Friday, November 14, 2025

THE WEST WING TRANSCRIPT: The Benign Prerogative (S5E11)

THE WEST WING
5x11 - “THE BENIGN PREROGATIVE”
WRITTEN BY CAROL FLINT
DIRECTED BY CHRISTOPHER MISIANO

Transcribed by Walking, Talking, And Yelling At Clouds
(kegofglory.blogspot.com)

TEASER

FADE IN: INT. - WHITE HOUSE CORRIDOR - NIGHT
JANUARY 20TH

Someone walks down the hallway outside the Communications bullpen carrying a bouquet of flowers. We hear a wolf-whistle as the camera pans to TOBY and CJ approaching. CJ is wearing a red dress.

TOBY
Now I remember why I love this night.

CJ
You love this night because in two hours you’ll have a sour mash in hand and nothing to re-write.

TOBY
Ha. The press conference was a hit.

CJ
The President did well this morning.

TOBY
Are they ranting on cable about that liberal pantywaist gone soft on crime?

CJ
What we expected.

RINA rushes up to meet CJ and TOBY, tucking a package of gum into TOBY’S shirt pocket.

TOBY
What?

RINA
Extra gum. For your big night. It’s okay. We all get oral when we’re nervous.

RINA walks away. CJ and TOBY look at each other.

CJ 
You heading over to pace on the Hill?

TOBY
After I finish pacing here.

TOBY walks away as CJ goes into her office. She speaks to CAROL, who is on the phone.

CJ
Did the special guests arrive?

CAROL holds up a finger as CJ goes behind her desk. CAROL hangs up and stands in CJ’S doorway.

CAROL
It’s Gentle Ben, on hold.

CJ
You put him on hold?

CAROL
That’s what you told me to do!

CAROL walks away. We see DONNA coming down the hallway.

CJ
Carol, maybe you ought to -

DONNA
CJ.

CJ
Donna, my darling, would you pick up line one and tell this guy you can’t find me -

CJ stops and looks at DONNA, who appears stricken as she stands in her office.

CJ
What’s wrong?

DONNA stands silent.

CUT TO: INT. - WHITE HOUSE CORRIDOR – NIGHT

CJ, TOBY, JOSH and DONNA are walking with purpose.

TOBY
Leo won’t want to tell him before the State of the Union, it might throw him off his game. And it doesn’t change anything.

CJ
You want him hit with it leaving the podium?

TOBY
One hour. Guy couldn’t wait one hour.

DONNA
My God, Toby.

TOBY
Yeah, uh … you’re right. Sorry.

They stop outside LEO’S office. CJ speaks to MARGARET, standing behind LEO’S desk.

CJ
Has – he hasn’t left, has he?

MARGARET
They’re having tea.

WILL enters LEO’S office.

WILL
You heard?

CJ
It hit the wires?

WILL
I got a call. Does the President know?

CUT TO: INT. - OUTER OVAL OFFICE – NIGHT

CHARLIE is looking over binders. MEESHELL ANDERS walks up behind him.

MESHELL
Charlie?

CHARLIE
Ms. Anders?

MESHELL
Ms.? You sorry son of a -

MESHELL slaps CHARLIE, just as PRESIDENT BARTLET walks out of the OVAL OFFICE carrying a cup of tea.

BARTLET
Charlie, are we -?

BARTLET stops and stands still. CHARLIE and MEESHELL stand nervously.

BARTLET
I beg your pardon.

CHARLIE
Mr. President, may I have a moment?

BARTLET nods and goes back into the OVAL OFFICE, closing the door. CHARLIE turns and looks at MEESHELL.

SMASH CUT TO: MAIN TITLES.
END TEASER.
***

ACT ONE

FADE IN: INT. - OUTER OVAL OFFICE – NIGHT

We are back at the end of the TEASER, as the OVAL OFFICE door closes behind BARTLET.

