THE WEST WING TRANSCRIPT: Freedonia (S6E15)

THE WEST WING
6x15 - “FREEDONIA”
WRITTEN BY ELI ATTIE
DIRECTED BY CHRISTOPHER MISIANO

Transcribed by Walking, Talking, And Yelling At Clouds
(kegofglory.blogspot.com)

NOTE: I have chosen to use the spelling ‘dwarfs’ throughout this transcript. Both ‘dwarfs’ and ‘dwarves’ are acceptable spellings, but even though most of the characters seem to use the ‘v’ sound in the pronunciation, I just think ‘dwarfs’ looks better on the page than the Tolkien-esque ‘dwarves’ - and ‘dwarfs’ fits better with the fairy tale/Disney origin as it pertains to ‘seven dwarfs.’ YMMV.

TEASER

FREEDONIA

FADE IN: A snowy street in a New Hampshire town. RONNA is bringing cups of coffee across the street and handing one to NED. We hear MATT SANTOS talking to a group of voters and reporters on the sidewalk outside a grocery store.

MATT
When was the last time you saw a politician answer a question he didn’t like?

WOMAN
Are you saying the debate shouldn’t matter?

MATT
No, I’m saying the debate should be better. Look, we’re practically teaching media evasion in kindergarten now - ‘look, teacher, the issue isn’t whether I pinched Dorothy during milk and cookies, the American people are more concerned with the need for new nap mats, and I’ve got a six-point plan.’

MATT and the crowd chuckle.

MAN
It’s the politicians that turn them into pumpkin-judging contests.

MATT
Oh, yeah – sometimes, sure, but it’s also the rules of the game. Look, we’ve got one more debate before this New Hampshire primary. Do we really want another joint photo-op, another ninety-second soundbite followed by a sixty-second soundbite, another beauty pageant without the beauty.

WOMAN
I think you’re beautiful.

MATT (smiling, embarrassed)
Well, maybe I’m working against myself here, but the Dover Herald – they’re announcing their debate rules this afternoon, and I’ve been banging on ‘em, let’s make it a real debate – a debate where all seven Democrats get to cross-examine each other, where we get to answer questions, like it or not.

MAN
You said politicians never answer questions they don’t like.

MATT
So we hook ourselves up to electrodes, Crossfire meets Clockwork Orange.

The crowd laughs again.

CUT TO: EXT. - PARKING LOT – DAY

VICE PRESIDENT RUSSELL is getting off his campaign bus, followed by WILL, Secret Service and a group of staffers, one carrying a basket full of wooden eggs. RUSSELL is holding one egg, trying to sign it.

RUSSELL
I don’t understand the wooden eggs.

WILL
‘Politics and Eggs,’ that’s the name of the forum.

RUSSELL
Have you ever tried signing a wooden egg?

WILL
It’s one of those annoying Granite State traditions – like the actual voting. We talk about your speech?

RUSSELL
What about little wooden slices of toast? At least you get traction with your pen.

WILL (as they enter the building)
You’re doing a modified stump; we beefed up the foreign-policy section because of these Pakistani nuclear sales. The soundbites in bold.

RUSSELL
Fine.

WILL
Then you can sign some little wooden nuclear reactors.

RUSSELL
I think I should open with the VP seal joke. Donna?

The group has reached DONNA, who was already inside the venue making the preparations.

DONNA
It’s a hilarious joke that’s been hilarious 147 times, sir.

RUSSELL
Well, I’ve never done this forum before.

WILL
These people were at all the other forums. Next week, they’ll be at the forum on forums.

A VOLUNTEER is at the door into the conference center.

VOLUNTEER
They’re almost done with your introduction, sir.

RUSSELL
Okay, I’m gonna open with the VP seal joke.

WILL
Pound the foreign policy section, I’m okay if you tell knock-knock jokes.

We hear the HOST introducing RUSSELL.

HOST (VO)
Our guest at this morning’s Politics and Eggs, Vice President Bob Russell.

As the crowd stands and applauds, RUSSELL steps into the conference room and up to the podium.

RUSSELL
Thank you, Bill. And in case the kitchen staff is wondering, I like my wooden eggs sawed in half and scrambled.

The crowd laughs.

RUSSELL
It is a great pleasure to be here -

As RUSSELL goes on we see WILL and DONNA talking.

DONNA
They just announced the rules for the Dover Herald debate.

WILL
Huh – don’t tell me they’re doing any of this Matt Santos nonsense – thumb-wrestling if you misuse a statistic.

DONNA
No, pretty thumb-free, in fact -

WILL stops here and gestures to RUSSELL.

RUSSELL
… the seal of the Vice President of the United States of America, and I will tell you what I like best about that seal. If you close your left eye, and squint really hard, and tilt your head just so, it reads a lot like ‘President of the United States of America.’

WILL and DONNA silently mouth the final words. The crowd laughs.

DONNA
The debate -

WILL
Trade the launch codes for a seltzer bottle, I swear we could do vaudeville.

DONNA
This is important.

WILL
They’re putting the Vice President of the United States onstage with six also-rans. Believe me, this debate isn’t important.

DONNA
See, that’s the thing.

WILL looks at DONNA.

CUT TO: EXT. - NEW HAMPSHIRE STREET – DAY

JOSH is crossing the street as MATT talks with another group of voters on the sidewalk.

MATT
And every year health care reform has been on the national agenda, whether we’ve passed it or not, private insurers have kept their premium increases down. So, uh – yeah, it ought to be part of the debate. Thanks.

MATT steps away from the group and walks up to JOSH. They step inside a clothing store.

MATT
Any news on this, uh, Pakistani nuclear sale to Nigeria?

JOSH
Pakistan’s trying to back pedal.

MATT
We ought to put out some kind of statement.

JOSH
No one’s asking, but – sure.

MATT (beat)
‘We need to lead toward a world that’s, uh, free, prosperous, and also nuclear-free.’

JOSH
That’s good. 

MATT
Second set starts at 9:00.

JOSH
I have some bad news. 

MATT
How bad?

JOSH
Bad.

MATT
The Herald’s decided to use the same old phony debate rules?

JOSH
Russell and Hoynes just made a huge media buy out of Boston, close to 1800 gross ratings points each.

MATT
1800 points … ?

JOSH
It’s an ad war … or an ad apocalypse, I don’t know where they’re getting the money, but – we don’t have it.

MATT
We ought to just ban TV ads altogether, screw the First Amendment.

JOSH
Well, constitutionality aside, New Hampshire votes in five days. The airwaves are gonna be flooded with Russell, Hoynes, and reruns of I Love Lucy. We need to change the whole dynamic, or we’re finished. We need a silver bullet.

MATT
A silver bullet?

JOSH
A TV ad that’ll vault us out of the second tier – turn this campaign on its head.

MATT
You want us to go deeper into debt?

JOSH
No, but we can scrape together enough to buy one minute of prime time on WMUR.

MATT
One minute against 1800 points?

JOSH
One minute that is so gutsy, so edgy, so different, that it’ll be replayed for free on every newscast in the country.

MATT
What’s the ad?

JOSH (confidently)
Working on it.

MATT and JOSH exchange looks, both half-smiling at the thought.

MATT
You go on and buy that air time. (turning to greet a shopper) Hi, Matt Santos. I’m running for President.

SHOPPER 
Hi, I’m …

RONNA comes up to JOSH.

JOSH
Anything on the debate rules?

RONNA
No interaction, no cross-examination, it’s everything we didn’t want, but -

JOSH
The debate’s gonna be a wash anyway. No one’s gonna watch. Everyone’s calling it The Return Of The Seven Dwarfs.

RONNA
Two dwarfs.

JOSH
Seven. The one with the big nose used to give me nightmares, it’s -

RONNA
Only Hoynes and Russell are invited. They’re limiting it to candidates polling over 20 percent. The Herald says they’re the only ones that can win.

MATT comes back by RONNA and JOSH, squeezing between them on the way to greet other shoppers.

MATT
You guys are already working on that silver bullet, huh?

JOSH and RONNA look at each other glumly.

SMASH CUT TO: MAIN TITLES.
END TEASER.
***

ACT ONE

FADE IN: INT. - SANTOS CAMPAIGN HEADQUARTERS – DAY

The former sporting goods store is a beehive of activity, with volunteers on phones, working at tables, carrying signs, chattering amongst themselves. MATT, JOSH, and RONNA come in through the front door.

MATT
You know, if only front-runners can debate, why not just bar the rest of us from the ballot altogether? I mean, if New Hampshire has suddenly become the Soviet Republic, they might as well go all the way.

JOSH
Oh, we’re gonna get in this. They can’t shut two-thirds of the Democratic field out of the debate.

MATT (taking off his coat in his office in the back of the building)
Oh, come on – don’t even call it a debate. What do voters learn from ninety seconds of canned blather followed by sixty seconds of canned blather, anyway?

JOSH
Timing, I suppose. Look, there’s a serious legal argument to be made here. This can be seen as an illegal contribution to both Hoynes and Russell. I, I know the case law. We get a team of election lawyers, we storm the District Court -

MATT
I don’t want to sue my way into this, Josh. 

JOSH
Shame the Herald, kick up a huge cloud of dust. Maybe even the District Court stops the debate.

MATT (throwing darts)
I don’t want to stop it, I want to get in it!

JOSH
Well, the publisher of the Herald won’t meet with us, I couldn’t get past the copy desk.

MATT (still throwing darts)
Ehhh … (sighing as he pulls the darts out of the board) Do you think the Vice President really wants to, uh, go mano-a-mano with John Hoynes?

JOSH
No … why elevate the number two mano in a crowded field?

MATT
Maybe Russell will meet the publisher of the Herald with us – demand a full and fair debate.

JOSH heads over to NED and RONNA.

JOSH (to RONNA)
Get Will Bailey on the phone … (to NED) and, uh, call that, uh, post-production shop in Nashua. We need ‘em open late. We’re gonna make a TV ad.

CUT TO: EXT. - NEW HAMPSHIRE STREET – DAY

RUSEELL is talking with a group of people on the sidewalk. WILL and DONNA are nearby.

RUSSELL
I got a letter from an eight-year-old girl in Portsmouth who said, and I quote, ‘You are the greatest Vice President of my time.’

The crowd laughs.

RUSSELL
Now, I’m not making this up. Thanks for your time, folks. Have a good day.

The crowd responds as RUSSELL walks away to join WILL and DONNA.

RUSSELL (to WILL)
A two-man debate? I told you the Herald was for Hoynes. Tomorrow they’ll be denouncing me for not giving him flyer miles on Air Force Two.

WILL
Josh Lyman just called.

RUSSELL (as they all walk towards the Russell campaign bus)
Tell him he can have your job.

DONNA
Today I think he’d take it.

RUSSELL
As long as he fakes my signature on 300 wooden eggs.

WILL
Santos wants you to go to the Herald with him to say that if all seven candidates aren’t invited, you’ll stay home and scramble those eggs by your lonesome.

RUSSELL
I can’t look like I’m ducking Hoynes.

DONNA
You stand with Santos, Hoynes will look like he’s ducking the whole field.

RUSSELL
What about his nutty debate rules? We want the Seven Dwarfs to be able to take direct shots at me?

WILL
You realize – you’re one of the dwarfs. There are only seven candidates.

RUSSELL
Well, there must have been a head dwarf …

DONNA
That’d be Snow White – not quite what we’re going for.

WILL (as they get on the bus)
Forget Santos’ rules, he’ll be grateful just to get on that stage. The more dwarfs we have up there with the sitting Vice President, the smaller John Hoynes is gonna look.

CUT TO: EXT. - NEW HAMPSHIRE SIDEWALK – DAY

JOSH and MATT are heading toward the Dover Herald offices.

JOSH
Will and I choreographed this whole meeting.

MATT
Okay.

JOSH
Let Russell do the talking. He’s the frontrunner, it should come from him.

MATT
Fine.

JOSH
You can bob your head appreciatively.

MATT
I’ve been thinking about debate prep. (to someone on the sidewalk) Hi. (to JOSH) You know, you were right, we should bring in someone to help.

JOSH
I’ll make some calls.

MATT
I’ve called someone already.

JOSH
Who’d you call?

MATT
Someone I know from the Hill. For performance stuff, eye-clicking, things like that.

JOSH
Eye-clicking?

MATT
Yeah. Things like that.

CUT TO: INT. - DOVER HERALD OFFICE – DAY

JOSH and MATT enter the office of the publisher, MR. LOWELL. WILL and RUSSELL are already there.

MATT (shaking hands)
Mr. Lowell.

LOWELL
Congressman, welcome to the Herald.

MATT (shaking hands with RUSSELL)
Mr. Vice President.

RUSSELL
Matt. You’ve come a long way since House Administration.

MATT (to LOWELL)
The Vice President and I served together on the, uh, House Administration Committee.

RUSSELL
Siberia of committees.

MATT
Non-binding resolutions to limit the number of non-binding resolutions.

RUSSELL
Hey, that one was binding.

LOWELL (as they all sit around his desk)
That must have been some time ago.

RUSSELL
Yeah, I think it was back in -

MATT
Two years ago, actually.

RUSSELL reacts to that.

LOWELL
Well, I’ll be frank. We’re five days away from the primary, two days away from the debate. No offense, Congressman, you’re not going to be the nominee. How does it serve the voters to clutter up the stage?

RUSSELL
I’m sure Fidel Castro would agree. (beat) Mackey - you’re trying to do the right thing, but it’s downright undemocratic. My lawyers tell me that uh, it could be an illegal contribution to the two top campaigns. Without the full field, I … I don’t think I can participate.

LOWELL
The people want another debate, Mr. Vice President.

RUSSELL
I agree. I was thinking of having my own, invite the full field. Who needs the Dover Herald?

LOWELL
All seven Democrats.

RUSSELL
Right as rain, Mackey.

MATT
We should also take a minute to discuss format. Uh, these debates can be better, not just bigger.

RUSSELL looks skeptically at MATT.

MATT
We all saw what happened in the New Jersey Senate debates.

LOWELL
Are we talking about the rules you proposed?

WILL and JOSH are watching with trepidation.

MATT
Well, don’t we want this to be truly democratic, with real back-and-forth? A requirement that each candidate has to answer the questions, not just another seven-stump-speech collision.

LOWELL
Well, I’m all for mixing it up, but if we proposed a debate like that, no one would agree to it.

MATT
What do you say, Mr. Vice President? A real debate, with all of the candidates truly engaging on the issues?

RUSSELL (unconvincingly)
Great.

MATT
Terrific.

LOWELL
I have to talk to my editorial board, but, uh – I will take it to John Hoynes.

RUSSELL (standing, brusquely)
Matt.

