea. (pause) It's not inappropriate. Seeing someone. It's weird, maybe. But you'll figure it out."

But by the end of the episode, after many exchanged glances and unfinished conversations, we see Donna is okay with continuing this path. She slides her hotel room key across the table, pointedly indicating to Josh that he should use that key to visit her later that night. Their eyes connect.

 

But then Ronna notices the envelope and thinks Donna just forgot the key. The look on both of their faces as Edith returns Donna's key to her and they watch that opportunity slip by says volumes.

 

 

Will these two youngsters ever get the chance to experience true love? There's only nine episodes left, we're running out of time!

 

While we're talking about lovebirds, the awkward relationship between Will and Kate continues to ... well, get more awkward. Now they're spending nights together, as revealed by the fact Kate left her bra behind at Will's apartment. 

Will: "I have a thing of yours."

Kate: "My Pyongyang book, good, I tore up my whole office looking for it."

Will: "It's not that."

Kate: "Really?"

Will: "Really."

Kate: "It's in a blue binder. It may not be --"

Will: "Nothing in a blue binder."

Kate: "Are you sure? I mean, picking it out --"

Will: "It's a bra."

Kate: "Oh, okay."

Will: "I put it in a padded envelope, which seemed appropriate."

Kate: "Really?"

Will: "You want it now?"

Kate: "No! No. Yes? (pause) It's in your office?"

Will: "It is."

Kate: "You keep it."

Will: "Permanently?"

Kate: "Mail it to me, your home address to my home address."

Will: "You don't think that's a little complicated?"

Kate: "It is, isn't it."

Will: "I'll hang onto it until we ..."

Kate: "Okay."

Will: "We'll get better at this."

Kate: "We can only hope."

 

When CJ has them come to her office together to put together a press briefing plan for Kazakhstan, even she notices things are a little weird.

CJ (seeing the awkwardness): "Is something weird happening?"

Will: "Nnnnnope."

CJ: "I feel like I'm the heroine in the movie who doesn't know there's a guy behind the refrigerator with an axe."

Kate: "Maybe it's the weather. People feel that way when it's ... damp."

CJ: "Thank you. Both."

(Will and Kate leave CJ's office)

Will (whispering): "We're really bad at this."

Kate (whispering): "Really bad."

Then we've got the opposing campaign, with Vinick, Bob, Bruno and Sheila trying to figure out how to respond to the San Andreo disaster bringing the national race to a dead heat. Turns out, though, it's not just up to them. The head of the Republican National Committee, Steve Hodder, comes by to have a meeting with Vinick, Governor Sullivan ... and none of the staff. And he brings along Jane Braun, a top fundraiser closely connected with the religious conservative right-wing of the GOP. Bruno is convinced the fix is in, he's going to be blamed for Vinick losing his lead, and the party is pushing him out.

Sheila knows he's right, and she knows there's another path. She tells Vinick on their way to his evening appearance - she's resigning. She'll take the fall, she'll take the blame for the "50-state strategy" and the appeal to moderates, and she insists Braun be brought in to shore up support with the conservative wing of the party and to fire up voter turnout. It's a tough pill to swallow for Vinick - Sheila has been by his side for years, his most trusted adviser - but he knows deep down this is the only path to follow.

The shadowy shot of Vinick after he gets out of the car, standing in the street contemplating his future before he goes into the event, is a striking image well-constructed by director Alex Graves.

The biggest story, of course, is President Bartlet's plans to commit American troops into Kazakhstan in an effort to stave off an all-out war between Russia and China. We can trace this story all the way back to Message Of The Week, when Vinick's new national security liaison, Charles Frost, mentions an issue in Kazakhstan as one needing particular attention. In the following episodes, we learned of a presidential assassination there, Russian interference in the ensuing election that installed a Russian-leaning candidate, a repudiation of an oil deal with China, and the attacks on ethnic Chinese in the country that followed. Those events led to the Chinese army gathering on the border, with the Russian army responding in kind - and now that both armies have advanced into Kazakhstan itself (delayed only temporarily by Ellie's nuptials in The Wedding), President Bartlet believes the only way to avoid war is to put American forces in between the opposing armies.