MEESHELL (whispers)
Oh my God.

CHARLIE
Yeah.

MEESHELL
I am so sor- What did I just do?

CHARLIE
We can’t do this. He’s got a speech. Maybe you’ve heard of it? Any minute we could get the word and he goes.

MEESHELL
I have never hit anyone, not since my kid brother -

CHARLIE
You’re a natural, then.

MEESHELL
You deserved it.

CHARLIE
We can’t do this now.

MEESHELL
I shouldn’t have come.

CHARLIE
How did you even get in?

MEESHELL
What, without you to wave me in?

CHARLIE
I really can’t do this.

MEESHELL
So a one-night thing would’ve worked better for you?

CHARLIE
I know three weeks was too long.

A Secret Service agent, DONNIE, speaks from offscreen.

DONNIE (voiceover)
Charlie? They’re ready.

CHARLIE and MEESHELL look at each other a moment, then MEESHELL exits.

CUT TO: INT. - ANGELA BLAKE’S HOME – NIGHT
THREE WEEKS EARLIER
NEW YEAR’S EVE

A party is going on. CHARLIE walks up to ANGELA in the kitchen, putting on his coat.

ANGELA
Hey.

CHARLIE
Thanks for having me.

ANGELA
Are you sneaking out? Gonna breakdance at 3:00.

CHARLIE
Happy New Year.

CHARLIE walks away from the kitchen. A group of young people are just arriving, including MEESHELL and two young men. They are having some kind of political discussion.

MAN ONE
Look, I’m not proud, I’ll take my rights on the installment plan.

MAN TWO
A voting delegate for the District?

MAN ONE
Well, they can give Utah their own chamber for all I care.

MEESHELL
Yeah, but if we accept a specially created House seat it could be an obstacle to DC statehood.

CHARLIE is walking by the group, and speaks over MEESHELL’S shoulder.

CHARLIE
I wouldn’t lose any sleep over it.

MAN ONE
I disagree. A seat for us, balanced by one for Mormon missionaries …

MEESHELL
Got that something-for-everyone feel.

MAN ONE
And it’s coming from Congressman Drake.

CHARLIE
Drake didn’t propose a bill, he floated a notion. Probably because he took heat over sponsoring DC vouchers.

MEESHELL
So you think it’s just talk?

CHARLIE
Folks in the District are no closer to getting the vote than our ancestors were.

MEESHELL
Can I quote you on that?

CHARLIE
You’re a reporter?

MEESHELL
Wannabe. I’m an intern at The Afro-American. Meeshell Anders.

CHARLIE
I read the Afro – every time I’m in a barber shop.

MEESHELL
Well, that’s our market penetration.

CHARLIE
I can’t really give you that for attribution, Meeshell. But if you want to say “White House staffer” …

CHARLIE hands his card to MEESHELL. We can see it reads CHARLES YOUNG, THE WHITE HOUSE.

CUT TO: INT. - CJ’S OFFICE – DAY
JANUARY 6TH

The camera slowly pushes in down the hall towards CJ’S office doorway.

CJ
Am I mad at you?

CAROL
It’s not my question, it’s Ben’s.

CJ
Ben?

CAROL
Of the husky voice, no last name, and the 907 area code?

CJ
Oh.

CAROL
He said you never return his calls, and are you mad at him?

CJ
What’d you say?

CAROL
That you’d have to get back.

CJ sees TOBY walking past and dashes out to walk with him.

CJ
Toby! Great draft, Shakespeare.

TOBY
Oh, thanks.

CJ
Really, you nailed it. State of the Union’s finished.

TOBY
Okay.

CJ
What are you gonna do the next two weeks? Dot the I’s …

TOBY
I’ve got pollsters waiting.

CJ
They tested this draft?

TOBY
That’s their job.

CJ
I’m sure they’re gonna love it.

CJ walks away.

CUT TO: INT. - JOSH’S OFFICE – DAY

JOSH is talking to DONNA.