MATT (also rising)
Mr. Vice President.

RUSSELL storms out, followed by WILL.

MATT
Thank you very much, Mr. Lowell.

CUT TO: EXT. - OUTSIDE THE HERALD OFFICE – DAY

RUSSELL and WILL come out the door and down the steps.

RUSSELL
Who do you think was the jerk who wanted to limit non-binding resolutions?

WILL
That did go a bit off-plan.

RUSSELL
I won’t be a punching bag for Hoynes and Santos and every second-tier welterweight who wants a quick tabloid hit.

WILL
I’ll call Mackey and revisit the format.

RUSSELL
I practically threatened legal action in there.

WILL
I’ll call him and tell him if they’re using Santos’ format, we won’t debate at all.

RUSSELL
You call him and tell him we’ll pay for the debate ourselves – just me and Hoynes, Herald rules. Then no one can say it’s an illegal contribution to anyone. (getting in his SUV) I didn’t come here to be a guest lecturer in Matt Santos’ etiquette class.

CUT TO: INT. - SANTOS CAMPAIGN HEADQUARTERS – DAY

JOSH is on the phone by MATT’s desk, MATT is bouncing a ball off the wall.

JOSH (into phone)
Mm-hmm. Yeah. (beat) Okay, so we’re back to a two-man debate. (beat) Thanks.

JOSH hangs up the phone.

JOSH
You did push the rules business a little hard.

MATT
I don’t know how anyone’s helped by us standing up there spewing out poll-tested pabulum.

JOSH
We’re not trying to help anyone, we’re trying to help you.

MATT
Spoken like a true Athenian. So I guess we cancel the debate prep, huh?

JOSH
No, you need to move ahead with it.

MATT 
For a debate we’re not even in.

JOSH
We have to get in, I, - I got two election lawyers from Boston working on a brief.

MATT
You’re still on this illegal contribution jag?

JOSH
Even if Russell paid for the event, he’s still using the Herald’s name, he’s getting a mountain of free media, how is that not an illegal -

MATT
I am not taking this to court, Josh!

JOSH closes his binder and stands to go. He realizes something and stops.

JOSH
We could try the Bob Russell thing.

MATT
Get a bad haircut and break ties in the Senate?

JOSH
No, hold our own debate.

MATT
Me and my bedroom mirror.

JOSH
No, I’m serious. We rent the hall across from the main debate, you personally invite all the other candidates, we stir up the good government groups, editorial writers, local activists -

MATT
‘Cause the Dover Herald doesn’t get to decide who’s a viable candidate for the highest office in the land.

JOSH
Frank Capra, eat your heart out.

MATT
Can we use my debate rules?

JOSH
You can use whatever rules you want, just … get ready to debate.

JOSH heads off.

CUT TO: INT. - RUSSELL CAMPAIGN BUS – DAY

As the bus rolls along a rural highway with a police escort, WILL and DONNA are showing RUSSELL some TV ad options.

WILL
We’re gonna run this at about 600 points, very effective with swing-twos in the mall test.

DONNA puts a VHS tape in the player, and we see the ad. It begins with RUSSELL onscreen.

RUSSELL (on TV)
I’m Bob Russell, and I approve this ad.

The ad begins, with footage of men handling piles of assault rifles.

NARRATOR (on TV)
In the United States Senate, John Hoynes had an 84 percent NRA voting record. Now he claims he’ll crack down on handguns. As Vice President -

Now the ad shows delegates at the United Nations, with an unflattering photo of Hoynes superimposed.

NARRATOR (on TV)
- Hoynes praised Pakistan’s Defense Minister as a ‘bold thinker,’ so bold he may now be selling nuclear secrets to Nigeria. You can’t take America’s side by taking both sides.

A giant question mark is superimposed on Hoynes’ face.

NARRATOR (on TV)
John Hoynes – whose side is he on?

RUSSELL
You sure we should run this?

WILL
Want to see his ad on your Colorado mining connections again?

A phone rings, and a STAFFER answers.

STAFFER (into phone)
Hello? (to WILL) Matt Santos, for the Veep.

WILL looks at RUSSELL, who shakes his head.

WILL
He’s tied up.

WILL and DONNA leave RUSSELL’s room in the back of the bus, making their way up the aisle.

DONNA
I still don’t get why our ads are that negative. I mean, of course I get it, but we’re the frontrunner, do they have to be that negative?

WILL (as they sit)
We need to work up some Q&A for the two-man debate. Want to grab dinner later?

DONNA
You’re … are you asking me to dinner?

WILL
We’ve had dinner four nights in a row.

DONNA
But you never asked me, we just went. Who else am I going to have dinner with? Everyone else on this campaign is 14 years old and irons their blue jeans.

WILL
Fine.

DONNA
Great. (to another staffer) I need one-pagers on domestic policy, and, uh, NSC guidance on Pakistan? Thanks.

WILL
Sooo … you wanna grab dinner later?

DONNA (beat)
Sure.

CUT TO: EXT. - NEW HAMPSHIRE STREET – DAY

JOSH is walking down the sidewalk with NED, RONNA, and a couple of other campaign staffers.

JOSH
Just set it up like a real debate, seven podiums, a table for the moderator, full drill.

STAFFER
Got it.

The other staffers peel off and head in a different direction, leaving JOSH with NED and RONNA.

JOSH
We get back to headquarters, we’ll draft a statement announcing this thing.

RONNA
We’ll miss debate prep.

JOSH
Yeah, Santos is gonna work with a guy I’m bringing in from the Hill.

RONNA
Smart of you to widen the team.

JOSH
Thanks. What we’re gonna do is start a massive public relations crusade.

NED
Tonight?

JOSH
Yeah, do you have that, uh, list of opinion-makers?

RONNA
Uh, yeah.

JOSH
Okay, we’re gonna call every political reporter in the state, every party leader, every PTA recording secretary. We’re gonna tell ‘em we’re holding our own debate, the Herald’s debate is a sham.

RONNA
You really believe anyone’s gonna cover our debate?

JOSH
Uh, ours is a Trojan debate. It’s never gonna happen, we’re gonna turn public opinion so they have to let us into the main debate.

NED
You think that’ll work?

JOSH
You know, if I wanted your opinion, I would stick you in a focus group in southern Missouri. Let’s talk about the ad.

NED
I don’t understand that, either.

The three stop walking, outside of a small inn.

JOSH
Hey, we’re broke, okay, we, we can’t afford a huge, glitzy ad buy, so we run something fiesty, funny, out-of-the-box. Turns our one minute of prime time into a national sensation.

RONNA
Santos on ice skates wearing a goalie outfit pledging to defend America.

JOSH
Closer to the box than that.

NED (as they head toward the inn entrance)
Well, what’s the message?

JOSH
How about our exclusion from the debates, let’s try that.

NED
So what do we do, film chicken coops and say they’re too chicken to debate us?

RONNA chuckles. JOSH stops, staring ahead.

JOSH
I want two volunteers. I want ‘em in giant chicken suits, I want ‘em in my office first thing in the morning.

RONNA (skeptically)
Chicken suits?

NED
You think he’s gonna like this?

JOSH
He’s gonna like what keeps him in the race. (opening door) But let’s not, you know – tell him.

They step inside the inn.

JOSH (seeing something that stops him)
Feisty. (beat) Play around with the … poultry theme.

RONNA and NED head off, and we see what JOSH noticed – AMY GARDNER, in the lobby of the inn, wearing a fur hat and licking a chocolate ice cream cone while looking at her phone. JOSH walks up to her.

JOSH
Hi.

AMY (looking up)
Hi.

JOSH
A little cold for ice cream, isn’t it? I mean, you could’ve bought just cream.

AMY
I embrace the cold.

JOSH
Okay.

AMY
I luxuriate in the cold.

JOSH
Can I ask you -

AMY
I fight cold with more cold.

JOSH
What are you doing in New Hampshire?

AMY
I could ask you the same thing, but in your case it’s more of an existential question, isn’t it?

JOSH
When I want dark, depressing thoughts about alienation and nothingness, I watch cable news.

AMY
That’s funny. You’re funny.

JOSH
You know what’s funny? That you didn’t call me before you gave that speech at the Shorenstein Center.

AMY
I run the Women’s Majority Fund. I make hundreds of speeches.

JOSH
Trashing the entire Democratic field? Saying we were gonna lose before we even have a nominee?

AMY
I was throwing down a gauntlet.

JOSH
Where I come from, it’s called littering.

AMY
The field’s pathetic. Not one of ‘em can take the Republicans in the fall. I called ‘em the Seven Dwarfs for a reason.

JOSH
I’m not gonna get into an argument about whether size matters. I’m here in the trenches, running a one-man show, and I’m sick of Democrats eating their young.

AMY
You wash ‘em down with a little Rocky Road, it’s not so bad.

JOSH
You still haven’t told me what you’re doing in New Hampshire -

BELLHOP
Excuse me, Miss Gardner – your room is ready.

AMY (standing, grabbing her purse)
Simple answer is … I’m prepping Matt Santos for the debate you haven’t gotten him into. The existential answer … (handing the ice cream cone to JOSH) is tricky stuff, Joshua.

AMY walks off, leaving JOSH holding the ice cream cone.

FADE OUT.
END ACT ONE.
* * *

ACT TWO

FADE IN: INT. - UPSTAIRS, SANTOS CAMPAIGN HEADQUARTERS – DAY

We open with a tight shot on JOSH as he speaks to unseen characters.

JOSH
I want you at every Hoynes and every Russell event for the next 36 hours. Obviously, Bob goes to the Russell events and John, the Hoynes. You know, Bob, John. We’re making a serious point here, we’re trying to turn public opinion, so … no roughhousing, no tearing down signs, no excessive flapping of the wings …

As the camera rotates around JOSH, we now see him talking to two young men in chicken suits, holding the head pieces. One wears a shirt saying CHICKEN BOB, the other a shirt saying CHICKEN JOHN.

JOSH
Don’t lie about what you’re doing there, don’t heckle. If you get the chance, you ask humbly and respectfully, ‘Are you too chicken to debate the full field?’ (beat) On a personal note, thanks for … you know. (pause) Okay. Let’s go out and get ‘em, guys.

The chicken-suit wearing men turn to leave.

CUT TO: INT. - DINER – DAY

JOSH, RONNA and NED are meeting over coffee and breakfast.

RONNA
So far no one’s accepted our debate, and only the Monitor and Post-Dispatch are editorializing against the Herald’s debate.

JOSH
Two lousy editorials, that’s it?

RONNA
We’ve been calling everyone. The nationals won’t bite. But I stopped by our alternate debate site and it looks great.

JOSH
Tell our Potemkin advance team great work. The second they post those editorials online, I need pull quotes for the ad.

RONNA (as her cell phone rings, before she answers it)
Okay.

NED
I don’t understand why we’re not putting policy in the ad. We got great policy.

JOSH
We’re trying to get free media. Great policy doesn’t give goosebumps to bored 55-year-old segment producers.

NED 
As opposed to -

JOSH
Chickens.

NED
It’s a complicated business.

JOSH
You have no idea.

RONNA
Josh – you’re not gonna believe who’s on the phone.

CUT TO: INT. - HOTEL CONFERENCE ROOM – DAY

MATT and AMY are getting ready for debate prep. AMY is setting up video monitors while MATT drinks from a bottle of water.

MATT
I feel terrible making you do this when I’m not even in the debate.

AMY
You’re not in the Olympics, either, doesn’t mean you don’t do some sit-ups now and then.

MATT
Well, you know, you’ve coached about 50 women Congressional candidates to debate wins, so, there must be some secret.

AMY (adjusting a camera)
There is. Always keep an extra pair of pantyhose in your purse.

MATT
After bombing the way I did in Iowa, I’m not going to rule that out.

AMY
Congressman, I looked at the tapes. You’re great. You’re quotable, you’re cute enough to be a Presidential-primary pin-up -

MATT
Oh, wait until you see my runway work.

AMY
You don’t have the Presidential voice.

MATT
The Presidential voice?

AMY
You don’t have it. And it’s a time of global peril and you’re going to be sharing the stage with two Vice Presidents.

MATT
Or not.

MATT turns and vaults up on the stage, standing behind his podium.

AMY (starting the prep)
Congressman, what do you think of the ultranationalist gains in the Russian parliamentary elections?

MATT
Well, it ain’t the Litchfield city council, but Russia makes its own choices, and in a democracy -

AMY
Whoa, whoa, whoa. You just wrote the lamer half of Jay Leno’s monologue, you’re not a House backbencher trying to get a quote on CNN. Sobriety, understatement, let the words carry the authority.

MATT
The Presidential voice.

AMY
Think filling out a suit, instead of wearing bright orange -

MATT
Pantyhose.

AMY
I was gonna say neckties, but what the hell.

JOSH enters the room behind AMY.

JOSH
How’s the eye clicking?

AMY
We’re still on hosiery.

JOSH
I need the Congressman for a minute.

MATT
Yeah. (walking out with JOSH) Thanks, Amy. (as they enter the hallway) How’s the ad?

JOSH
We’ll have something by prime time tomorrow night.

MATT
Look, I’m sorry I didn’t tell you about Amy.

JOSH
I just got a call from Hoynes’ campaign manager. Hoynes wants to meet with me.

MATT
You think he wants us in the main debate?

JOSH
I can’t imagine why, but we’re getting some good editorials. Maybe we’re making more hay than I thought.

MATT
You want me to come with you?

JOSH
After your soliloquy at the Herald, maybe I should take the solo this time.

MATT
Okay. (turning back to the conference room then stopping) Say, you got a few minutes for debate prep? I mean, I know how you feel about me and -

JOSH (leaving)
You should get back in there.

CUT TO: EXT. - OUTSIDE SCHOOL BUILDING – DAY

JOHN HOYNES walks away from a group of supporters, crossing the street to meet JOSH next to his SUV.

HOYNES
You know what I’m finding about being out on the trail again?

JOSH
What’s that?

HOYNES (shaking hands)
I never stop talking.

JOSH
Well, okay -

HOYNES
No, really, I, I’m surprised I, I don’t babble like an idiot in the shower – 15 stops a day, eight speeches, five interviews … I could do a good 45 seconds on your overcoat.

JOSH
Okay, but let’s not -

HOYNES
It’s a stitch too little and a season too late, Josh, you can do better. America can do better.

JOSH
You wanted to talk about that debate?

HOYNES (chuckling)
I don’t.

JOSH
Why’d you return the Congressman’s call?

HOYNES
I called you, not the Congressman. You think I want to tell him no? You know how this works. They only put me on the phone if I get to say yes.