Of course it's a daunting task. Bartlet's advisers tell him it's going to take some 150,000 troops over at least 18 months to stop the advance and help Kazakhstan conduct free and open elections, and worst of all, that means this "intervention" (as Secretary Hutchinson calls it) will be a problem for whomever ends up winning the election in three weeks. The President calls both candidates in for a face-to-face meeting and lays out the facts. The news does not go over well.

Vinick: "What's this going to cost?"

President: "It depends on how long we stay."

Matt: "It doesn't matter. The first 100 days in office are the most productive of the whole term and there's no way we can extricate ourselves from something like this in three months."

Followed by:

President: "First twelve months - 70 billion."

Vinick: "I can say goodbye to my tax cut. Your education plan is certainly off the table."

So we're left with the final three weeks of the campaign, Vinick and Santos squaring off in a virtual dead heat, but both of them knowing the winner will have the military operation in Kazakhstan looming over them and their priorities throughout the years to follow. It's certainly a downer.

And even though we get the bittersweet image of Josh and Donna, yearning for each other while their plans are foiled by well-meaning friends, playing along with Billie Holiday on the soundtrack, the episode ends in the Situation Room as President Bartlet gives the order for the "invasion" (as he puts it), knowing he's doing the right thing for geopolitical reasons, yet leaving a giant mess financially and politically for his successor. For an episode that starts on such an emotional high, this is really a downer of a conclusion.

Kinda like life, right? At least in the United States in early November, 2024, know what I mean?

Tales Of Interest!

- The last appearance of John Spencer before his passing in December, 2005. You'll remember the first episode that aired after his death, Running Mates on January 8, had an opening message from Martin Sheen acknowledging his passing. This was the final episode Spencer had filmed, and this is the last shot of him in the series.

- Our timeline is clearly set as 21 days prior to the election, from a caption at the start of the episode. That puts us at Tuesday, October 17, 2006. That would also fit with the San Andreo accident happening around the previous Friday into Saturday (remember from Internal Displacement, CJ's dinner date with Danny where she first learned of the accident would have been a Friday night), given the Gallup three-day tracking poll after the event. We'll just have to disregard the caption from Duck And Cover telling us that happened on a Wednesday ...

- Lots (and I mean lots) of the trademark West Wing camera-spinning-around-the-characters here. It is an Alex Graves-directed episode, so that tracks.

- Gail's fishbowl appears to have perhaps a medicine bottle in it, reflecting Vinick's battle with his cold symptoms.

- Why'd They Come Up With The Cold?

As usual, multiple reasons. The obvious one, of course, is Senator Vinick beginning to suffer from cold symptoms during the episode. We also get the chill coming over the Vinick campaign from the tightening polls, as well as the consideration of how American troops headed to Kazakhstan need to be prepared for a Central Asian winter, and the cold setting in for both candidates as they realize what will be facing them if they win the presidency.

Quotes    

President: "I want to see invasion plans as soon as possible."

Hutchinson: "We wouldn't think of it as an invasion, sir, we'd call it an intervention."

President: "Show me a plan that doesn't look like an invasion and I'll call it whatever you want."

-----

Bruno: "The undecideds are moderates. They're not Bible thumpers. He's got to speak to their issues."

Sullivan: "What's he going to do? Suddenly pull the Arnold Vinick health care plan out of his tailpipe?"

Vinick: "Would that qualify as a miracle? They like the miracles, your people."

----- 

Bram: "Bono called."

Ronna: "Bono?"

Josh: "Really?"

Bram: "Yeah. He's in New York this weekend, he wants to have dinner with the congressman."

Donna: "Do it!"

Bram: "We're not in New York this weekend --"

Ronna: "Change his schedule!"

Donna: "Bono wants to meet him?"

Ronna: "Does he want to perform at a rally?"

Bram: "We didn't get into specifics --"

Donna: "He doesn't have to sing, they could just talk about debt relief."

Ronna (breathlessly): "Oh, did you talk to him?!?"

Bram: "I talked to a guy named Phil."

Josh: "Okay, invite him to San Diego."

Bram: "Phil?"

Josh: "Not Phil."

-----

Debbie (showing Vinick and his staff into the Mural Room): "Make yourselves comfortable."

Vinick: "Thank you."

Debbie (as she turns to leave): "Not too comfortable."

Vinick: "Excuse me?"

Debbie: "Hmm?"