JOSH
Really? Joey Lucas stopped by?

DONNA
She was sorry you weren’t in yet. Nice suit.

JOSH
Was it a heads-up, pre-meeting kind of stopping by, or a long-time-no-see kind of stopping by?

DONNA
You know, I couldn’t tell.

JOSH
How’d she look?

DONNA
Great.

They begin walking down the corridor.

JOSH
I heard she was seeing someone.

DONNA
Yeah, I think she is.

JOSH
Did she say she was seeing someone?

DONNA
No.

JOSH
So who knows? Maybe the time is ripe.

DONNA
Maybe not so much.

JOSH
That’s not very supportive. Here at the start of a new year, with clean slates, broad horizons, and anything’s possible -

JOEY LUCAS and her interpreter, KENNY, enter through a door behind JOSH and DONNA.

JOEY
Josh!

JOSH turns to see her. JOEY is very pregnant. She taps her belly. JOSH reacts with exaggerated surprise, his mouth wide open.

CUT TO: INT. - LEO’S OFFICE – DAY

LEO is behind his desk. TOBY and JOSH are sitting in chairs, with JOEY and KENNY on the sofa. KENNY is speaking as JOEY signs.

JOEY (through KENNY)
… and with women, the draft scored even higher. You can see spikes in all your policy priorities. In the 80 percentile in education and job retraining.

JOSH
Where’s the “room to improve” addendum?

JOEY
There isn’t any.

JOEY (through KENNY)
We’ve never seen this before, but two weeks out, it looks like you’ve locked your State of the Union message.

LEO
Well, that’s impressive, Toby.

TOBY (standing)
Come on, the section on anti-terrorism, uh …

JOEY (through KENNY)
It didn’t make people sing “Oh, What A Beautiful Morning,” but -

JOEY gestures toward JOSH and TOBY.

KENNY
She wants you to know that she actually sang that.

TOBY smiles.

JOEY (through KENNY)
But it was well within the “interested” range. We’ll put it out to mall tests next week, get feedback on the key paragraph.

TOBY
Yeah, because we haven’t really found that yet.

JOEY (through KENNY)
It’s not the writing that we’ll examine. Mall tests are about tone, how the President should deliver the speech. We’ll hire a spokesman.

TOBY
An actor?

JOEY (through KENNY)
Not a known actor.

TOBY
Oh, that’s better.

JOEY (through KENNY)
Purchase intent can vary dramatically -

TOBY
Purchase intent? What are we doing, selling corn flakes?

JOEY holds up her hands.

JOEY (through KENNY)
Come out and watch.

LEO
Good idea, Toby. It doesn’t sound like you have anything else to do.

LEO exits.

CUT TO: INT. - WHITE HOUSE CORRIDOR – DAY

LEO walks out of his office and meets ANGELA.

ANGELA
The Freeway Alert bill is on a fast track. The Senate may have something for the President to sign before they recess.

LEO
Grants to track kidnappers? I think the President would welcome that on his desk.

ANGELA
Yeah, well, there’s an amendment.

CUT TO: INT. - COMMUNICATIONS BULLPEN – NIGHT
JANUARY 8TH

The camera pushes in through the bullpen toward TOBY’S office. MARGARET is in the office talking to TOBY.

MARGARET
All your plane tickets are e-tickets, your flights are all confirmed - Buffalo, Grand Rapids, Bradenton – Joey Lucas will meet you at the Michigan Mall, your research assistant has the latest itinerary.

TOBY walks out of his office carrying luggage, MARGARET follows.

TOBY
Then why tell me?

MARGARET
I wasn’t sure she – She’s … new. This position is kind of a jump for her.

TOBY
She compiled clippings at Energy.

MARGARET
I know Leo’s been pressuring you to hire someone and I heard she was helpful during the shutdown, but -

TOBY
I thought I’d give her a shot.