JOSH
I’m not gonna pretend you don’t benefit from a two-man debate, but there are already editorials denouncing the Herald’s decision. Public opinion’s turning, you’re gonna start seeing it at your events.

HOYNES
Well, first of all – Russell’s picking up the tab, it’s his decision. And second, the way Russell’s hammering me in these ads -

JOSH
Yeah.

HOYNES
I’ve gotta get him up there, one-on-one.

JOSH
So, why did you want to see me?

HOYNES
I want to talk about Matt Santos’ statement on Pakistan.

JOSH
You’re the only one.

HOYNES
‘Free and nuclear-free’? I used that exact phrase myself at the Merrimack Chamber. Now, if we’re gonna work from the same material let’s find some way to coordinate. We don’t want to get caught up in a plagiarism charge.

JOSH
What are you talking about?

HOYNES
Amy’s memos.

JOSH
Amy?

HOYNES
Amy Gardner, her memos on the Presidential voice. That’s where I got the Pakistan line, I assume that’s where you got it. Now, if we’re both gonna use them – let’s divvy ‘em up.

JOSH
She gave you the memos.

HOYNES
‘Security as the new women’s issue.’ Pretty smart stuff, don’t you think?

JOSH
Yeah, that’s pretty smart stuff.

A MAN calls from offscreen.

MAN
Sir, we’re ready for you.

HOYNES
Time’s up, Josh. Gotta keep talking.

HOYNES walks away and gets in his vehicle.

CUT TO: INT. - SANTOS CAMPAIGN HEADQUARTERS – DAY

MATT walks into the room as the staffers are all intently watching an ad on the TV.

NARRATOR (on TV)
When Bob Russell was in Congress, Common Cause called him ‘big mining’s best friend.’ Congress Watch said, ‘There isn’t a single mining loophole or giveaway he won’t support.’ Even -

MATT
That’s the new Hoynes spot?

NED
Hoynes approved it, right into the camera.

MATT
You know, I fought for that in Congress. We thought that if candidates had to look right into the camera and approve every ad, it would somehow – raise the tone of these campaigns.

RONNA
It’s not working very well.

NED
Candidates just approve the negative ones at the top, so by the time they twist the knife, you forgot who stuck it in.

NARRATOR (on TV)
Bob Russell – good for the Colorado mining industry … but is he good for New Hampshire?

MATT
I’m going back to the hotel for my debate prep.

CUT TO: INT. - HOCKEY RINK – DAY

A youth hockey game is going on. RUSSELL is meeting with a group of voters and reporters on the floor, next to the bleachers, a few Secret Service agents nearby. WILL and DONNA are looking on.

RUSSELL
One of the advantages of being Vice President, aside from the motorcades and the planes and all the hoopla, is the honor of standing behind the Vice Presidential seal. And I’ll tell you what I like about the Vice Presidential seal. If you close your left eye and you squint really hard and you tilt your head just so, it seems a lot -

WILL (to DONNA)
Here’s what’s troubling me about our debate answer on Pakistan …

We see one of the men in chicken suits, wearing the CHICKEN BOB shirt, going through security at the door behind WILL and DONNA.

DONNA
We’re exploiting vague and unverified claims that have been denied by the Pakistani and Nigerian cabinets?

WILL
I was gonna say our 60-second answer’s more like 90.

DONNA
I know, I hate it when clandestine proliferation networks won’t stay on the clock.

The man in the chicken suit walks past WILL and DONNA, with members of the crowd pointing and laughing. The chicken-suited man walks up to the crowd near RUSSELL as he continues with his speech.

RUSSELL
Now I am committed to keeping manufacturing in this country -

WILL
You sure that was Advil you gave me on the bus?

DONNA
That is a very large chicken.

WILL
It’s not the mascot, aren’t these guys the Fighting Wombats?

DONNA
Warthogs.

SECRET SERVICE AGENT (coming up next to WILL)
We magged him. He’s clean.

MAN IN CHICKEN SUIT
Excuse me? Mr. Vice President? Excuse me? May I ask you about the debate? Why are you not willing to have full participation? Are you chicken?

DONNA (moving toward the man in the suit)
I’m going in.

MAN IN CHICKEN SUIT
May I ask, sir, why you’re not willing? Why you’re not – huh?

DONNA grabs the man by the arm and pulls him away from the crowd around RUSSELL. She leads him into a side hallway.

DONNA
You’re from the Santos campaign, aren’t you?

MAN IN CHICKEN SUIT
Yes, I am.

DONNA
Do you realize how pathetic this is? Do your parents know you’re doing this? Pakistan could be arming Nigeria, a potential Muslim coup, and you’re pulling shaving-cream-and-balloon style pranks. If this is his idea of democracy, Matt Santos belongs in a fraternity house, not a debate. Now go dip your beak in someone else’s feed.

DONNA shoves the man in the suit out the exit door. As she turns back to the arena she sees photographers and cameramen focused on the scene she just created.

DONNA
Tell me you’re not gonna use that.

CUT TO: INT. - HOTEL CONFERENCE ROOM – DAY

MATT is at the podium, continuing his debate prep, as AMY takes notes.

MATT
There are whole generations of Russians who were trained by the KGB. Now, when the wall fell, they didn’t all go open pizzerias. Now, that’s not to say that -

AMY
No, no, no, bad, bad, bad. If I could pull a lever and drop you through the floor, I’d do it right now.

MATT
What, my analysis isn’t right?

AMY
Your analysis is fine. I don’t know how to explain this any better. It’s not a pop quiz, and it’s not a late-night talk show. The leader of the free world has to speak in broad concepts, in value statements - ‘I love America,’ ‘I will lead the world towards liberty’ -

MATT
Oh, I don’t sound pompous enough.

AMY
You sound like you’re commenting on events, not shaping them.

MATT
I don’t shape them, Amy, and it’s not the way I think.

AMY (as JOSH walks in behind her)
Congressman, the prospect of first-strike capability’s got to change the way you think.

MATT (to JOSH)
Anything from Hoynes?

JOSH (stopping, looking at AMY)
Yeah. I need, uh, five minutes with Amy.

MATT (getting down off the stage)
Take ten. I’m gonna call my wife. Show Amy how little I shape events.

MATT walks away. JOSH comes around to face AMY.

AMY
I’m trying to explain the Presidential voice. The difference between leading the marketplace and catering to it. The difference between, I don’t know, John Lennon and John Davidson … Sgt. Pepper and the fifth Herman’s Hermits album -

JOSH
You should’ve told me you were working for Hoynes.

AMY
I’m not working for Hoynes.

JOSH
You’re giving the same one-liners to two campaigns.

AMY
It was a memo. I gave it to all seven.

JOSH
I suppose your love is a free gift to the Bolshevik brothers, too.

AMY
Did you see the gender gap in the last election? Probably not, ‘cause there pretty much wasn’t one.

JOSH
Yeah, and since chicks really dig plagiarism, this’ll help.

AMY
Security’s the new women’s issue. It’s why we’re losing all these races, people are scared and Democrats sound like a bunch of think-tank hair-twirlers.

JOSH
So you pick a candidate and you help him, that’s how this works.

AMY
And if that candidate doesn’t win? 

JOSH
What do you want, a 90-day warranty?

AMY (loudly)
I want every candidate to be able to take the Republicans on, Josh -

JOSH (yelling)
Oh, you don’t give a damn about the candidates, you want -

AMY
The whole party to be stronger, that’s right.

JOSH
We don’t open our inner circle to dilettantes and earth mothers.

AMY
Who’s ‘we’? You didn’t even know I was coming.

JOSH
No, but I know you’re leaving.

AMY and JOSH stare at each other. AMY sits back in her chair, gather up her binder and coffee cup, and starts out of the room.

JOSH
And don’t knock Herman’s Hermits, it’s hard enough getting on the charts.

AMY is gone. JOSH sighs and rubs his head. MATT comes back in the door.

MATT
What happened in here? Amy practically knocked me over in the lobby.

JOSH
She’s going back to Washington.

MATT
You fired her?

JOSH
She’s been advising the whole field. Hoynes used the exact same line on Pakistan. And she’s brilliant, I can understand how you’d want her, and – she’s my ex-girlfriend, so you didn’t want to tell me, but maybe if you had trusted me for two seconds -

MATT
I knew she was advising everyone, that’s why I didn’t tell you. You think I care about your dating life?

JOSH (beat)
Okay. (clears throat) Let’s get back to Politics 101 – the object is to beat the other guys -

MATT (yelling)
We are all getting beaten on security! It’s like these debate rules – if all of us were better, then maybe one of us would finally break through. And did I just see chickens on CNN up in my hotel room?

JOSH
This may not be the best time to bring this up, but we have to get over to the District Court, it closes in an hour -

MATT
No! We are not going to any cour – Chickens?

JOSH
I had the lawyers finish the brief. They’re waiting at the courthouse.

MATT
Tell ‘em to find an ambulance to chase!

JOSH
In case you haven’t noticed, we’re in one! We’re hosting a debate that nobody is coming to? Two lousy editorials taking our side … you know all this, why, why do you keep making me have this argument?

MATT
Because it’s not the way I wanna do things!

JOSH
Being in a real debate, like an actual candidate?

MATT
I got Amy telling me to be more Presidential and you want me to act like a mob attorney.

JOSH
Okay, here’s what Amy won’t tell you about the Presidential voice – you have to become President to use it.

JOSH and MATT regard each other in silence.

FADE OUT.
END ACT TWO.
* * *

ACT THREE

FADE IN: INT. - HOTEL ROOM – DAY

JOSH is on the phone with CJ. The scene switches back and forth from JOSH’s room to CJ’s office.

JOSH (into phone)
He wouldn’t let me go to the district court, I had the brief – we were ready to go.

CJ (on phone)
Well, I gotta tell you – you end up canceling your alternate debate because of lack of interest -

JOSH (on phone)
I know.

CJ (into phone)
- the field just shrank to six dwarfs and a porcelain donkey.

JOSH (into phone)
Collectible, though.

CJ (on phone)
You should’ve told him a court case kicks up a media storm.

JOSH (on phone)
I tried! The guy has the PR instincts of Idi Amin. Now we’re shut out of a debate we could’ve been in, I fired my ex-girlfriend from a job she never had – Santos practically had me battered, dipped, and seasoned when he saw Donna fighting a giant chicken on CNN.

JOSH sits on his hotel room bed. On TV is a news clip showing DONNA and the MAN IN CHICKEN SUIT squaring off.

CJ (on phone)
Talk about dignifying a weak opponent.

JOSH (into phone)
Yeah.

CJ (into phone)
You don’t engage a chicken. Didn’t you teach that girl not to engage a chicken? Though …

CJ is watching the same TV news footage.

CJ (into phone)
I swear watching the footage, it looks like she is going to pluck the feathers right off that little cluck.

JOSH (into phone)
It’s the best press we’ve had all week.

CJ (into phone)
Gotta go. (she hangs up)

CUT TO: INT. - SANTOS CAMPAIGN HEADQUARTERS – NIGHT

JOSH is putting a videotape into a player as he talks with RONNA. Other staffers are standing and chatting in the background.

RONNA
Post-production guys worked all night, huh?

JOSH
Yeah. Did you get a, uh, working cell number for Amy?

RONNA
Actually, she called and left it for the Congressman - but made me promise not to give it to you.

MATT walks up.

JOSH
Hey.

MATT
Well, uh … let’s see the ad.

JOSH hits the Play button on the video player. We hear twangy, country-themed banjo background music and the voice of RUSSELL.

RUSSELL (on TV)
Health care costs are spiraling out of control. That’s something we should talk about in the debates.

On the TV we see the ad, with footage of RUSSELL being interviewed. That is followed by video of a chicken in a barnyard, with clucking sounds.

NARRATOR (on TV)
Then why has Bob Russell refused to take part in a real democratic debate?

JOSH and the other staffers chuckle, some clap lightly. We hear the voice of HOYNES on the ad.

HOYNES (on TV)
The people of New Hampshire deserve to hear us speak about the issues.

Now there is footage of HOYNES being interviewed – followed by chickens again.

HOYNES (on TV)
I’m looking forward to the debates.

NARRATOR (on TV)
Then why won’t John Hoynes debate all of his opponents? The Concord Monitor calls tomorrow’s debate, ‘quite possibly an illegal contribution to the Russell and Hoynes campaigns.’

JOSH checks to see how MATT is reacting. The ad on TV now shows newspaper pages with pull-quotes bannered over them.

NARRATOR (on TV)
The Post-Dispatch says, ‘a subversion of democracy.’ Or maybe, they’re just chicken.

The ad ends with a rooster crowing. The staffers smile and applaud. MATT’s face is stonily impassive.

MATT
It’s an attack ad.

JOSH
Well, they shut us out of the debate. We should crawl on our knees and thank them?

MATT
So you expect me to look into a camera and say that I approve that?

JOSH
We’re gonna put that at the top.

MATT (to everyone)
Thank you, all, for all of your hard work. (to JOSH) We’re not running it.

MATT walks away.

CUT TO: EXT. - ALLEY BEHIND CAMPAIGN HEADQUARTERS – NIGHT

MATT opens the door and walks into the alley, buttoning his suit jacket against the cold. He is downcast. JOSH opens the door and follows him, carrying the videotape.

JOSH
Congressman … this is your argument. People deserve a full and fair debate.

MATT
It wasn’t what I had in mind.

JOSH
What did you have in mind?

MATT (beat)
I don’t know.

JOSH
Well, great, I’ll – I’ll c-, call the editing bay. Tell ‘em we need to overhaul the spot, we really have no clue, but get it ready for broadcast tonight.

MATT
It’s sketch comedy.

JOSH
It’s fun! It’s fiesty! It’ll get us on the news -

MATT
It’s cheap.

JOSH
What did you expect, the Roman Senate? I’m sorry, but nobody else cares about your Marquess of Queensbury rules.

MATT
I didn’t want this to be some crank campaign swinging wildly at the gates of Eden.

JOSH
Well, guess what, that’s what we are.

JOSH turns in frustration as MATT considers this.

JOSH
I like your debate rules, Congressman, honestly, I do. And I admire your campaign ethics. But, we’re game players – not rule makers. And if we walk away from our last chance to make any kind of splash … and I’m telling you, this is our last chance … the only rules we’re gonna need are for long, lingering games of shuffleboard. (holding up the videotape) We got a good ad. We got a minute of prime time on one of the top stations in the state. You don’t want to run it, it’s up to you.

JOSH hands the videotape to MATT, then walks back inside the building. MATT stands in the dark, looking at the tape. NED comes to the door and knocks on the frame.

NED
Congressman, do you need some time?

MATT
No, it’s – fine.

As MATT turns to the door, NED steps out to meet him.