Vinick: "Did you ..."

Debbie: "What?"

Vinick: "Nothing."

Debbie: "If there's anything I can get you, please let me know." (exits)

  

Story threads, callbacks, and familiar faces (Hey, it's that guy!)

• Dean Norris (Breaking Bad, Under The Dome, The Big Bang Theory) reappears as Republican Party chairman Steve Hodder.

• Melinda McGraw (The Commish, The X-Files, The Dark Knight) makes her first appearance as GOP strategist Jane Braun.

• When Donna comes to Josh's hotel room in the morning with the polling news, we see Josh's chest ... there's no scar there (remember Josh had surgery for his serious injuries after being shot in In The Shadow Of Two Gunmen). We'll actually get a better view of his scar-free chest in a few episodes.

• And of course, the kiss between Josh and Donna (and her conversation with Will, and her attempt to get her room key to Josh) is a kind of culmination of the long-standing chemistry between the two, all the way back to Pilot (and Donna's statement, "If you were in the hospital, I wouldn't stop for red lights" in 17 People).

• Donna's conversation with Will, by the way, reminds us of earlier days in the Russell campaign, when Will and Donna seemed to be the only two people on the campaign trail who weren't young, college-age enthusiastic volunteers, and who spent a lot of time and meals together.
  

• There's a van for TV station WPKW seen in the background of the park scene: WPKW is a fictional TV station, and we'd actually seen a van for that station previously covering the Santos campaign in Florida in The Mommy Problem. Those call letters later were used for a TV station in the CW series The Vampire Diaries that aired between 2009 and 2017.

The WPKW news van from The Mommy Problem

• Likewise, WBJH and WKZN (seen on other news vans) are also fictional TV stations, although both call signs have been used by radio stations in the past. WPFW is another fictional TV station, although the call letters do belong to a listener-supported "Jazz and Justice" radio station in Washington, DC.
  

• President Bartlet, who had been using a cane for several past episodes, particularly after his MS attack on the trip to China in In The Room and Impact Winter, hasn't been seen with that cane for quite a while. It's back here (mainly, I think, to provide Debbie with a comment about it and his official portrait).

• Will and Kate have been dancing around a flirtation ever since Drought Conditions, and it's been growing bit by bit recently (with them sharing a meal on Will's desk during the Vice Presidential debate in Running Mates). It's full-out serious now, with Kate leaving her underthings at Will's apartment.
  

• Josh mentions Joey (Lucas), his trusted pollster first seen in Take This Sabbath Day, and Lou (Thornton), the campaign strategist he hired in The Mommy Problem.
  

• The situation in the Middle Eastern nation of Qumar played a major role in Seasons 3 and 4, with President Bartlet ordering the killing of Qumari Foreign Minister Shareef in Posse Comitatus, and the fallout from that reverberating through Season 4 all the way to Zoey's kidnapping in Commencement through her rescue in The Dogs Of War. Yet, since seeing Qumar on Situation Room maps in Season 3, that country has ceased to exist on maps since that time. Still no evidence that Qumar ever existed with the quick view of the Situation Room displays here.

Qumar as it was seen in 7A WF 83429

• Russian President Chigorin is mentioned again. He first came to power as a moderate reformer just before Enemies Foreign And Domestic, where he signaled his intent to cooperate to shut down an Iranian heavy-water nuclear reactor, then met with President Bartlet in a summit in Finland immediately afterward. He also agreed to let the United States retrieve a secret military drone that crashed in Russian territory in Evidence Of Things Not Seen. Here he's less inclined to cooperate with the Americans given the Russian interference in the Kazakh elections.
  

• President Bartlet's decision to send troops into Kazakhstan kinda-sorta reminds us of the Bartlet Doctrine unveiled in Inauguration Day: Over There, when he pledged to use American political and military force to address attacks on human rights anywhere in the world. Of course, we've seen multiple situations since then where the doctrine should have been warranted (most recently in Sudan in Internal Displacement), but was never mentioned, let alone considered. Here it's less the attacks on Chinese nationals after Russian-rigged elections causing President Bartlet to act, than it is the threat of a major war between Russian and China over oil. But, still, you can trace a thread back to the Bartlet Doctrine, if you squint your eyes and turn your head a little (thanks for that, Bob Russell).
  