TOBY and MARGARET arrive at the foyer entrance to the West Wing, where RINA is waiting.

MARGARET (whispering)
Just know if she doesn’t work out -

RINA
Cab’s here, Mr. Ziegler. Ready for blastoff?

TOBY
Uh-huh.

TOBY heads out the door with RINA.

MARGARET
Have a good trip.

CUT TO: INT. - OUTER OVAL OFFICE – NIGHT

CHARLIE is reading a copy of The Washington Afro-American. ANGELA comes in the doorway.

ANGELA
Can she write as well as she slow-dances?

CHARLIE
Leo and Josh are already in there.

ANGELA
You always move in so fast, or is she special?

CHARLIE
Not that it’s any of your business, but we hit it off.

ANGELA
And you can find time for a love life?

CHARLIE
I did have to cancel on her Sunday. An attempted coup in Riyadh.

ANGELA
Excuses, excuses.

CHARLIE
Tonight, I thought I was home free with the President at the opera, but he bailed at intermission, and now you’re here.

ANGELA
Don’t cancel. Go late. A demanding job is a strong aphrodisiac.

CHARLIE
Are you the Devil?

ANGELA
It’s folks who act like angels I worry about.

ANGELA heads into the Oval Office.

CUT TO: INT. - OVAL OFFICE – NIGHT

LEO and JOSH are sitting in the OVAL OFFICE as ANGELA enters.

ANGELA
It arrived?

LEO
It did.

ANGELA
Hicks’ amendment wasn’t written in disappearing ink?

JOSH
Unfortunately.

LEO
He can sign this. The body of the bill is right-on. Helps communities mobilize when a child is abducted.

JOSH
But, the amendment isn’t limited to kidnapping. It toughens federal sentencing guidelines for all offenses.

ANGELA
No Congressman ever lost re-election for looking tough on crime.

JOSH
Any President who vetoes a crime bill risks becoming the Pillsbury Doughboy.

ANGELA
Well, at least he’s got ten working days to decide. If he does veto, it can wait until after the State of the Union.

A door opens from the Portico and PRESIDENT BARTLET and ABBEY enter.

LEO
Mr. President, Abbey. Turandot wasn’t all you hoped for.

BARTLET
Yeah, I’m becoming a cultural wimp, can’t even sit through Puccini without banking a good night’s sleep.

ABBEY
You certainly haven’t done that lately.

BARTLET
So, Congress launched another assault on judicial discretion?

LEO
I think they were aiming at kidnappers.

BARTLET
And slipped in the amendment hoping we wouldn’t notice. 

JOSH
Indiana’s in a budget crunch. They had to mothball a new state prison. Hicks’d probably like to reassure voters that the Federal Bureau of Prisons will take up the slack.

BARTLET
This is what we were talking about, I should’ve issued those pardons.

ABBEY
You found a few things on your plate.

BARTLET
Congress doesn’t know I’m serious about these draconian sentences.

LEO
Sir, I don’t think issuing pardons would have stopped Congress.

ABBEY
No, they’ve been at it for thirty years.

BARTLET
Yeah, war on drugs, war on crime, somehow it turned into a war on judges.

ABBEY
Apparently we no longer need subtle minds on the bench. Is Counsel even working on a list of pardons?

JOSH
Of course. That’s ongoing.

BARTLET
But never gets done. Let’s talk to Justice, get back into it.

LEO
Yes, sir.

LEO exchanges a look with JOSH.

LEO
Of course, with the run-up to the State of the Union, this isn’t the best time. We need to stay focused.

BARTLET
Yeah.

LEO
The fallout over Gabriel Lessieur alone would be -

ANGELA
Someone wants to pardon Gabriel Lessieur?

ABBEY
I think Lessieur’s case merits consideration.

ANGELA
Sorry, ma’am.

BARTLET
Not as sorry as you’ll be if she gets started on what the FBI did or didn’t do on that Indian reservation in 1977.