NED
Maybe we could run a bit of your stump speech, uh – get the footage from C-SPAN.

MATT
In less than one hour?

NED (shrugging)
Yeah, probably not.

MATT (tapping NED on the shoulder)
Say, did you, uh, happen to catch the, uh, New Jersey Senate debate last week?

NED
No, sir.

MATT
Someone asked about the, uh, situation in Freedonia. And Barber said that he was, uh, studying it.

NED looks confused.

MATT
Freedonia is fake. It’s from a Marx Brothers movie. And there was no follow-up, no cross-examination. The bigger story in the papers the next day was how he slammed his opponent for being too liberal.

There’s a short pause.

MATT
You get into this - thinking to yourself that - you’re going to play by your own rules. And then … bit by bit, you chip away at them until, uh … you can’t even name the game. (pause) You were a history major over at, uh, UT, weren’t you?

NED
Yes, sir.

MATT
You think there’s such a thing as a Presidential voice?

NED (thinks)
Always seemed to me that the President makes the voice, not the other way around.

MATT gets an idea. He turns and walks through the door. He grabs his coat, not stopping.

MATT
We’re going to WMUR.

JOSH
To drop off the ad?

MATT tosses the videotape into a trash can.

MATT
I’m going to do it live. To camera.

JOSH
Do what live to camera?

MATT
Get a room and a laptop, we’ll figure it out when we get there.

JOSH (to RONNA)
Call the news director, tell him we need a -

RONNA
A room and a laptop.

JOSH (rushing out behind MATT)
Right – and call … call anyone else you think you should call.

CUT TO: INT. - WMUR NEWSROOM – NIGHT

MATT and JOSH walk into the door, where they are greeted by the NEWS DIRECTOR.

NEWS DIRECTOR (shaking hands)
Congressman.

MATT
Hi.

NEWS DIRECTOR (gesturing down the hall)
This way. (to JOSH) Hey, this is exciting stuff. We love live TV around here.

JOSH
Yeah, me, too. Love it.

They pass through the control room, where the TV staff is working and barely noting them walk through.

NEWS DIRECTOR
Is he going to talk about Pakistan? Hard for a House member to make much of that.

JOSH
I don’t want to, uh, spoil the surprise.

NEWS DIRECTOR
You’ll have to forgive the staff – they’re pretty jaded. They hardly look up when the first-tier candidates come through.

MATT and JOSH hurry into a studio, as MATT leaves his coat with JOSH as he rushes up to sit behind a desk. A cameraman is ready, camera pointing at the desk, as a TECHNICIAN and a STAGE MANAGER make the announcements.

TECHNICIAN
Fifteen seconds to live. 

STAGE MANAGER
Stand by to roll VTR – stand by VTR audio.

A technician clips a microphone to MATT’s jacket as a makeup person dabs his face.

STAGE MANAGER
Coming live in six, five -

TECHNICIAN
And roll VTR.

JOSH hurries away from the desk, watching a TV monitor as the live broadcast begins.

STAGE MANAGER
Four, three, two … 

MATT sits behind the desk, speaking directly to the camera.

MATT
Good evening. I’m running for President. And if you don’t know who I am, I wouldn’t be surprised. I’ve been shut out of tomorrow night’s debate for suggesting that it actually be a debate, and this is the only ad I can afford. I got in this to improve a broken school system; to fix entitlements, ‘cause they’re going bankrupt; to expand health coverage, ‘cause it’ll save money if fewer people show up in emergency rooms. What I’ve found is that Presidential campaigns aren’t about these things. They’re about clawing your opponents’ eyes out, so long as you don’t get tagged for it. So how about this – I will never say anything about my opponents, or anything about anything, without saying it myself, right into the camera. You might not get to hear much of me, but when you do, you’ll know I stand by it. I’m Matt Santos. And you better believe I approve this ad.

MATT stands, removes his microphone, and walks away from the desk. He takes his overcoat from JOSH as they begin to walk out of the studio. The NEWS DIRECTOR and the other TV staff watch him go, in surprised silence.

MATT (as they exit the studio into the control room; to JOSH)
The hard part’s clearing your throat, really. 

JOSH smiles. The newsroom staff stands and watches in what seems like awe, a few offering handshakes, a “great job” murmured by someone.

FADE OUT.
END ACT THREE.
* * *

ACT FOUR

FADE IN: INT. - SANTOS CAMPAIGN HEADQUARTERS – NIGHT

The building is bustling with excited activity; phones ringing, staffers talking, volunteers grabbing yard signs.

VOLUNTEER (into phone)
Yes, sir, we’re still taking donations. (beat) Well – I honestly don’t know if we could run the ad again, it wasn’t really … uh, uh, I’m sorry, could you hold, please? (puts the caller on hold and answers another line) Hello, Santos for – (beat) Federal limit’s $2000, ma’am, could you please hold for a second?

CUT TO: EXT. - SIDEWALK OUTSIDE THE INN – NIGHT

JOSH and MATT are heading to the hotel, with a pack of reporters and photographers along.

REPORTER 1
John Hoynes isn’t commenting on your ad.

MATT
And I’m not commenting on his failure to comment. So, uh – tag, he’s it.

REPORTER 2
Are you planning to go on TV more often?

MATT
Yeah, I’m trying to get my own game show: Let’s Make A Country. I’ll keep you posted.

As MATT leads the largest group of reporters away, a few others are talking with JOSH.

REPORTER 3
I don’t understand the strategy.

JOSH
I wouldn’t call it a strategy, per se – I mean, obviously, we talked about it.

REPORTER 4
Before you wrote the ad?

JOSH
Matt Santos wrote the ad.

REPORTER 3
Come on, Josh, we’re on deep background here -

JOSH
Matt Santos wrote the ad.

REPORTER 5
Off the record, then.

JOSH (entering the hotel)
You could put me in the witness protection program, the guy wrote his own ad, okay?

CUT TO: INT. - HOTEL CONFERENCE ROOM – NIGHT

AMY is watching a clip of MATT’s ad on TV, as his live appearance is being covered by news reports.

MATT (on TV)
I will never say anything about my opponents, or anything about anything without saying it myself – right into the camera. I’m Matt Santos. And you better believe I approve this ad.

JOSH walks into the room behind AMY.

NEWS REPORTER (on TV)
It’s hard to say whether Congressman Matthew Santos’ minute of prime time can turn his flagging campaign around. But many political observers agree that the most unusual ad, run on rival station WMUR, raises the question: If candidates mean what they say, why don’t they simply say it themselves? Matt Santos did that tonight, that’s for sure -

JOSH
Look, Amy, it’s … really hard out there. We got people lobbing grenades at us from all sides – even our friends.

AMY
They need to know if he can take it. Even your friends.

AMY switches to news coverage on a second TV.

NEWS ANCHOR (on TV)
For its part, the Russell campaign says that, in fact, it stands by all its ads, which is why Bob Russell appears onscreen at the top of each one, attesting to its veracity -

JOSH
I should be calling columnists.

AMY
Don’t.

JOSH
No, we should be doing spin-off events, county by county -

AMY
Don’t.

JOSH
We should be sending out copies of -

AMY 
Don’t! Stop! This thing spins itself, you send out copies, they’re gonna stop running it.

JOSH
So what do I do?

AMY
Sit here.

NEWS REPORTER (on TV)
… defending negative ads the voters don’t especially like, and defending a campaign reform law that hasn’t done much to clean up campaigns. For its part -

JOSH walks slowly to a chair next to AMY as she turns the TV off. He sits. AMY picks up a large roll of white tape, then wraps it around JOSH several times, the last time loosely around his mouth. She sits and turns the TV back on.

NEWS ANCHOR (on TV)
What Congressman Santos did tonight, intentionally or not, was put both the Hoynes and Russell campaigns -

JOSH
What happens now?

AMY
Very little.

NEWS ANCHOR (on TV)
- squarely on the defensive, in defending a campaign reform law that hasn’t done much to clean up campaigns.

CUT TO: EXT. - SIDEWALK OUTSIDE INN – NIGHT

The crowd of reporters and photographers continues to crowd around MATT.

REPORTER 1
You think it’s cynical that all four of the other candidates that were excluded from the main debate have now accepted your offer to participate?

MATT
I don’t call it cynical. Yesterday this looked like a vanity exercise, I might not have accepted it myself.

REPORTER 2
MSNBC’s announced they’re running the two debates back-to-back.

MATT
And I’d watch ‘em, but I’m busy that night.

The reporters chuckle.

CUT TO: INT. - RUSSELL CAMPAIGN HEADQUARTERS – NIGHT

RUSSELL is storming through the hall, followed by WILL and DONNA.

RUSSELL
This is a disaster, we’re not getting a dime’s worth of coverage of Politics and Eggs, of our get-tough-on-Pakistan message -

WILL (as they enter the conference room, where other staffers are working)
The press loves an underdog.

RUSSELL
How many points does he have behind this ad?

WILL
None. It’s all free media.

RUSSELL
Can we ramp up our media buy?

WILL
I think we need to pull some of our negatives, replace them with positives.

RUSSELL
Well, that sounds like a retreat. National press will smell blood.

WILL
It’s a multi-candidate field, if the press falls in love with Mr. Squeaky Clean and we’re rolling in the mud, we’re -

RUSSELL
We’re leading in the polls, how did we end up in a crouch? I’m not changing my ads because of a stunt.

WILL
You saw this morning’s editorials about the debate.

RUSSELL
Thank God we kept him out of it, he’d have probably shown up in a powdered wig, quoting from The Federalist Papers.

The staffers around the table murmur in agreement.

DONNA
I disagree.

WILL turns to look at her.

DONNA
I don’t agree, Mr. Vice President. Maybe it is a stunt, but if it is, we invited it … by trying to ride above the herd, by treating everybody else as if they were a herd. (beat) You have to go to Santos’ debate. Then Hoynes would have to go, then we’re letting the chips fall on you, on your ideas, not on some Machiavellian maneuver.

RUSSELL considers this.

CUT TO: INT. - HOTEL LOBBY – NIGHT

MATT is being interviewed by a REPORTER, TV camera on him. JOSH watches in the background.

MATT
And what’s the alternative? Alienating Pakistan, which cuts off our only decent source of intelligence in that region. I actually agree with John Hoynes on this one. We have to keep that part of the world free, prosperous, and also nuclear-free. Chest-beating’s not gonna do it.

REPORTER
Thanks, Congressman. That’s great.

MATT (as the camera crew leaves)
Thanks, guys. (as JOSH walks up) Where have you been?

JOSH
I got, uh, tied up. I’m fine if we want to bring Amy back.

MATT (beat)
Any news?

JOSH
Uh … (clears throat) Hoynes turned us down for the debate again. He must’ve been scared off by what he saw on TV, ‘cause at this point even raw opportunism would suggest that -

NED (walking up, holding a phone)
Bob Russell, for the Congressman.

MATT (taking the phone)
Mr. Vice President … yes … why, thank you …

CUT TO: INT. - LIBRARY – NIGHT

The RUSSELL team is preparing for the TV debate. A TV news report is on a monitor, as RUSSELL is getting makeup dabbed on his face while he goes over some notes. WILL and DONNA are nearby.

NEWS ANCHOR (on TV)
- and after Vice President Russell decided to skip today’s Herald debate and join Congressman Santos, the Hoynes campaign had no choice but to do so, as well. One thing’s for sure – the debate you’re about to see isn’t the one John Hoynes and Bob Russell wanted. Just two days before the New Hampshire primary -

RUSSELL (looking at his notes)
I thought we had a tougher line on means testing.

WILL
You’re gonna want to save that for the, cross-examination.

RUSSELL
Right.

WILL walks over to DONNA, who is watching the TV news.

NEWS ANCHOR (on TV)
- and far more freewheeling rules are sure to make this seven-way debate a must-see.

DONNA
Have you ever actually closed one eye and tilted your head and looked at the Vice Presidential seal?

WILL
I hate to admit it, but … yes.

DONNA
Really just a blurry-looking seal, isn’t it?

WILL
I’m thinking about closing both eyes.

DONNA (sighs)
What was it you said about frontrunners? Everything to lose, nothing to win?

WILL
And don’t forget to tip the dealer.

DONNA
Want to grab dinner later?

WILL
Who else am I going to have dinner with?

NEWS ANCHOR (on TV)
- the Hoynes campaign had no choice but to do so, as well -

CUT TO: INT. - DEBATE SITE – NIGHT

JOSH comes up some stairs and finds MATT in the wings as workers set up the stage for the debate.

MAN ON SPEAKER (VO)
Testing – one, two, three, testing. (pause, some feedback) Thank you everyone, for being part of this very special New Hampshire Democrat primary debate.

JOSH
I don’t know if I’ve served you very well the past few days.

MATT
What are you talking about? The ad was your idea, so’s this debate.

JOSH
I never thought we’d be here. It’s a miracle I ordered podiums. (MATT chuckles) Truth is, I can’t think of one thing I’ve done to make this your campaign, and not some … cookie-cutter beltway hack-a-thon.

MATT
Oh, I can think of one – you put me in it.

ANNOUNCER (VO)
Gentlemen, if you’ll take your places.

MATT and the other candidates walk onto the stage and stand behind their podiums, to mild applause from the audience. AMY comes up behind JOSH and jostles him.

JOSH
Can I buy you an ice cream cone when this is over?

AMY
My flight’s in an hour.

JOSH
You’re not gonna stay and watch?

AMY
I can never stand to … see candidates flub my lines, anyway.

AMY walks away. JOSH turns to the door to watch her go.

ANNOUNCER (VO)
Please take your seats.

MODERATOR (VO)
Welcome. Thank you for joining us today for the final debate of the New Hampshire Democratic primary.

Stronger applause from the audience this time, as JOSH returns to the wings and looks at the seven candidates standing on stage.

MODERATOR (VO)
For the next ninety minutes, our panel will ask questions of the candidates, and all candidates will answer and all candidates must answer before the debate is to proceed. Then each candidate will be given the opportunity to cross-examine her or his opponent -

DISSOLVE TO: END TITLES.
FADE TO BLACK.
THE END.
* * *

The West Wing and all its characters are properties of Aaron Sorkin, John Wells Productions, Warner Brothers Television, and NBC. No copyright infringement is intended.

The West Wing Transcript
Episode 6x15 – Freedonia
Original Airdate: February 16, 2005

THE WEST WING TRANSCRIPT: The Wake Up Call (S6E14)

THE WEST WING
6x14 - “THE WAKE UP CALL”
WRITTEN BY JOSH SINGER
DIRECTED BY LAURA INNES

Transcribed by Walking, Talking, And Yelling At Clouds
(kegofglory.blogspot.com)

TEASER

THE WAKE UP CALL

FADE IN: INT. - OVAL OFFICE – NIGHT

8 PM

We hear Verdi’s opera Otello playing. The camera slowly moves across the Oval Office, finally showing us BARTLET sitting next to his desk, listening. CJ appears in the doorway in the background.