DC location shots    

• None. The fountain we see in the background when Josh gets the call from President Bartlet asking - no, telling - him to bring Santos to the White House looks to be the Friends fountain on the Warner Brothers lot (which was also seen in War Crimes, when Josh and Donna turned over her diary to Cliff Calley).

 

The same fountain in War Crimes

The same fountain in Friends

They Do Exist! It's The Real Person, or Thing    

• Annabeth mentions numbers from the Gallup poll; there's a little drama about trying to get the New York Times website to come up on a computer.
  

• Vinick says the medicine Sheila is trying to get him to drink looks like Hawaiian Punch.
  

• The lead singer of the Irish group U2, Bono, excites the women of the Santos campaign when they discover he's called to see if Santos would have dinner with him. Matt later tells the crowd at the rally Dave Matthews is going to come up on the stage.
  

• Donna says reporters from the Sacramento Bee have called with rumors about Vinick's cold; we see MSNBC coverage on TV screens.

• The medications Vicks VapoRub and Sudafed are mentioned in connection with Vinick's cold symptoms.
  

• While the Santos staff is in the Roosevelt Room, Bram hands out hotel keys/menus saying they're in the Marriott (there's a host of Marriott brands fairly near the White House, including the Washington Marriott Metro Center, the JW Marriott, and the Washington Marriott Capitol Hill). But, when Donna tries to leave her key for Josh later that night, the key envelope says Capitol Grand Hotel. That hotel is fictional, but it was also used in pilot of the TV series Covert Affairs, which aired on the USA Network from 2010 to 2015. Fun fact: that pilot episode was directed by Tim Matheson (who plays John Hoynes on The West Wing).

• We hear Billie Holiday singing Body and Soul over the Santos staff and the Donna attempted key handoff at the hotel.
  

End credits freeze frame: Vinick standing alone outside the venue after Sheila resigned.

Previous episode: Duck And Cover

Next episode: Two Weeks Out

Duck And Cover - TWW S7E12

Original airdate: January 22, 2006

Written by: Eli Attie (18)

Directed by: Christopher Misiano (26)

Synopsis

• An accident at a nuclear power plant in California forces President Bartlet to make life-and-death decisions, Senator Vinick to confront his support for nuclear power (and his assistance in getting that very power plant online), and Josh and Matt to control their instincts to try to take political advantage.
  

"Who would give the order?"

"We've taken charge of the plant, sir. That would be you."

Disaster looms around every corner in this thriller of an episode. Of course the main disastrous plotline is the nuclear power plant accident in San Andreo, California, threatening tens or even hundreds of thousands of people, but we've also got: the potential disaster for Senator Vinick, if word that he pulled strings and pushed hard to get the plant open 25 years ago should break; a similar political disaster for Matt Santos, if Josh decides to go along with Bram and Helen to open up on Vinick for his support of nuclear power, threatening a powerful return attack saying Santos is "politicizing" a potential tragedy; and, overseas, a possible disaster in Kazakhstan, as rigged elections and violent responses to protest cause both the Chinese and Russian armies to cross the border.

 

We also have the additional topice of responsibility. Vinick, who is more than happy to reiterate his support for nuclear power after the accident, isn't quite as excited about having the word get out of his pressure to get that plant open. Josh, who is usually quick to grab opportunities to go after opponents when they present themselves, turns out to be responsible enough to hold off on going after Vinick and using a nuclear accident for political gain. 

And the big one is President Bartlet, who immediately takes on the responsibility of being out in front of the story of the accident:

President: "I want the FEMA director and the chair of the Nuclear Regulatory Commission in here right away. Get CNN to stop running rumors. I'll make a statement in 15 minutes."

Kate: "Sir, you really don't want to notify the public until there's a plan in place. There could be widespread panic."

President: "Then we'd better get moving on a plan, because I'm making a statement in 15 minutes."

And then by stressing the entire federal response will be going through him and him alone:

CJ: "Mr. President, with all the levels of government involved in this maybe now's a good time to designate a czar, a single point person to oversee --"

President: "You're looking at him."

This eventually turns out to weigh heavily on President Bartlet, when his decision to order engineers into the radiation-filled reactor room - and then stay longer than planned, to try to close valves - ends up with tragic results.