LEO
Sir – you know I’m only concerned with timing. This bill isn’t perfect. But you sign it now, you arrive for the State of the Union in a spirit of renewed cooperation.

BARTLET
Something to sleep on.

ABBEY
Speaking euphemistically.

BARTLET
There’s always hope. Good night, all.

EVERYONE
Good night, sir, good night, Abbey.

BARTLET and ABBEY head out the Portico door.

BARTLET (calling out as he heads out the door)
Good night, Charlie, go home.

JOSH
Could there be a worse time to consider pardons?

LEO
I don’t want him distracted.

JOSH
Should I drag my feet?

LEO
How about you don’t break your neck.

ANGELA
Is that how it usually works, the First Lady tees him up?

JOSH
Honestly, I’ve never seen her weigh in like that, not on policy.

ANGELA
You missed her homecoming.

LEO
Okay. Enough.

ANGELA
But is this their dynamic?

JOSH
It’s new to me. Leo?

LEO
He’s sleeping on it, that’s all I heard.

LEO exits into his office.

FADE OUT.
END ACT ONE.
* * *

ACT TWO

FADE IN: INT. - WEST WING FOYER – DAY
JANUARY 10TH

CJ and JOSH walk past the camera and continue towards the offices.

CJ
Where’s this coming from?

JOSH
You gotta put a damper on it.

CJ
The President is not considering pardons at this time?

JOSH
Right.

CJ
He’s not considering a commutation of tribal leader Gabriel Lessieur convicted in the deaths of two FBI agents in North Dakota?

JOSH
No.

CJ
He’s not considering clemency for a former Republican governor indicted for fraud and recently diagnosed with liver cancer?

JOSH
No.

CJ
Why does everyone in my press room think he is?

JOSH
Maybe because we called the assistant AG in charge of clemencies and asked the pardon attorney from Justice to meet with the Counsel’s office today.

CJ
So, how about, ‘the ongoing process of reviewing petitions is proceeding but the President is not considering pardons at this time.’

JOSH
That works.

CUT TO: INT. - DONNA’S DESK – DAY

DONNA lifts a comically large stack of papers off her desk and gingerly carries them into JOSH’S OFFICE. As she places them on JOSH’S desk, JOSH enters.

JOSH
What’s all this?

DONNA
Counsel’s office sent these over. The case files for today’s meeting with the pardon attorney.

JOSH
I didn’t think there’d be so many.

DONNA
There are only 36, but they aren’t short stories. Each file has the original trial record, a petition by the prisoner, the Bureau of Prison’s recommendation, the DOJ recommendation, White House Counsel’s preliminary report -

JOSH
Don’t leave them here.

DONNA
They said you wanted to take a look.

JOSH
I said we wanted to take a look, and when I said we -

DONNA
You meant me.

JOSH
I’ll help you -

DONNA
Thanks.

JOSH
- move them.

JOSH picks up part of the stack of papers and walks out, followed by DONNA carrying the rest.

DONNA
Right.

JOSH
You need a space where you can spread out. We need to be familiar with the specifics of each of these petitions.

DONNA
And when you say we …

JOSH
That’s the spirit.

CUT TO: INT. - LARGE ROOM WITH CUBICLES AND COMPUTER MONITORS – DAY
GRAND RAPIDS MALL

KENNY is translating for JOEY as TOBY and RINA listen.

JOEY (through KENNY)
Each participant is paid $10 to answer a battery of questions and then listen to one of three versions of the speech. In booth A, we have execution one.

KENNY sits and starts playing a video on the monitor. We see an actor delivering a speech.

ACTOR (onscreen, speaking in a gentle, friendly tone)
… and we know that the hard work of forming this more perfect union, belongs to us all. The state of our union is strong …

JOEY (through KENNY)
Booth two is version B.

KENNY starts playing a new video. We see the same actor, now a bit more forceful, but still with a smile.