CJ
Sir?

BARTLET
Evening.

CJ
I thought you were heading back to the residence.

BARTLET
Thought about it. Then I thought I’d sit here and enjoy the art for a while.

CJ (as BARTLET rises)
Sir, do you want me to get Curtis - ?

BARTLET
No, no. I’m a bachelor tonight.

CJ
So I heard.

BARTLET
Abbey’s in Baltimore with Ellie and what’s-his-name, the new boyfriend.

CJ
I hear we like him.

BARTLET
What’s not to like – the guy’s spent the last 15 years studying the mating rituals of Drosophilia melanogaster.

CJ (helping BARTLET with his suit coat)
He likes fruit flies.

BARTLET
And my daughter, hopefully not in that order. What say we grab Toby and head out on the town? Trip the light fantastic.

CJ
Are we gonna throw on sailor caps and chase after Miss Turnstiles?

BARTLET
Come on, the old lady’s out of town.

CJ
The old lady’ll have my head if I don’t get you to bed in the next half hour.

BARTLET
Yeah.

CJ
Besides, I understand you’ve got a big date tomorrow night.

BARTLET
I actually convinced her to let me out of the house for Valentine’s Day.

CJ
You’re taking her to the opera?

BARTLET
Mm, Verdi’s Otello. Romantic, huh? 

CJ
Isn’t that the one where the guy kills his wife?

BARTLET (beat)
It’s in Italian, I’m hoping she won’t notice.

CJ
Are you sure you don’t want me to call Curtis?

BARTLET
I’m good. Night, CJ.

CJ
Night, sir. Get some rest.

BARTLET (as CJ exits into her office)
Yeah.

CUT TO: INT. - CJ’S OFFICE – NIGHT

CJ walks to her desk then stops, considering something.

CJ
Margaret?

MARGARET (entering)
Yes?

CJ (sitting at her desk)
Will you ask Debbie to move the President’s wake up call back to 8:30?

MARGARET
Mm-hmm.

CJ
And I’d like to take a look at the President’s schedule for tomorrow.

MARGARET
Sure.

MARGARET exits. We hear TOBY and another man, LAWRENCE LESSIG, talking as they come into CJ’s office.

TOBY
And Shevardnadze just pulled the section on executive power?

LESSIG
Replaced it with his own. The old constitutional bait-and-switch.

CJ
Hello.

TOBY
CJ Cregg, I’d like you to meet Professor Lawrence Lessig.

CJ
Hi.

TOBY
He’s a constitutional writer, he’s helping the folks from Belarus write their constitution.

CJ
You would’ve thought they would’ve written one of those by now.

LESSIG
They have. It’s three lines pledging allegiance to the Supreme Soviet.

CJ
Hence the rewrite.

LESSIG
Hence.

BARTLET’s voice is heard as he calls out, on his way into CJ’s office.

BARTLET (entering)
CJ, you have a copy of the BLS mass layoff report I can read in the residence?

CJ
Sir …

TOBY
Good evening, Mr. President.

BARTLET
Am I interrupting?

TOBY
Uh, sir, this is Professor Lawrence Lessig.

BARTLET
The Future Of Ideas? That Lawrence Lessig?

TOBY
He’s here to help with the Belarus constitution, he also helped with the Georgian constitution -

BARTLET
Founding father for hire - have quill, will travel.

LESSIG
No, no – no, no, the Belarusians will be the founding fathers. I’m more of a midwife.

BARTLET (shaking hands with LESSIG)
Well, it’s God work if you can help us bring some stability to that mess.

TOBY
Professor, maybe we should, uh -

CJ
Sir -

BARTLET
Where do you start a document of that importance?

LESSIG
Ah, I like to begin with a series of conceptual questions, and then proceed -

CJ
Excuse me, Professor Lessig, I’m sorry. This sounds fascinating, but the President really needs to get back to -

BARTLET
Oh, I think we can spare five minutes to discuss the roots of democracy, that is, if the professor has the time?

LESSIG
It would be an honor, sir.

BARTLET (leading LESSIG into the Oval Office)
Come then, let us sit as men do and discuss important things.

TOBY exchanges a glance with CJ as he follows.

BARTLET (exiting)
So what’s the latest in comparative constitutional theory? Is separation of powers still in vogue?

CJ checks her watch, tosses some papers on her desk and glumly follows the others.

SMASH CUT TO: MAIN TITLES.
END TEASER.
***

ACT ONE

FADE IN: INT. - CJ’S APARTMENT – NIGHT

A light switches on and we see CJ slowly walk into her bedroom.

12:15 AM

CJ tosses down her purse and collapses onto her bed. A dog barks in the distance. CJ turns and looks at the bedside clock, which reads 12:24. She closes her eyes. The clock changes to 12:25. The phone rings, jolting CJ awake. The clock now reads 3:45. CJ reaches out to answer the phone.

OPERATOR (on phone)
Ms. Cregg, this is the White House operator. I have an urgent call from Commander Harper.

CJ (into phone)
Go ahead.

We hear the call being connected.

CJ (into phone)
Tell me you’re calling about some guy you just met in a bar.

KATE (as the camera switches to inside the Situation Room; into phone)
A United Brittania flight from London to New Delhi went off radar over the Caspian Sea an hour ago.

CJ (on phone)
A commercial plane?

KATE (into phone)
About a hundred passengers. Mostly British and French.

CJ (back to her apartment; into phone)
How many - ?

KATE (on phone)
Six Americans.

CJ (on phone as we cut back to the Situation Room)
We think it was a crash?

KATE (into phone)
It’s too early to tell. The – plane was off course and drifting into Iranian airspace.

CJ (back to her apartment; into phone)
I’ll be right in. Can you transfer me back to the switchboard?

KATE (on phone)
Yeah.

We hear the call being connected.

OPERATOR (on phone)
Ms. Cregg?

CJ (into phone)
Let’s wake some people up.

CUT TO: INT. - CJ’S OFFICE – NIGHT

4:55 AM

CJ is on the phone talking to the British Prime Minister.

CJ (into phone)
Yes, of course we understand – and this is a terrible tragedy, but … yes, Madam Prime Minister, but … (pause) Ma’am, we’ve had no indication the Iranians were involved. (beat)  And I think it’s in all of our interests not to jump to conclusions.

CHARLIE enters.

CJ (into phone)
Yes, ma’am. (beat) Yes. (she hangs up)

CHARLIE
The British Prime Minister?

CJ
In all her glory.

CHARLIE
Funny, when I stopped working for the President, I thought I might start going home nights.

CJ
Well, at least you can’t complain you’re not getting overtime.

CHARLIE
You don’t pay me overtime.

CJ
Yeah. (as they both start walking down the hall) You wake up the guys at State?

CHARLIE
The Great Britain desk sent over some language for the condolence statement.

CJ
Good.

CHARLIE
And they suggested we invite the British Ambassador for breakfast.

CJ
Just what we need, more international intrigue.

CHARLIE
I thought you liked Lord John.

CJ
I adore Lord John, and when I was press secretary, I could adore him from afar.

CHARLIE (as CJ heads down a side hall)
You going to be in the Sit Room for a while?

CJ
Hoping to catch a ball game?

CHARLIE
Maybe a nap.

CJ
Call Barrow at State, set up some time with Chet.

CHARLIE
Chet?

CJ
He’ll know.

CUT TO: INT. - SITUATION ROOM – NIGHT

KATE and SECRETARY HUTCHINSON are talking and looking at a satellite graphic, a few military officers in the background.

KATE
Thirty minutes out of London, the flight was already six miles off course.

HUTCHINSON
We think they accidentally left the autopilot in heading mode.

KATE
You see the trajectory of the plane?

HUTCHINSON
Yeah.

CJ enters and walks up to them.

CJ
I just got off with the Prime Minister, they’re coordinating with the Ukraine on a search party in the Caspian, but she’s already pointing fingers.

KATE and HUTCHINSON exchange a look.

CJ
She pointing them for a reason?

There’s a slight pause.

HUTCHINSON
I’m sorry, are we waiting for the President?

CJ
No. Do we have any reason to believe the Iranians were involved?

KATE (beat)
We’ve been flying RC-135s off the northern coast of Iran.

CJ
Spy planes.

HUTCHINSON
Since last March. And the Iranian MTI that tracks the RC-135s produces very rough CAPI readouts.

CJ (to KATE)
English?

KATE
The United Brittania flight drifted into Iranian airspace on a track very close to our RC-135s’ flight path.

CJ
You think the Iranians mistook the flight for a US spy plane and they took a shot at it?

HUTCHINSON
It’s possible. The RC-135 is roughly the same size as a 737.

CJ
A 737 with a large dish on it.

KATE
A banner that says spy plane, but on a dark and stormy night -

CJ
We’re gonna have to find out what happened up there -

KATE
We’re talking to the Israelis. And Signals intel has a bunch of Iranian feeds from the time the plane went off radar, but, it’s going to take a while to translate.

CJ
I want updates every half hour.

CJ exits, KATE rising to follow her.

CUT TO: INT. - HALLWAY – NIGHT

We see a custodian winding a clock in the hallway as CJ and KATE exit the Situation Room.

CJ
So the Iranians taking potshots at our spy planes, technically, that’s fair game.

KATE
Also we don’t let them hit us. Did the President get into it with Prime Minister Graty?

CJ
He wasn’t on the call. She got pretty hepped up all by her lonesome.

KATE
Well, State’s been conducting secret talks with the Iranians on their nuclear program.

CJ
We’ve been making progress.

KATE
It’s a fragile conversation. If Iran’s involved and Graty makes this a thing -

CJ
I put in a call to Chet. Do you find it odd calling a high-ranking Iranian official Chet?

KATE
Well, it’s easier to say than Asefi Hussein Kamal bin Hamid.

CJ
Man, I’m fried.

KATE
You up late last night?

CJ
Ten-part lecture on the future of democracy in Belarus.

KATE
Democracy – the last guy scrapped term limits and made his political opposition disappear. Literally.

CJ (walking away)
Why they’ve asked for help.

KATE
CJ? (CJ stops) … Prime Minister Graty, she tends to overreact.

CJ
She’s a runaway train.

KATE
The President usually likes a heads-up if there’s a chance she’s making decisions with international ramifications. 

CJ (turning to leave)
He’ll be awake in a few hours, make sure I get those updates.

KATE
Yes, ma’am.

CUT TO: INT. - CJ’S OFFICE – NIGHT

CJ is at her desk, with a TV news report playing nearby. MARGARET is gathering documents by the door. We hear the sound of the news anchor over the end of the previous scene, leading us into CJ’s office.

NEWS ANCHOR (on TV)
… debris from what appears to be a commercial plane crash has begun to wash up in Astara, just north of the Iranian border …

CJ (to MARGARET)
You have my schedule?

MARGARET brings the schedule to CJ’s desk as the newscast continues.

NEWS ANCHOR (on TV)
… officials fear this could be the wreckage of United Britannia Airlines flight 101 …

6:30 AM

CJ (looking at the schedule)
Yeah, we’re gonna need to pare this down. Get rid of my 10:30; have Charlie take the 12 o’clock with Karshner … please tell me this is a joke -

MARGARET
No, ma’am.

CJ
I’m meeting with Miss World?

MARGARET (nodding happily)
She’s from Bhutan. I have her bio, so you can be prepared.

CJ
For Miss World?

MARGARET
It’s a tradition. Every year the new Miss World comes in to lobby the White House.

CJ
On what?

MARGARET
AIDS in Africa, world hunger – she generally has a very good cause.

CJ
And she gets to meet with the Chief of Staff to the President of the United States?

MARGARET (beat)
Leo always thought that as a show of international good faith we should accord all due respect to -

CJ (standing to leave)
Pretty girls everywhere?

MARGARET
She’s a brilliant flautist.

CJ (exiting)
Get it off my schedule.

CUT TO: INT. - ROOSEVELT ROOM – NIGHT

As CJ passes the door to the Roosevelt Room she stops, seeing TOBY inside, at the table, studying a book. We can see the book is Constitutional Choices by Laurence H. Tribe.

CJ (entering)
You’re in early.

TOBY does not respond, still holding the book, rubbing his head.

CJ
Toby?

TOBY (looking up)
Yeah?

CJ
Whatcha doing?

TOBY
Reading.

CJ
Constitutional Choices …

TOBY
It’s amazing how tricky emergency powers are.

CJ
Okay.

TOBY
The executive in a young republic - you’re gonna need some type of emergency power, so do you write that in the constitution or does that lead to abuse?

CJ
Great. I really just came in because -

TOBY
See the predicament?

CJ
Toby.

TOBY
Right, we need to put out a, a, a condolence statement on the United Britannia crash – I’ll put Annabeth on it as soon as she gets in.

CJ (turning to leave)
Good. Charlie’s got some language from State.

TOBY
Building on a democracy. (CJ stops; TOBY chuckles) How do you shape a new world?

CJ
Right.

CJ exits.

CUT TO: INT. - MARGARET’S DESK – NIGHT

CJ walks from the hall up to MARGARET’s desk.

CJ
Have you reassigned Miss World?

MARGARET
Well, I thought maybe, I could -

CJ (writing on the schedule)
I’m sending Toby a Valentine.

KATE (walking up)
Excuse me – we just got a call from our base in Incirlik.

CJ
Okay.

KATE (handing some photos to CJ)
This is the satellite surveillance of the Caspian Sea from the time the plane went off radar. 

CJ (paging through the photos)
And these are … ?

KATE
Two jets flying out of the Iranian air base in Rasht, on course to intercept the United Britannia flight.

CJ takes a breath.

CJ
Margaret, call the switchboard, ask them to wake the President.

CJ and KATE head into CJ’s office.

CUT TO: INT. - WHITE HOUSE RESIDENCE – DAY

CURTIS stands guard outside BARTLET’s bedroom door. CJ and KATE walk up to him.

CURTIS (turning to knock on the door)
Good morning, ma’am.

CURTIS opens the door and they enter the bedroom.

CURTIS
Mr. President?

BARTLET groggily turns in his bed as CJ, KATE, and CURTIS enter.

CJ
Good morning, sir.

BARTLET
Yeahhh … why are there three of you?

CJ
Mr. President, we think the Iranian Air Force mistakenly shot down a British commercial airliner.

CUT TO: INT. - HALLWAY – DAY

BARTLET, CJ, and KATE are walking down the portico, then enter a doorway into the hall outside the Communications area.