 

This is how you do a thriller: taut, high-stakes, teetering on the edge of disaster, the clock ticking ... it's pretty darn suspenseful as we fly through the 16 or so hours portrayed, even as we realize having a nuclear power plant building burst open and spew radiation all over San Diego probably isn't actually going to happen on The West Wing. Eli Attie puts together a fast-paced episode that whipsaws from success to failure to success again and then tragedy, and Martin Sheen is excellent as the man in charge forced to make on-the-spot decisions that affect the lives of hundreds of thousands of Americans.

The easiest way to set up our situation is to have it explained to us, the audience, just as CJ explains it to the President:

CJ: "Seventeen minutes ago, at 6:02 Pacific Time, sirens went off at the nuclear generating plant in San Andreo, California. The main feedwater pump failed. Everything proceeded as expected: a relief valve opened to let the water escape, the reactor scrammed -"

President: "Shut itself down."

CJ: "But now a valve is malfunctioning and coolant has stopped flowing into the reactor's core."

President: "If they can't get coolant into the core -"

CJ: "The uranium fuel rods become exposed, which makes them highly combustible. We could be looking at a full-scale nuclear meltdown."

In addition, another valve has failed, causing radioactive steam to build up inside a structure that wasn't built to contain it, risking an uncontrolled release of radiation over southern California. Even running a new pipe of water into the core to cool it is problematic, as it only increases the pressure of the steam being released.

As the campaigns react to news of the accident, this turns out to be one of the rare instances in which both Matt's and Josh's instincts align. Usually Josh is more of a "shoot first, ask questions later" kind of campaign manager ... but as we've seen in plenty of episodes going back to Opposition Research and Freedonia, Matt tends to have a more subtle, reasoned approach to events, and we've usually seen him be right. In this case, they both see the benefit of playing it cool, staying quiet while the accident unfolds, and not risk the outcome of getting criticized for "playing politics" with a disaster that could affect, frankly, millions.

Josh: "I say we go completely dark. Let the press go after Vinick on their own, so they can't accuse us of playing politics."

Matt: "I'm fine doing nothing on this issue."

Josh: "I mean nothing on any issue: no speeches, no press releases. We just ... stay right here."

Matt: "See which way the wind blows."

Josh: "And what's blowing in it."

This also has the benefit of driving Bruno nuts. Bruno knows how Josh works (they worked together pretty closely in Bartlet's re-election campaign of 2002), and he fully expects him to go full-out on the attack against Vinick, using his support of nuclear power as a hammer while exploiting this potential disaster in California. While Vinick's staffer Bob keeps pushing to have Vinick make a statement or attack federal regulations to try to change the subject of supporting nuclear power into "it was the fed's fault," Bruno puts the kibosh on those ideas, knowing deep down that Josh can't stay quiet all night.

He's almost right, particularly after Josh finds out about Vinick's pressure to open the San Andreo plant 25 years earlier. He knows that will give Vinick's campaign a big hit, and he's frustrated that the ongoing events mean the news media don't have the information he does.

As the pressure builds inside the containment buildings at the power plant, the pressure builds on the President as well. He's told in order to keep the uranium rods cool, two engineers must go inside the reactor room to open the malfunctioning valve and restore the flow of coolant. As they're inside, he's additionally informed the only way to avoid a potentially cataclysmic rupture of another building, spewing uncontrolled amounts of radioactive steam across southern California, is to keep those engineers inside longer, in order to close off the valve leaking steam into the building not built to hold the pressure. Bartlet reluctantly gives the order, potentially trading off two lives for those of tens of thousands. It's a call that weighs heavy on him, particularly when he's later told one of those engineers has died.

Speaking of pressure, the pressure on the Santos and Vinick campaigns continues to grow, particularly after President Bartlet decides he's going to fly to San Andreo and bring the California congressional delegation along with him - which includes Senator Vinick. The idea of the Republican candidate being seen with the President handling a crisis is almost too much for Josh to bear - it could be disastrous for Matt's campaign. Meanwhile, Bob continues to press for Vinick to make a statement before he goes, just to get in front of the press and say something. Bruno, continuing to count on Josh losing his cool and going after Vinick, tries to stamp out the idea - but Vinick insists on it.