ACTOR (onscreen)
The state of our union is strong. With courage, with faith in our democratic foundation, and the human spirit it fosters …

JOEY (through KENNY)
And booth three.

KENNY clicks a mouse. The actor appears again, with a much firmer delivery punctuated by hand movements.

ACTOR (onscreen)
… that the hard work of forming this more perfect union belongs to us all. The state of our union …

TOBY
So which one are they gonna go for, the Amana fridge, Samsonite luggage, or door number three?

JOEY (through KENNY)
Most of my political clients are reassured to know that these tests work in sales.

TOBY
What about your commercial clients?

JOEY (through KENNY)
They like knowing they work in politics.

RINA
It’s gotta be version B. It’s strong but not mean. That’s the one, right?

JOEY (through KENNY)
It is. B’s showing a significant 26 percent movement in purchase intent.

TOBY
I need some coffee.

RINA
I’ll get it.

TOBY
No. I’d rather, thank you.

RINA
Okay, well, uh, don’t forget we’re a left turn at the Mrs. Fields.

TOBY looks back as he heads down the hallway.

CUT TO: INT. - OUTER OVAL OFFICE – DAY

CHARLIE is on the phone with MEESHELL.

CHARLIE
It’s usually slow on weekends, we’ll get takeout. And I’ll give you a tour, if that sounds okay.

MEESHELL (through phone)
Okay.

CHARLIE
E-mail me your date of birth and Social so I can wave you in. I’ll call you later?

CHARLIE hangs up as WILL enters.

WILL
Charlie, any chance of getting five minutes for a meet-and-greet next Friday?

CHARLIE
Friday?

WILL
The Vice President is in Atlanta and the Kaehlers are coming to town unexpectedly.

CHARLIE
They are … ?

WILL
Robert and Jean Kaehler, WestCo Mining, one of our most generous contributors west of the  Rockies.

CHARLIE
I’ll see what I can do.

WILL
Thanks.

WILL starts to leave.

CHARLIE
Don’t promise them.

CUT TO: INT. - OVAL OFFICE – DAY

LEO enters.

LEO
Yes, sir?

BARTLET
Did you know Woodrow Wilson averaged 344 acts of clemency a year? 

LEO
I didn’t.

BARTLET
Calvin Coolidge managed 326. FDR was over 300 yearly, for a grand total of 3,687. Until the last 40 years, Presidents routinely exercised their power as stated in the Constitution, to give relief against harsh sentences. Recent Presidents have averaged 40, 20, and seven pardons a year. Why’d we get so stingy?

LEO
Law and order’s become a national concern.

BARTLET
And the pardon process has become less transparent. No records kept, no rationales given … the ones we do remember, the Eugene Debs, the Jimmy Hoffas, were controversial, if not downright scandals.

LEO
You understand, sir, I’m not against you issuing pardons.

BARTLET
The benign prerogative, that’s what Hamilton called them.

LEO
Benign? It’s a bag of lit dynamite. Yeah, maybe the FBI bungled its investigation on an Indian reservation 30 years ago. 

BARTLET
And maybe we let the wrong guy go from puberty to retirement in a prison cell.

LEO
And sure, maybe it would be a generous act of bipartisanship to forgive an ex-governor who’s battling cancer -

BARTLET
Who never would have gone to trial if a Republican were sitting in this office.

LEO
I know the First Lady has received letters from tribal leaders -

BARTLET
Is Josh sitting in on this meeting with Justice today?

LEO
He’s in and out.

BARTLET
The Attorney General send a deputy with a heartbeat?

LEO
Sir, I don’t believe Fisk sent a deputy AG, just the pardon attorney.

BARTLET
The AG expects White House Counsel to sit down without a -

LEO
Well, actually Counsel isn’t in this either, it’s more preliminary.

BARTLET
Is deputy counsel there?

LEO looks away.