7:30 AM

BARTLET
I need to speak with Prime Minister Graty.

CJ
Sir, I spoke to her earlier and asked her to wait for us before making a statement.

BARTLET
What’s Iran saying?

KATE
Not much.

BARTLET
I’m sure that’s going over well.

CJ
Intel’s working on the Iranian feed. Sir, if the Iranians were aiming at our plane, it at least provides some explanation for their actions.

BARTLET
We called Marbury?

CJ
Already on his way.

BARTLET
And we should call Chet.

CJ
Also on his way.

BARTLET
Dammit! We were just making progress with the Iranians. Graty gets revved up and starts quoting Churchill -

CJ
Yes, sir.

BARTLET
She gets aggressive, Iran gets defensive, this thing’s gonna spiral. I need to talk her down.

As they pass through the outer office and into the Oval Office, KATE’s attention is drawn to a TV news report.

BARTLET
Let’s get her on the phone!

KATE
Sir …

They all stop and turn to look at the TV. We see PRIME MINISTER GRATY making a live statement.

GRATY (on TV)
We condemn the attack by Iran against 109 innocent men, women, and children aboard an unarmed United Britannia plane. This is a barbaric, monstrous crime committed against Great Britain, against Europe, against the United States, against humanity. There can be absolutely no justification -

BARTLET (peeved)
Well, I guess I’ll have to wait until she’s off camera.

As the three enter the Oval Office, we hear GRATY’s words as the scene fades out.

GRATY (on TV)
It shall not stand.

FADE OUT.
END ACT ONE.
* * *

ACT TWO

FADE IN: INT. - OVAL OFFICE – DAY

BARTLET is meeting with KATE and CJ.

8:05 AM

BARTLET
Have we heard anything from Prime Minister Graty?

KATE
Debbie’s still trying.

BARTLET
Are we talking with British Intelligence?

CJ
Yes, sir.

BARTLET
They must have had something they haven’t shared, or she wouldn’t have been getting all Hans and Franz in prime time. Where’s the latest report from Hutchinson?

CJ (bringing him a report)
It’s right here, sir.

BARTLET
Marbury on the way?

CJ
He’s on his way.

BARTLET
And the networks, we schedule time with the networks?

CJ
We should discuss whether that will be necessary -

BARTLET
It wasn’t an hour ago, but now that’s there’s been a ‘monstrous crime’ committed against Britain and the United States, I’m gonna have to say something. (picking up the phone) Debbie, is she on the phone yet?!

CJ
Thank you.

KATE
Thank you, sir.

CJ and KATE exit into CJ’s office.

CJ
I want an update from Hutchinson, and you should put in a call to Barrow – see where we are with Chet. And make sure Lord John hasn’t stopped for an eye-opener on the way from the British Embassy.

The camera pans down to reveal ABBEY sitting in CJ’s office, waiting for her. CJ gets to her desk, turns, and sees her.

CJ
Mrs. Bartlet.

ABBEY
Hello, there.

CJ
Did you just get in?

ABBEY (with more than a hint of sarcasm)
About a half an hour ago … around the time I noticed my husband wasn’t in bed. I checked the bathroom, the sitting room, he was nowhere to be found. I get a little nervous – my husband’s not the healthiest guy, you know. So I called Curtis. He tells me the President’s in the Oval. Can you imagine my surprise?

CJ
There was a development.

ABBEY
You do remember waking me at 4 am?

CJ
Ma’am -

ABBEY
I thought we agreed to let him sleep.

CJ
I let him sleep until I couldn’t let him sleep any more.

ABBEY pauses, stands, slowly walks to the desk.

ABBEY
How late was he up last night?

CJ (beat)
Ma’am, I let him sleep as long as I could.

ABBEY takes a moment, then slowly walks out of the office.

CUT TO: INT. - ROOSEVELT ROOM – DAY

CAROL leads the Belarusian delegation into the room, where TOBY waits for them. As TOBY stands, CAROL makes introductions.

CAROL
Toby Ziegler … this is Alexander Zubatov, head of the delegation from the Republic of Belarus.

TOBY (shaking hands)
Pleasure to meet you, sir.

ZUBATOV
And, uh, we thank you for having us. (he gestures to the other seven members of the delegation, who bow and murmur greetings)

TOBY
Hi. (to CAROL) Could you check the lobby and see if you can find Professor Lessig?

CAROL (exiting)
No problem.

TOBY (gesturing to the chairs)
Please.

Some delegates takes their seats as TOBY moves back to his chair. He notices something ZUBATOV is holding.

TOBY
Is that a copy of our Constitution?

ZUBATOV
Yes. You know this document?

TOBY
Yes, I do.

ZUBATOV
I have many question.

TOBY
Well, that’s a good thing. Hopefully, over the course of the week, we can -

ZUBATOV
Uh, for example, it says here, President shall be commander of Army, Navy, et cetera.

TOBY
Ah. Yes.

ZUBATOV
Here … it says, uh, Congress shall have power to declare war.

TOBY
Yes.

ZUBATOV
Commander does not declare war?

TOBY
Theoretically, Congress needs to, uh -

ZUBATOV
Theoretically. So, your habit is to ignore document.

TOBY
No. (pause) Well, occasionally. (chuckles)

We hear LESSIG in the hallway, greeting someone with a “Good morning, how you doing?” TOBY starts out of the room.

TOBY
Excuse me.

As TOBY turns to the door, LESSIG enters.

LESSIG
Good morning.

TOBY
Morning.

LESSIG
Sorry I’m late, I was having breakfast with Justice Lang, and we got into the most fascinating discussion over the reformation -

ZUBATOV whispers to his delegation, who all stand.

LESSIG
- of the rule against perpetuities. Ah, I see we’ve got our noble patriarchs. Have you started?

TOBY
Well, I’ve been answering a few questions.

LESSIG
Excellent. Gentlemen, let’s begin.

Everyone (who has a chair) sits as LESSIG begins. MARGARET appears at the window, gesturing to TOBY. He tries to ignore her.

LESSIG
This week I hope to embark upon a conceptual journey into the world of democratic theory.

TOBY (standing, unable to ignore MARGARET any longer)
I’ll be right back. (to LESSIG) Excuse me, sorry.

LESSIG
I trust you’ve glanced at the preparatory materials -

MARGARET (as TOBY reaches the door)
She wants to see you.

TOBY (heading to CJ’s office)
You put a beauty queen on my schedule?

MARGARET
She did it.

TOBY (to CJ as he enters her office)
You put a beauty queen on my schedule?

CJ
The United Britannia flight was shot down by two Iranian fighters.

TOBY
On purpose?

CJ
We think it might’ve been a mistake. Kate’s gonna give you more, you need to brief.

TOBY
Okay.

CJ
And tentatively set up some time with the networks. Graty’s a little excited, he wants to distance himself.

TOBY
If he went on TV every time Graty blew a gasket -

CJ
Tentatively schedule. And Toby, in the briefing -

TOBY
‘Since the early hours of the morning, the President has done everything in his power to assist the British.’

CJ
Yeah, but don’t say ‘President.’

TOBY (beat)
‘The White House has done everything in its power’?

CJ
Yeah.

TOBY
It’s gonna make it sound like he got a good night’s sleep.

We hear the voice of LORD JOHN MARBURY calling from the hallway.

MARBURY
Gerald?

MARBURY walks down the hallway between CJ’s office and the Roosevelt Room.

MARBURY
Gerald? Gerald?

CJ
Good lord.

TOBY
CJ?

CJ (rising to go after MARBURY)
Toby, I gotta …

CJ catches up with MARBURY in the hallway.

CJ
Lord John?
 
MARBURY
Hello. Eh, you look familiar.

CJ
CJ Cregg, we’ve met a number of times.

MARBURY
Yes, yes, where’s Gerald? I do hope he’s recovered.

CJ
Leo has moved down the hall.

MARBURY
Oh, yes, I heard. Demoted on account of a heart attack. That’s cutthroat, even for American politics.

CJ
Actually, he’s been …

MARBURY
No, no, there’s no need to hedge. So you’re the … new Gerald.

CJ
I suppose.

MARBURY (holding out a hand)
Delightful.

CJ (shaking hands, gesturing toward the Oval Office)
If you’ll just …

CUT TO: INT. - OVAL OFFICE – DAY

BARTLET is on the phone with GRATY. KATE is listening in on another phone.

BARTLET (into phone)
Maureen, of course we support – (beat) Yes, but until we know all the facts – (beat) Yes, Madam Prime Minister. We’ll be in touch. Thank you.

9:15 AM

BARTLET and KATE hang up their phones.

BARTLET
So much for a stiff upper lip.

The door opens and CJ ushers in MARBURY.

CJ
Mr. President.

BARTLET
John, thank God. Kate Harper, may I introduce -

MARBURY
I’m Lord John Marbury, the, uh, hereditary Earl of Shelbourne, the great-great-grandson of the former Viceroy. I have served as the Queen’s Minister in India, the Queen’s Minister in Pakistan, and I am presently the British Ambassador to the United States. Oh, and I have an uncle who once performed in the London Opera Company’s production of The Mikado, in the role of Nanki Poo.

KATE (shaking hands)
It’s a pleasure.

MARBURY
Yes, isn’t it?

BARTLET
John, please, I’m afraid your Prime Minister is doing her William the Conqueror thing again.

MARBURY
Prime Minister Graty’s own party thinks she’s soft on Iran. Her government is far from stable, and we have just lost almost 100 countrymen – so, are you surprised?

BARTLET
Not at all, really. But we think this might have been a mistake.

BARTLET hands some documents to MARBURY, who looks at them.

MARBURY
They accidentally fired two Anab AA-3 missiles at the side of a passenger jet?

KATE
Lord Marbury -

MARBURY
Oh, please, uh … call me John.

KATE
Oh, John -

MARBURY
Yes.

KATE
- it’s possible the Iranians thought they were shooting at a US spy plane.

MARBURY (beat)
So it’s your fault.

BARTLET
John …

MARBURY
Have you been spying on their nuclear facilities?

BARTLET
Yes.

MARBURY
Why do you think they want you to stop? Either the Iranians deliberately killed innocent British and American citizens, or they tried to shoot down your spy plane because they want to continue building nuclear weapons. They are a rogue nation on the verge of becoming a rogue nuclear power, and while I, by no means, wish to trivialize the … most appalling loss of life earlier this morning – one need not reread Thucydides to see this as an opportunity.

CJ
She’s going to use this as an excuse to bomb their nuclear plants?

MARBURY
Heavens, no. Of course the Prime Minister must demand remuneration for the victims – perhaps a formal apology. Even some elegiac groveling.

BARTLET
We all know the Ayatollah will never pay, let alone apologize for anything.

MARBURY
Well, then we will be forced to take appropriate measures.

There is a pause as the clock ticks.

MARBURY (with a half-smile)
Will there be mimosas with breakfast?

CUT TO: INT. - PRESS BRIEFING ROOM – DAY

Reporters shout questions as TOBY is at the podium.

REPORTER
Toby – will the President back the British if they respond with force?

TOBY
I’m not going to speculate.

REPORTER
If they need logistical support?

TOBY
I’m not going to speculate on Britain’s response. Gordon?

GORDON (another reporter)
What was the President’s reaction to Prime Minister Graty’s address?

TOBY
I haven’t discussed it with the President.

GORDON
Were we consulted before the Prime Minister’s address?

We go to ANNABETH’s office, where she is writing some notes while listening to the briefing on TV.

TOBY (on TV)
The White House has been working with the British since early this morning. 

ANNABETH stops writing and notices TOBY’s choice of words.

GORDON (on TV)
But was there a call with the British Prime Minister?

TOBY (on TV)
I don’t have the details right now.

GORDON (on TV)
Well, when can we get the initial tick-tock?

ANNABETH jumps up from her desk and leaves her office.

TOBY (on TV)
I’ll get back to you -

And we return to the briefing room.

TOBY (starting to leave the podium)
- thank you.

STEVE (another reporter)
Toby, the Prime Minister’s address -

TOBY
I don’t have any more for you right now.

STEVE (chasing TOBY to the door)
Uh, she called it a monstrous crime, is that how the President -

TOBY
The President is scheduled to address the nation at 6:00. I’d tune in.

TOBY exits the briefing room, to find ANNABETH standing in the hall holding a candy heart.

ANNABETH
For you.

TOBY
Why?

ANNABETH (handing TOBY the candy)
It’s Valentine’s Day. Go ahead, they’re yummy. Hey, what’s the tick-tock?

TOBY
It’s a minute-by-minute accounting of the President’s actions, the press -

ANNABETH
Often asks for it during a crisis.

TOBY
If you know, why do you ask?

ANNABETH
‘The White House has been working with the British since early this morning’?

TOBY
Yeah?

ANNABETH
The President needs to look strong. The President needs to look like he’s up to this. ‘The President has been working with the British since early this morning.’

TOBY
I got it, I got it.

ANNABETH
Apparently not, or they wouldn’t have asked for the tick-tock.

TOBY (biting into the candy, then making a face)
Yeah.

ANNABETH
Good, huh? I’ve got more if you want, for your special someone.

TOBY
Excuse me?

ANNABETH (walking away, singing)
I like Bhutan in spring, how about you … ?

TOBY
I’m still meeting with the beauty queen?

ANNABETH
Oh, yeah.

TOBY tosses the candy away, then enters the Roosevelt Room as LESSIG speaks.

LESSIG
And we say the President is the sole representative of the people because while he is elected by electors, these electors are elected by the people – upon the premise that they will vote for him.

The Belarusians look skeptical, or confused.

LESSIG
I can go through it one more time if you’d like.

ZUBATOV
No. No.

TOBY (to MAN at the table)
Is he explaining the electoral college?

MAN
We’ve covered it in some detail.

LESSIG
Toby – we’ve been discussing the American executive. I’m sure you could shed some light.

TOBY
I was thinking maybe we should push beyond American-style government.

ZUBATOV
Push beyond?

TOBY
Yeah.

LESSIG
Mr. Zubatov has many questions.

TOBY
Yes, but, perhaps this time would be better spent discussing a parliamentary system.

BELARUSIAN DELEGATE 1
We don’t want parliamentary system.

TOBY
Okay -

ZUBATOV
No, no, no – President Eliches needs broad powers.

BELARUSIAN DELEGATE 2
Like American President.

TOBY
Sir, your country has a history of brutal dictatorship. I don’t think a, a strong executive is, is such a good idea.

ZUBATOV (to LESSIG)
You agree with this.

LESSIG
Mmm, not entirely.

TOBY (rolling his eyes)
Half the faculty at Yale Law describes the American Presidential system as one of this country’s most dangerous exports, responsible for wreaking havoc on over 30 countries around the globe, it is a recipe for constitutional breakdown.