And when Vinick can't help himself, going off script and lashing out at federal regulators, Bruno has quite the "I told you so" look at Bob:

But Bruno is right: this trip to California with the President is the straw that broke Josh's back. Josh finally folds, telling Donna to go out to the press and drop hints, breadcrumbs, anything to get the press to report on Vinick's past relationship with the San Andreo plant. This time, though, Josh's waiting to use the information he got turns out to be well-timed; the reporter Donna goes to already has the story and is writing it up as they meet.

Almost simultaneously with the press getting the Vinick story, a second team of engineers closes the steam relief valve inside the reactor room, and the crisis is over. At least, the immediate crisis for southern California ... Vinick's enthusiastic support of nuclear power and his pushing to get this very plant started years ago, coupled with Matt's position against nuclear energy, has changed the outlook on the Presidential race. States that were firmly in the Vinick camp are starting to waver. Electoral votes Vinick thought he could count on are now up in the air. And we see both campaigns reacting to the new reality with just about a month to go before the election.

Bruno and Bob, sullenly reviewing their electoral map as Bob removes state after state they thought they had locked up:

And Josh, taking a marker to the Santos electoral map, indicating the contest yet to come:

As we ourselves are going through the ups and downs of the final months of an unprecedented Presidential election cycle in 2024, we are reminded that there's simply no way to predict how events will unfold over the final days and months before the vote, and there's no real way to know how those events might affect either campaign.

But mainly, I appreciate this frantic, gripping episode for the thriller it was meant to be. It's really quite a fine entry for Season 7. And both the San Andreo power plant incident and the unfolding events in Kazakhstan will continue to loom over the candidates as we go forward in the series.

 

Tales Of Interest!

- If you remember the previous episode, Internal Displacement, that began with a Wednesday night dinner for Danny and CJ. The next day, Danny asked her back to dinner "tomorrow night," which would mean Friday. It was at that dinner where CJ was called away, back to the White House, where Kate gave her the news about the San Andreo accident.

 

Why am I bringing this up? Because in this episode, at the Rock The Vote event where Matt and Helen are appearing, the onscreen caption clearly tells us "Wednesday night" - and this is when word of the accident breaks for the Santos campaign.

 

It can't be Wednesday night, unless the events of Internal Displacement took a week, which I'm positive they did not. Seriously, this stuff bugs me, because it's not like it's hard for the writers to have, you know, a calendar they could refer to in order to avoid things like this. Anyway, it's probably the Friday into the Saturday of the first weekend of October, 2006 here.

- At a little before 11 pm EDT, Kate tells the President "It's almost morning in Kazakhstan, sir. The polls open in two hours" - so around 1:00 am DC time. Kazakhstan (which abolished Daylight Saving Time in 2005) would be nine hours ahead of Washington, DC, so that would make it almost 8:00 am Saturday in Kazakhstan (or, Thursday, if we went back in time to Wednesday like they told us at the Rock The Vote event). Apparently the polls won't open until 10:00 am local time. A bit over two hours later (the onscreen graphic says 1:28 am Washington time), Kate says the polls just closed ... at about 10:30 am Kazakhstan time. After being open for only half an hour. I guess that explains the riots and the uprising over the results, huh?

- Speaking of time, the map showing daylight hours on the wall of the Situation Room doesn't seem right. Will's meeting with the agency spokespersons comes at 10:41 pm, according to the onscreen graphic. This scene in the Situation Room comes immediately after. Going by the daylight/nighttime imagery on this screen, it would appear to be midday in eastern Europe, through Poland and eastern Africa. If it was noon in those areas, it would be about 6:00 am in Washington DC ... not 11:00 pm.

- And speaking of time again, when we're informed it's 4:25 am Washington time, we can see the watch on President Bartlet's wrist does not agree with that information. It certainly appears to me that the watch is reading 9:00. I've mentioned before (particularly CJ's watch in Evidence Of Things Not Seen, or the clock on the wall of the fitness center in The White House Pro-Am) how difficult it is for continuity/script supervisors to make clocks/watches/time agree, with all the different takes and the scenes being filmed at a different time than they are set. (I did notice the two times we see the grandfather clock in the Oval Office, at about 9:20 pm and again around 12:21 am, the time on that clock does agree with the times shown onscreen.)