BARTLET
Who is in this meeting, Leo?

CUT TO: INT. - ROOSEVELT ROOM – DAY

DONNA is at the table taking notes with a group of attorneys, including PORTIA COLGRAVE.

PORTIA
So that’s my main concern … if Josh doesn’t return -

DONNA
I’ll get you an answer.

PORTIA
We need guidance. Is the President looking for packing peanuts, or does he want to -

DONNA
Packing peanuts?

We hear a door opening.

PORTIA (rising)
Yeah.

PRESIDENT BARTLET walks in the door.

BARTLET
Please, everyone, sit. (to PORTIA) You’re my pardon attorney?

PORTIA
Yes, Mr. President. Portia Colgrave.

Everyone takes a seat.

BARTLET
You’ve survived three administrations in this job, am I right?

PORTIA
You are, sir.

BARTLET
Well, how do I stack up?

PORTIA
You’re about at par.

BARTLET
Which ain’t saying much, is it? (motioning to the pardon list) May I?

PORTIA
Yes, sir.

BARTLET
This is the list that we’ve been discussing?

PORTIA
These are first-time offenders who’ve served at least five years of a ten-year or longer sentence under the guidelines.

BARTLET
Ten years or longer. All nonviolent?

PORTIA
Oh, yes, Mr. President.

BARTLET
So where were you?

DONNA
We were about to discuss packing peanuts.

CUT TO: INT. - WHITE HOUSE HALLWAY – NIGHT
SUNDAY
JANUARY 11TH

At the end of the hall we see CHARLIE showing MEESHELL around.

CHARLIE
So this is the Roosevelt Room, which was the President’s office until FDR decided he deserved some sunlight, and built the Oval. Here’s the Communications bullpen -

MEESHELL
Whoa, whoa, slow down, Charlie, I’m a little overwhelmed.

CHARLIE
It’s part of my plan to sweep you off your feet.

MEESHELL
You already did that.

CHARLIE
You were pretty easy.

MEESHELL
And boy, was I relieved when you called again. I never do that, I’m actually kind of a prude.

CHARLIE
Fooled me. This is the West Lobby. You should get your bearings for when you come back. 

MEESHELL
What do you mean?

CHARLIE
I talked to CJ about getting you into the -

MEESHELL
CJ Cregg?

CHARLIE
Next week. The President’s meeting with some college editors for Martin Luther King Day, and I asked CJ if it’d be okay for you to join.

MEESHELL 
(stammers) Did you say something after ‘President’?

CHARLIE
It’ll be an intimate group of 60.

MEESHELL
Thank you, I – I’m nervous already.

CHARLIE
I read your piece. You got game.

CHARLIE and MEESHELL walk into the area near DONNA’S desk.

CHARLIE
Hey, Donna.

DONNA
Hey, Charlie.

CHARLIE
Donna Moss, Meeshell Anders.

DONNA
Hi, nice to meet you.

MEESHELL
Nice to meet you.

CHARLIE
I’m giving Meeshell the nickel tour.

DONNA
It’s pretty great, huh? We all forget.

MEESHELL
Yeah, it’s amazing.

CHARLIE
We’ve got food coming, if you want to join us.

DONNA
Oh, you’re too polite. He’s too polite.

CHARLIE
What are you doing here today?

DONNA
Don’t ask. It’s too depressing.

DONNA drops a stack of papers on a desk and sits.

DONNA
It’s nice to meet you.

CHARLIE and MEESHELL walk away. DONNA sighs, then opens a file. We see a page for a Daisy Aimes, with a mug shot and details of her case. The camera pans to a page titled “The personal history of Daisy Aimes,” with a photograph of her and her daughter. DONNA continues reading the file.

CUT TO: INT. - RESIDENCE KITCHEN – NIGHT

PRESIDENT BARTLET and ABBEY are having a discussion next to the stove.