LESSIG
Well. I can see this is going to be a vibrant discussion.

TOBY smiles in frustration.

CUT TO: INT. - OVAL OFFICE – DAY

BARTLET, MARBURY, and KATE continue their discussion.

BARTLET
John, you can’t focus on the Ayatollah. President Alijani is a champion of reform.

11:15 AM

BARTLET
If our negotiations with Iran progress this time -

MARBURY
Alijani’s weak. And nonproliferation agreements won’t stop their efforts. It’ll just drive them underground. Bombing is the better solution.

BARTLET
The Iranians have spread out their nuclear facilities. We don’t even know where half of them are.

MARBURY
Well, we’ll bomb the half we can find.

ABBEY appears at the door. MARBURY spots her in delight.

MARBURY
Oh … Abigail! Blanket my loins, I’m, I’m tied to the stake.

BARTLET
Here we go.

ABBEY
Lovely to see you, John.

MARBURY
So many distractions, Mr. President. (looking at KATE) How do you get anything done?

BARTLET
God only knows.

ABBEY
Where’s CJ?

BARTLET
With Secretary Hutchinson.

ABBEY
May I have Kate for a minute?

ABBEY steps into the outer office. BARTLET gives KATE a nod, and she follows.

MARBURY
Tarry not long, gentle courtesan.

KATE looks behind her as she joins ABBEY in the outer office.

KATE
Did he just call me a -

ABBEY
Isn’t he delightful?

KATE
Yeah.

ABBEY
The President needs a break.

KATE
Okay.

ABBEY
He was up late last night, he was up early this morning – he needs a break.

KATE (checking her binder)
Well … we’ve got the French Ambassador and then the Iranians, but maybe after -

ABBEY
I mean now.

KATE (beat)
Maybe I should just check with CJ -

ABBEY
You could do that … or you could go back in there and get my husband.

KATE
Yes, ma’am.

KATE goes back into the Oval Office.

FADE OUT.
END ACT TWO.
* * *

ACT THREE

FADE IN: INT. - CJ’S OFFICE – DAY

KATE is in a chair, trying to work, while MARBURY lounges on the sofa. He is reciting the Victorian-era poem A Birthday by Christina Rossetti.

11:45 AM

MARBURY
My heart is like a singing bird
Whose nest is in a water’d shoot;
My heart is like an apple-tree
Whose boughs are bent with thickset fruit;
Raise me a dais of silk and down …

A cell phone rings. KATE goes to answer it.

MARBURY
Hang it with vair and purple dyes -

KATE (into phone)
Kate Harper.

MARBURY
Carve it in doves and pomegranates -

KATE (a finger to her ear)
Sorry, can you repeat that?

MARBURY
And peacocks with a hundred eyes.

CJ appears in the doorway.

KATE (into phone)
Yeah – we’ll send it over right away, thanks.

KATE hangs up.

CJ
Um … hello.

KATE (under her breath)
Oh, thank God.

MARBURY
CJ – so good of you to return.

CJ
Where’s the President?

MARBURY
Apparently on recess. Uh, may I use your phone?

MARBURY starts to dial a phone on the end table.

CJ (to KATE)
He went back to the residence?

KATE
The First Lady wanted him to rest.

CJ
Yeah. I guess we can try to delay the French.

MARBURY is carrying on a telephone conversation behind KATE and CJ.

KATE
I’m sorry, should I have … ?

CJ
No.

KATE
Just … wasn’t quite clear on the chain of command.

CJ
Really, it’s fine. Margaret?

MARGARET (appearing at the doorway)
Yeah?

CJ
Can you find Charlie and see if Leo’s in yet?

MARGARET
Sure.

CUT TO: INT. - ROOSEVELT ROOM – DAY

TOBY is pacing the room, with a cup of tea, talking to LESSIG and the Belarusian delegation.

TOBY
Slovakia, Slovenia … Bulgaria - they all chose parliamentary systems.

LESSIG
Hamilton, Madison, Jefferson … they all chose a presidential system.

TOBY
Only four presidential democracies have lasted longer than 30 years. Hamilton, Jefferson, Madison – they got lucky.

LESSIG (pointing to the delegation)
Well, they want a unifying national figure.

ZUBATOV
We need unifying figure.

TOBY
British Prime Minister is a unifying national figure.

ZUBATOV
Prime Minister Graty’s weak -

LESSIG
Subject to shifting coalitions -

TOBY
Subject to the people’s representatives, so she can be ousted – if she summarily starts locking people up who don’t like the White Album.

ZUBATOV
President Eliches is a good man, and he wouldn’t do this. He would create a stable environment for the new country.

TOBY
For the next ten years, yes … but (chuckles) this document isn’t about President Eliches, it’s about the 60 guys who come after him. You need systemic protections, safeguards that can last beyond a generation! You’ve gotta look beyond the moment, beyond the here and now.

A door opens behind TOBY. The Belarusians murmur and look on with great interest. TOBY turns to find ANNABETH and MISS WORLD in the doorway. MISS WORLD is wearing a stylish outfit, a tiara, and a sash reading ‘2004.’

ANNABETH
Your 12:30 is here.

The Belarusians smile and murmur some more. TOBY speaks uncomfortably.

TOBY (clears throat)
My, uh, t-, t- … 12:30 … 

TOBY turns to go.

CUT TO: INT. - CJ’S OFFICE – DAY

CJ is coordinating with CHARLIE. KATE is working at a table.

CJ (to CHARLIE)
I need you to take my 1:30 with Conrad and my 2:15 with Lauer.

CHARLIE
No problem.

As CHARLIE leaves, LEO comes in through the door.

LEO
You rang?

MARBURY, still on the phone on the sofa, notices LEO coming into the room.

MARBURY
I g- … uh … Gerald!

LEO (under his breath)
Sweet Lord in heaven.

MARBURY
It’s been too long!

LEO
Oh, I don’t think it has.

MARBURY (into phone)
One moment. (to LEO) I trust you’ve heard our news. Ohhh, terrible tragedy. But if it means that our paths may cross again, well, there is indeed some small consolation in that. (into phone) Yes …

CJ
Leo, I hate to pull you into this, but Toby’s plate is full and with Josh gone -

LEO
What do we got?

CJ
Well, the President’s in the residence, the Iranians are in the Mural, the French are at the gate, and then there’s Maude. (looking at MARBURY)

MARBURY (into phone)
The ball, as they say, is in your court.

LEO
I really can’t believe that we still let him in the building.

KATE
Tell me about it.

LEO
We have diplomatic relations with the Iranians now?

CJ
No, we have Chet.

LEO
Chet’s the new Phil?

KATE
Phil?

CJ
Chet’s the new Phil, but I was hoping you’d take the French, or you could … (looking at MARBURY again)

MARBURY (on phone)
Well, I’m not of that opinion, no.

LEO
Uh, French … are fine.

CJ
Excellent, you take the French, I’ll take Chet, and Kate can stay and entertain Lord Flibbertygibbet.

LEO
Good.

KATE
Not good!

CJ (as she and LEO exit)
Have fun.

MARBURY (into phone)
That’s your fault, not mine …

CUT TO: INT. - TOBY’S OFFICE – DAY

TOBY is sitting and having a conversation with MISS WORLD.

TOBY
So, you, you said you were from … ?

MISS WORLD
Bhutan.

TOBY
Uh-huh. I’m sorry, uh, uh, say that again?

ED and another staffer appear in the doorway. ED hands a folder to TOBY, but his eyes are on MISS WORLD.

ED
Toby, didn’t you ask for the … the Asian carp report?

TOBY
No.

ED
You sure?

TOBY
Pretty sure.

ED takes the folder back and takes a step towards MISS WORLD. TOBY stops him with a throat-clearing. ED and the other staffer exit.

TOBY
Uh, sorry, you were saying?

MISS WORLD
Yes, Bhutan. It’s just south of -

Now LARRY shows up in the doorway, holding a folder of his own, and staring at MISS WORLD.

LARRY
Toby, I brought you the latest, uh -

TOBY
Okay.

LARRY leans down to place the folder on the table in front of TOBY, his eyes still locked on MISS WORLD. 

LARRY
Thanks.

As LARRY stands he turns his face to TOBY.

LARRY (whispering)
You’re the man.

LARRY backs out of the office, looking at MISS WORLD, who smiles after him.

TOBY
So – Bhutan. Just south of -

Next MARGARET appears at the door.

MARGARET
Hi.

TOBY
Hello.

MARGARET stands in the doorway, smiling at MISS WORLD.

TOBY
Do you need something?

MARGARET turns to TOBY and shakes her head.

MARGARET
Do you need something?

TOBY
No, good, thank you.

MARGARET (nodding)
Great.

MARGARET slowly backs out of the door, taking another look at MISS WORLD before she departs. TOBY smiles wryly.

CUT TO: INT. - PRESS CUBICLES – DAY

ANNABETH is singing to herself as she distributes Valentine’s candies to the reporters’ desks.

ANNABETH
You’rrrre myyyy - funny Valentine;
Sweet, comic – Valentine
You make me smile with my heart …

GORDON appears down the hallway.

GORDON
Annabeth! 

ANNABETH
Happy Valentine’s Day!

GORDON
I’m still waiting for the tick-tock.

ANNABETH
Would you settle for a chocolate heart?

GORDON
Why wasn’t the President on the early call with Prime Minister Graty?

ANNABETH
So that would be a no?

GORDON
I got a tip from the Guardian he wasn’t on the call.

ANNABETH
Well, the British papers can be kinda dodgy.

GORDON (chuckling)
Is Toby around?

ANNABETH
He’s a little busy at the moment.

GORDON
Annabeth, if the President wasn’t up, the country has a right to know.

ANNABETH (holding up candy boxes)
I’ve got candy hearts.

GORDON
I can post this story with or without comment from the administration.

ANNABETH
Maybe now would be a good time to talk to Toby.

ANNABETH leads GORDON out of the cubicle area.

CUT TO: INT. - TOBY’S OFFICE – DAY

TOBY is still talking with MISS WORLD.

TOBY
No, I think large-scale s-, study of gene expression is a very noble cause.

ANNABETH leads GORDON into the office.

ANNABETH
Excuse us, I hate to bother you, but Gordon had a … (to MISS WORLD) oh, and this is – I’m sorry, I didn’t get your name?

MISS WORLD
Uh, Lynpo Palden Wangchuk.

ANNABETH
Right. This is Gordon, he’s a famous journalist from the Washington Post. In fact, Gordon has written some columns on the mapping of the human genome.

TOBY looks up in surprise. GORDON realizes MISS WORLD is in the room.

MISS WORLD
Oh, yes?

ANNABETH
And Miss … ?

MISS WORLD
Wangchuk.

ANNABETH
Wangchuk is very interested in microarray-based gene expression studies.

GORDON
Oh, really?

MISS WORLD
Well, yes, I think this research is quite important.

ANNABETH
Would you excuse us?

GORDON
Uh, sure, sure.

MISS WORLD
Yes, sure.

ANNABETH leads TOBY out of the office, as GORDON moves in to talk with MISS WORLD.

TOBY
What in God’s name - ?

ANNABETH
Gordon got a tip the President wasn’t on the early call with Graty.

TOBY
Okay.

ANNABETH
I figured we might want to stall him.

TOBY 
And you really think that …

TOBY and ANNABETH see GORDON and MISS WORLD engrossed in conversation.

TOBY
Okay, it might work.

NANCY (who has been on the phone in the Communications bullpen)
Toby? I have the First Lady for you.

TOBY takes the phone from NANCY.

CUT TO: INT. - MURAL ROOM – DAY

CHET is talking with CJ, with some other Iranians in the room.

1:40 PM

CHET
I mean, you have to control the British. They are jeopardizing more than just the nuclear talks.

CJ
They’re understandably upset.

CHET
Maybe. But with Graty’s saber rattling, even the educated are rallying around the Ayatollah. President Alijani is worried about the future of our reform movement.

CJ
Which is why the Ayatollah needs to apologize.

CHET
The President has been trying to reason with him, but with Graty’s threats, the Ayatollah can’t apologize. And really, why would he consider it?

CJ
Maybe to avoid compromising a potential relationship with the United States.

CHET
Did the United States apologize when the US Navy shot down Iran Air flight 655, killing 290 innocent people? (beat) And even if it were in his best interests, the Ayatollah’s a very proud man – especially when it comes to his Air Force.

CJ
You’ll do what you can.

CHET
I will try … but if you cannot control the British … (standing to leave) Miss Cregg.

CHET leaves with the Iranians, speaking in Farsi. LEO appears at the door.

LEO (entering)
Things went well with Chet, huh?

CJ
Yeah. How’d it go with the French?

LEO
Like talking to Madam Defarge.

CJ
The EU is scared to death of an Iranian nuke. Opportunity knocks.

LEO
Maybe we should just fall in line.

CJ
You’ve got to believe in the future of Iran, they’ve got garage-rock bands and pro-America rallies.

LEO
We play nice, democracy could be around the corner.

CJ
The reform movement has gained a lot of ground over the past ten years. Why do you think the Ayatollah’s refusing to budge? I mean, he can rebuild his nuclear plants, but the anti-Western sentiment it’ll generate if the RAF starts dropping bombs on Tehran …

LEO and CJ walk into the hallway, where they find TOBY.

TOBY
I just got a call from the First Lady, she wants to cancel the President’s address tonight.

CJ
Excuse me?

TOBY
She wants us to issue a statement instead, she thinks he’s not up to it.

LEO
That’s not her call.

TOBY
Pretty much what I said.

CJ
I’ll talk to her.

TOBY
Good.

LEO (noticing GORDON and MISS WORLD in TOBY’s office)
Is that the Miss …

TOBY
Yeah.

LEO (smiling)
I used to love this time of year.

CJ
Why is she with Gordon?

TOBY
He was asking for the tick-tock.

CJ
How long do you think we can -

TOBY
Annabeth thinks quite a while.

CJ
Keep me posted.

TOBY heads off as LEO and CJ continue down the hall.

LEO
So, Abbey’s been more involved since you got back from China?

CJ
Yeah.

LEO
Thank God for early retirement.

CJ
After China, Abbey and I met with the doctors. We came up with a plan. A full night’s sleep, a nap during the day, a way to manage things. Of course, getting him to cooperate is another story. I called Abbey last night. I thought we should wake him, but he’d been up till almost midnight and -

LEO
I always thought the wake up call was one of the hardest decisions to make. The President’s always going to want the call. But really – all you have to ask yourself at the end of the day is, would it have made a difference if he’d been awake? 

CJ thinks for a minute, then they continue to her office. 