 

- The cinematography and directing choices here are very interesting. There's a lot of shaky, hand-held camera work here, which fits perfectly with the frantic pace of the pending power plant disaster and the high stakes faced by the characters.

Several times over the course of The West Wing we get shots of the President gazing out an Oval Office window, with its old glass bending the images into strange, off-kilter shapes. And so, here:

We've also seen the technique used effectively in the past of characters being seen both on our screen and on screens within the shot, often in the briefing room. That happens a couple of times in this episode, with the President's first statement and then later with Will, seen here from a couple of angles:

And seen again both on our screen and in a camera viewfinder (this was also used effectively in Game On):

And in a very cool directing choice, Christopher Misiano combines a hand-held camera shot with a step-by-step zoom in on Bruno's face as he insists Vinick can't make a statement before going to California. Instead of a steady zoom as you would expect, the camera zooms and stops, zooms and stops, then zooms and stops again.

- Why'd They Come Up With Duck And Cover?

The phrase "duck and cover" came about in the early 1950s as a method to help protect people from the effects of a nuclear explosion, and is used as the title here given the potential explosion of the San Andreo nuclear power plant. President Bartlet brings up the phrase to CJ:

President: "You're too young to remember duck and cover."

CJ: "Sir?"

President: "We'd hide under our little wooden desks at school. At some point they stopped the drills. The threat was still there - they just stopped having the drills. I guess they realized a piece of plywood wasn't going to protect us against an atomic blast."

Quotes    

FEMA Director (on the phone with officials in California; to the President): "Based on prevailing winds, FEMA recommends we evacuate 15 down, 6 and 9 around. It'll cover all of San Andreo."

Will: "Fifteen down?"

CJ: "Fifteen miles, between 6 and 9 like a clock."

FEMA Director: "But state emergency services want to do just 10 down, 6 and 9 around: the legal minimum."

President: "Tell them if they're fine with 10 miles, the Governor and I will be setting up a command post at 10.1 miles from the plant. We'd like them to join us there. (to Will) Is the press ready for my statement?"

Will: "Readier than we are."

CJ: "It's not like we have much to tell them."

FEMA Director (after listening to officials in California): "It sounds like they're more comfortable with 15 miles."

-----

Helen: "How's the governor?"

Matt: "Nervous."

Helen: "I don't see why. Any angry constituents will just be vaporized anyway, right?"

(Matt gives her a look)

Helen: "Oh, am I the only one left in the family with a sense of humor?"

----- 

Will: "You told Time we were worried about wind shifts?"

Blyden: "I got that from your office."

Will: "Which is why my office has taken you off the talking points distribution list."

Blyden: "I need those to do my job."

Will: "Not any more. You're being transferred. You no longer speak for this government."

Blyden: "For telling people the truth?"

Will: "For telling people something which can only cause further panic. It doesn't matter if it's true. It doesn't matter if I've already said it. We're trying to prevent mass hysteria in a climate in which even the truth can be misinterpreted, so we speak with one voice. You're lucky you still have a job."

-----

Josh: "We're getting a few press requests."

Matt: "By a few, you mean ..."

Josh: "A million kajillion."

Matt: "Okay, that's not a real number."

-----

CJ: "You ready?"

Will: "To fly into a massive cloud of radiation while the rest of the country's making hats out of tin foil?"

CJ: "That was more of a rhetorical question. (pause) You think we're flying into a massive cloud of radiation?"

Will: "I was dramatizing a point. (pause) Maybe."

-----

Vinick: "I felt we might want to coordinate our statements, for press availability."

President: "You're expecting me to bash myself too?"

Vinick: "It wasn't aimed at you."

President: "Federal regulators? I think a few of them work for me."

 

Story threads, callbacks, and familiar faces (Hey, it's that guy!)

• Our favorite news anchor on TV shows is back, Ivan Allen! He first appeared in A Proportional Response, and in earlier episodes has worked for MSNBC, the fictional cable news network CND, and a local Washington DC station. Allen is credited for 27 appearances on The West Wing.

• I love J.K. Simmons (too many credits to list, including Spider-Man, Law & Order, The Closer, La La Land, the Farmer's Insurance guy, and he won an Oscar for Whiplash), and it's great to see him here as the head of the Nuclear Regulatory Commission.

• The head of FEMA is played by Michael Chieffo (Better Call Saul, L.A. Confidential, Roswell).