CUT TO: INT. - CJ’S OFFICE – DAY

KATE is watching a TV with MSNBC coverage of SENATOR VINICK on the campaign trail. As she watches, LEO and CJ enter the room.

VINICK (on TV)
It’s no surprise, Iran’s always been a problem. But this time they’ve painted themselves into a corner, and I urge the President to take all appropriate measures.

CJ
Easy for him to say. 

KATE
Hey.

CJ
Where’s Lord John?

KATE
He lost interest, something about a Miss World?

BARTLET comes storming into CJ’s office.

BARTLET
Can you believe these people?

LEO
Which people would you be referring to?

BARTLET
Hoynes, Vinick, Walken – pick one.

LEO
All on the ‘Iran is evil’ bandwagon?

BARTLET
Apparently, when you’re campaigning for the American presidency, there’s no need for nuance.

LEO
It is a French word.

BARTLET
When are we meeting with the French?

CJ
Leo sat with them.

LEO
They’re on the bombing bandwagon, too.

BARTLET
When do we sit with Chet?

CJ
Didn’t have much luck there, either.

BARTLET (sternly)
You talked to the Iranians without me?

There is a pause. CJ and LEO exchange looks.

CJ
Kate, Leo, can I have the room, please?

KATE and LEO exit.

CJ
I’d appreciate it if you wouldn’t raise your voice at me in front of the staff.

BARTLET (almost shouting)
I need to manage this crisis, I needed to be in those meetings.

CJ
We handled the meetings.

BARTLET (sarcastically)
Yeah, you’re right, I don’t think my presence would’ve added much.

CJ
You were up in the residence, sir – you were unavailable.

BARTLET
All I have in this situation is influence; influence and relationships. If you take those things away from me, I am powerless!

CJ
The Ayatollah is praying for rain. I’m not sure Mohammed himself could convince him to change his mind.

BARTLET
Do you know how many hours I have sat with the Iranians, with the French, with Prime Minister Graty? I put in my time, I built relationships with these people, so that I can know when they’re headed for the deep end and I can rein ‘em in, which is exactly what I would’ve done if I were awake this morning!

CJ
I doubt that, sir.

BARTLET stops in consternation.

CJ
From the moment that Iranian pilot pulled the trigger, Prime Minister Graty was writing speeches. All the king’s horses and all the king’s men weren’t going to keep her from opening her mouth. So no, had you been in London on her doorstep this morning, I don’t think you could’ve reined her in. And the funny thing is, sir, I’m pretty sure you don’t think you could have, either. 

BARTLET looks at CJ for a moment, then turns and stalks into the Oval Office.

FADE OUT.
END ACT THREE.
* * *

ACT FOUR

FADE IN: INT. - COMMUNICATIONS BULLPEN – DAY

ANNABETH is walking up to TOBY’s office, cellphone in hand. GORDON and MISS WORLD are still deep in conversation outside his office. TOBY comes out of his doorway.

ANNABETH (to GORDON and MISS WORLD)
Hey, how’s everybody doing?

GORDON
Fine. Fine.

ANNABETH
Great.

GORDON (to MISS WORLD as she shows him her tiara)
Go ahead, it’ll be a good time.

TOBY (to ANNABETH, as they walk out of the bullpen)
President’s speech is in the printer – (clears throat) assuming there is one. How are they? (referring to GORDON and MISS WORLD)

ANNABETH
Dandy. Don’t you just love Valentine’s Day?

ANNABETH heads off as TOBY walks to the Roosevelt Room, where the Belarusian delegation is finishing lunch, a map on an easel next to the table, conversation and collaboration everywhere.

LESSIG
Toby, good to see you. Grab a sandwich and listen in. I think I’m managing to pick up a few phrases. It’s not all that different from Polish, actually.

TOBY
Still on a lunch break.

LESSIG
Oh … they love the roast beef.

TOBY
You’re giving them a two-hour lunch after wasting the morning on a system of government that’s never going to work for these people?

LESSIG
I wouldn’t call it a waste.

TOBY
These guys have to walk out of this building on Friday with a set of laws to take back home to Minsk.

LESSIG
Not a set of laws, a sense of the rules of law.

TOBY (surprised)
You’re not planning on writing a constitution this week?

LESSIG
Are you familiar with Meyer vs. State of Nebraska?

TOBY
Nebraska passed a law making it illegal to teach anything other than English during World War I, Meyer wanted to teach German, Supreme Court said the law was unconstitutional.

LESSIG
Good. Now – where in the Constitution does it say you’ve got a right to teach German in school?

TOBY (beat)
You’re saying the document is irrelevant?

LESSIG
No … I’m saying the document is just the beginning. A constitutional democracy succeeds only if the constitution reflects democratic values already alive in the citizenry.

TOBY
Yes, but these Belarusians don’t have those values.

LESSIG
Which is why our most important job is to instill those values in their leaders, through discussion and debate.

TOBY
You’re talking about eight guys on a sightseeing trip to Washington. You think you teach democratic values to these eight guys, you’re gonna reverse 50 years of brutal dictatorship?

LESSIG (referring to some of the delegates)
Mr. Helakal was known as the only honest legislator in the government. Mr. Lipecki is the most respected judge in the country, and Mr. Zubatov, well … Mr. Zubatov is the editor-in-chief of Sovetskaya Belorussiya. His articles helped bring down the last dictator. How many guys do you think it takes?

TOBY takes a moment to consider.

CUT TO: EXT. - PORTICO – DAY

BARTLET comes out of the Oval Office and speaks to a Secret Service agent on guard outside the door.

BARTLET
Got a cigarette? (beat, as AGENT doesn’t respond) First Lady get to you?

AGENT
Yes, sir.

BARTLET
Come on, cough ‘em up.

The AGENT reaches into his coat and hands a pack of cigarettes to BARTLET. BARTLET steps further onto the portico and prepares to light one, as LEO approaches.

LEO
Aren’t those bad for the MS?

BARTLET
You wanna play doctor, too? (irritated, throwing the cigarette into the grass) Suddenly I’ve got 17 nursemaids. She didn’t wake me up this morning.

LEO
Okay …

BARTLET
If I was awake this morning, I could have -

LEO
What? Prime Minister Graty thinks you’re an intellectual snob, a Yankee Doodle windbag. Likely as not, you would have made things worse.

BARTLET
If an American dies and there’s even the slightest suspicion of international intrigue, she’s supposed to wake me.

LEO
Since when? If I’d used that rule you’d be dead by now from sleep deprivation.

BARTLET
Damn it, Leo, five minutes ago you were telling me to leave it all out on the field, now you’re telling me to stay off it?

LEO
I’m telling you to let her do her job so you can do yours.

BARTLET looks at LEO for a moment, then heads back inside, leaving LEO on the portico.

CUT TO: INT. - WHITE HOUSE RESIDENCE – DAY

ABBEY is in the sitting room next to a large window, some reading materials on her lap. CJ approaches.

CJ
Excuse me – do you have a minute, ma’am?

ABBEY
I sent him back to work.

CJ
Yes, I saw him, thank you. (beat) Ma’am, I can’t have you confusing my staff.

ABBEY
Okay.

CJ
If you have a question, a concern, I need you to come to me.

ABBEY
What if I can’t find you?

CJ
Find me.

ABBEY
You gonna take away my key to the executive washroom, too?

CJ (beat, moving to sit)
Ma’am … I made a mistake this morning. 

ABBEY
He needed to sleep.

CJ
Yes, I agree with you. Mm, the mistake was not making the decision on my own.

ABBEY
You can’t make these decisions by yourself.

CJ
I’m the Chief of Staff.

ABBEY
You’re not a doctor.

CJ
It’s not a medical decision, it’s a question as to whether the leader of this country needs to be informed about something that puts the country’s citizens in jeopardy. What he does with that information, how he manages his disease, those are his decisions.

ABBEY (beat)
He was up until midnight. He’s not managing his disease.

CJ (beat)
You’re gonna have to take that up with him, ma’am.

CJ’s pager beeps. She checks it.

CJ (rising to leave)
I’m sorry. Excuse me.

CUT TO: INT. - OVAL OFFICE – NIGHT

BARTLET is going over some papers with CJ, KATE and HUTCHINSON waiting in the background, along with another OFFICER. There is a knock at the door.

BARTLET (as MARBURY enters)
John … thanks for sticking around.

MARBURY
No trouble at all, really.

5:00 PM

BARTLET
We’ve translated two radio transmissions from before the incident that we’d like to share with you.

MARBURY
By all means.

HUTCHINSON
At 0230 Greenwich Mean Time we believe this is an Iranian fighter calling in to military radar ground control in Rasht.

HUTCHINSON indicates to the OFFICER to play the tape. He presses a button on an audio device. We hear the pilot speaking in Farsi on the recording.

OFFICER (translating)
Unable to establish visual contact with RC-135. Hailed on military channels. No response, please advise.

The OFFICER stops the tape.

BARTLET
They thought it was our plane.

HUTCHINSON 
Here’s the response at 0233.

The OFFICER plays another recording, translating again.

OFFICER (translating)
Iranian Air Defense Command radar signal confirms aircraft as US RC-135. You are instructed to fire.

The OFFICER stops the tape.

MARBURY
Well, this is all very lovely indeed, but I’m not sure how it changes anything.

BARTLET
Damn it, John, the reform movement in Iran has real promise. Demographics are on our side.

MARBURY
Yes, you’ve been making that argument for some time, now. 

BARTLET
You’re gonna drive the Iranian people right back into the arms of the hard-liners.

MARBURY
The Iranians have a ballistic missile that reaches 2000 kilometers. That’s half the distance to London. And they’re making improvements – to their weapons technology, to their already formidable Air Force. How long do you think we can wait for democracy to sweep through Tehran? Five years? Ten years? Would you bet your capital on it?

CJ
We threaten to make this public. We call an emergency meeting of the Security Council, tell them we’re going to play the intercepts.

MARBURY
The intercepts prove that the Iranian Air Force shot down our plane. The Prime Minister won’t budge.

CJ
Not the Prime Minister, the Ayatollah. The Iranian Air Defense Command couldn’t tell the difference between a commercial airliner and a spy plane. It’s a little embarrassing.

KATE
For a man who’s proud of his air force.

CJ
We let the Ayatollah know what we have, odds are, he jumps at the chance to apologize for the actions of a rogue pilot rather than humble Iranian Air Defense Command. And if they issue even a vague apology …

MARBURY
Mr. President … Jack Stanley and his fiancee perished in that plane last night. Nicholas Ashe and his three small children. He was a Fellow at Oxford. The list goes on – but the casualties are nothing compared with what might happen should Iran successfully develop a nuclear weapon. They have over a hundred nuclear facilities. So it’s not a matter of three or four bombs, it’s a matter of three or four hundred, and this regime will not be afraid of selling to the highest bidder. 

BARTLET considers this, looks at CJ, then stands and heads for his desk. At last, he speaks.

BARTLET
Kate, set up the meeting with the UN. And have Chet get word to the Ayatollah he can apologize now or after he reads about it in the Times.

KATE (exiting)
Yes, sir.

MARBURY
You do realize the Ayatollah will be embarrassed and weakened. He’ll do nothing but redouble his nuclear efforts.

BARTLET
Diplomacy, John. The job of statesmen.

MARBURY
And I thought it was drinking and dancing.

CUT TO: INT. - HALLWAY – NIGHT

TOBY walks out of the Roosevelt Room as CJ comes down the hall behind him.

6:00 PM

CJ
Tell the networks they can have their time back.

TOBY
The Iranians are apologizing?

CJ
Let’s work on a statement for tomorrow’s papers. Where are we with Gordon?

TOBY leads CJ to the doorway of the Communications bullpen, where GORDON and MISS WORLD are still talking.

CJ
And I always looked down my nose at beauty pageants.

TOBY
You know, we should at least consider -

CJ
Yeah, give him the tick-tock. Tell him the Prime Minister was a courtesy call – I wasn’t sure Iran was involved, I didn’t think we needed to wake him. Just because the public thinks the President’s supposed to be up, doesn’t mean he’s supposed to be up.

TOBY
You know what the story’s gonna be?

CJ
They’re gonna be writing MS stories until the end of this administration. Give him the tick-tock.

CUT TO: INT. - CJ’S OFFICE – NIGHT

CJ enters her office and goes to her desk. BARTLET comes to the doorway from the Oval Office.

BARTLET
So maybe we should cancel the address.

CJ
I took care of it. Iran’s apologizing, Britain’s backing down, there’s no need for you to distance yourself from Graty. (beat) You’ve gotta trust me to make these decisions or there’s no point in having me in this job.

BARTLET
Yeah.

CJ
I spoke to Mrs. Bartlet. From now on, I’ll be making the wake up calls on my own. And your MS won’t be a factor in my decision.

BARTLET
Thank you.

CJ
Sir … these international crises drag on for days, one rolls right into the next. You need to take care of yourself, because there are going to be mornings when I’m gonna have to wake you up at 3:00 am.

BARTLET slowly walks back into the Oval Office.

CJ
Good night, sir.

BARTLET
Night.

As BARTLET walks into the Oval Office, he finds an envelope on his desk. As he opens it, ABBEY appears behind him near the fireplace.

ABBEY
Happy Valentine’s Day.

BARTLET (taking a card out of the envelope)
That what you’re wearing to the opera?

ABBEY
You have a 7:00 am call in the morning. I canceled the opera.

BARTLET
The whole opera?

ABBEY
No - just the part where we give the usher the tickets, and -

BARTLET (shouting)
Damn it, Abbey, I can manage my health without you taking my pulse every five minutes!

ABBEY
Is that what you were doing when you decided to stay up gossiping with the children last night?

CUT TO: INT. - CJ’S OFFICE – NIGHT

CJ is working at her desk. We can hear the developing fight inside the Oval Office through the open door.

BARTLET (VO)
I was talking to Professor Lessig!

ABBEY (VO)
Oh, shove it, Jed - ‘It’s my disease, it’s my health, I can handle it’ - the hell you can!

CJ stands up and walks to the door.

ABBEY (VO)
You think you can run this country on four and a half hours sleep with MS? You’re out of your mind.

CJ closes the door. We can still hear the voices, just a little less loud.

BARTLET (VO)
Stop treating me like a child.

ABBEY (VO)
Then stop acting like one.

CJ returns to her desk.

ABBEY (VO)
Where would you be right now if I …

The voices trail off indistinctly, but we – and CJ – can still hear the fight continue, as CJ continues to work.

DISSOLVE TO: END TITLES.
FADE TO BLACK.
THE END.
* * *

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The West Wing Transcript
Episode 6x14 – The Wake Up Call
Original Airdate: February 9, 2005