• It's Nancy!

• It's Mark! The former White House pool reporter is now seen asking questions of Senator Vinick. We also see him onscreen in the background, apparently reporting for MSNBC now.
  

• Speaking of reporters, the new-ish White House reporter (Joyce Guy) I first noticed in Access (even though she first appeared in Constituency Of One), and was one of a few reporters getting a small-group briefing from Annabeth in Things Fall Apart, is the reporter Donna goes to in order to plant the story of Vinick greasing the wheels for the San Andreo plant - except the reporter already has the lead. (Also somewhat interestingly, while that character has been credited as "Charlayne" in the past, in this episode she's just "Santos Reporter #1.")
  

• Vinick's support of nuclear power in The Debate becomes a big plot point, with news footage of the debate being included in coverage of the accident.

• We hear that the military units of China and Russia are still holding on the borders of Kazakhstan (well, until the point that Taramov's government starts putting down riots by ethnic Chinese after the elections, when both countries start to move in). In The Wedding we saw President Bartlet make his pleas to both country's leaders to halt their advances and not cross the border, even if just for a few hours; apparently that halt lasted maybe two weeks (Ellie's wedding was probably September 23, this would be around October 7).
  

• There's a mention of California's governor Tillman; we saw him in person in La Palabra.

• We see Vinick still wears his wedding ring; it was in King Corn when we first learned he was a widower.

• President Bartlet reminds us of his academic past, saying, "I thought a degree in economics was plenty for this job, my kingdom for a plumbing license."
  

• It's been a while since we've seen President Bartlet with a Notre Dame mug, but here we are (Martin Sheen, as a condition of taking the role, insisted that Jed Bartlet be a Catholic and a graduate of Notre Dame).

DC location shots    

• None.

They Do Exist! It's The Real Person, or Thing    

• Some things that don't actually exist: San Andreo, California, is not a real city; CalVista is not the utility company in southern California; there is no William D. Moseley Hotel in Tampa (although William Dunn Moseley was the first governor of the state of Florida in 1845).
  

• CJ says when steam was released from the San Andreo plant it "sounded something like the Concorde landing."
  

• CNN gets a shout out, as well as plenty of MSNBC logos on TV screens. Later in the episode we hear about Time, the AP, and The Washington Post (not The Washington Leader, which is apparently the fictional newspaper Danny Concannon now works for, as seen in Internal Displacement). And Will tells the President about a story Fox News is running.

 

• Rock The Vote is a real organization (we also saw the Bartlet campaign working with them in College Kids). And in connection with that appearance by Matt, we get mentions of Bob Dylan and his albums Highway 61 Revisited and Blonde On Blonde. Bruno later tells Vinick he talks like a President and not "some latter-day Mick Jagger-in-chief."

• After Matt says Blonde On Blonde is his favorite Dylan album, causing Helen to give him a look, Josh says, "Jay Leno's gonna have a field day."

• As Bram, Donna, and Helen start pushing Matt to use the nuclear plant accident to campaign against Vinick, he tells Josh, "Get them to cool it on the political chatter, I don't want us holding rallies on the Hindenburg."
  

• Will tells the agency spokespeople he doesn't have time to deal with them "by the Socratic method" (questions and answers, basically).
  

• Coffeemate can be seen in the background in Vinick's campaign headquarters.

• Bruno says Josh has "the political equivalent of Tourette Syndrome."
  

• Josh calls the President and Vinick "the Martin & Lewis of disaster management" (meaning Dean Martin and Jerry Lewis).
  

• Bruno is surfing the net for stories leaked by Josh, and he mentions "nothing on Drudge" (Matt Drudge of the The Drudge Report).
  

• Bob brings up the Redskins as he insists Vinick has to say something in public before boarding Air Force One.
  

• CJ is on the phone with someone and says, "I can't talk about the Armenian genocide." That kind of comes out of nowhere, but I'd guess it's a deliberate move by a writer to get that somewhat controversial topic at least mentioned on television.
  

• President Bartlet compares the power of a nuclear power plant's reaction to the bomb dropped on Hiroshima in World War II.
  

End credits freeze frame: President Bartlet looking out the Oval Office window.

Previous episode: Internal Displacement

Next episode: The Cold