BARTLET
Packing peanuts, that’s what they’re called.

ABBEY
The low-profile cases?

BARTLET
Apparently these nameless offenders can be useful insulation for any cronies I may want to spring.

ABBEY
Are you getting pressured or -

BARTLET
All over my call sheet. I’ve been thinking if I commute a Chippewa and an indicted Republican, they might cancel each other out.

ABBEY
But they’re off the front burner now?

BARTLET
I know how you feel about Lessieur. I’ll consider him in the future, but it’s these packing peanuts, these victims of minimums that are bugging me. That’s what Congress pushed front and center with this amendment. I can’t sign a bill that toughens guidelines and ties judges’ hands then turn around next month and advocate judicial discretion. (As ABBEY hands him a cup) What’s in this?

ABBEY
Just warm milk.

BARTLET
Does this ever work?

ABBEY
It has.

ABBEY thinks as BARTLET takes a sip.

ABBEY
Are you worried this might be another Wallace Turner?

BARTLET
A little, sure.

ABBEY
You were a new Governor. And you listened to the advice of your parole board. 

BARTLET
His victim’s family probably isn’t too comforted by that. Leo’s worried it’s the wrong time for pardons.

ABBEY
Leo hates to see you sleepless and distracted when you’re about to announce your agenda for the year. 

BARTLET
Do you hate to see me sleepless and distracted?

ABBEY
This is just your preamble. You’re about to be inspired. 

CUT TO: INT. - PRESS BRIEFING ROOM – NIGHT

The room is dark as CHARLIE and MEESHELL come in the back door.

MEESHELL (laughing)
Wait! Never mind!

CHARLIE
No, it’s right here. Umm …

CHARLIE looks for a light switch, then flips it on. The room lights up.

MEESHELL
Good finale.

CHARLIE
As seen on TV.

MEESHELL
It’s a little smaller than I thought.

CHARLIE
And dirtier. (He starts to pick up some trash) Why the press can’t clean up after themselves … You enjoy the picnic?

MEESHELL
On a porch outside the Oval Office? It was all right.

CHARLIE
And the President only called once.

MEESHELL
Was that really him?

CHARLIE
No. I faked it. It was weekend protocol.

MEESHELL
Yeah, it was kinda sexy. You were all, “ah, yes, sir, did you look on the bookshelf, Mr. President?”

CHARLIE (chuckling)
Go on. Get up behind the podium. I’ll take your picture.

MEESHELL
You brought a camera?

CHARLIE
Go on. You belong up there.

MEESHELL (hesitating)
Charlie, I started to bring this up before, but I didnt’ want to say on the phone. 

CHARLIE
What?

MEESHELL
I do belong here.

CHARLIE
I know it.

MEESHELL
No, I mean I really do belong here. It wasn’t for certain when we met, but - 

CHARLIE
What?

MEESHELL
I’m coming to work here.

CHARLIE
Here?

MEESHELL
My internship’s ending, and I’ve been offered a really entry-level job in the press corps.

CHARLIE
The White House press corps.

MEESHELL
Uh, I’m gonna be an off-camera reporter for NBC, mostly making sure that the on-camera reporter gets called when something happens.

CHARLIE is taken aback.

CHARLIE
You’re covering the White House … the President … for a network.

MEESHELL
I will be.

CHARLIE
And you let me act like – you didn’t mention this.

MEESHELL
I know, I, I didn’t want to -

CHARLIE
Anything I said today, everything I said was off the record -

MEESHELL
No! Of course!

CHARLIE
He depends on my discretion.

MEESHELL
Charlie, I would never -

CHARLIE
He’s not just the President.

MEESHELL
What do you mean?

CHARLIE
Never mind. 

MEESHELL
I really don’t think this should change anything.

CHARLIE stares uncomfortably at MEESHELL.

FADE OUT.
END ACT TWO.
* * *

ACT THREE

FADE IN: INT. - SHOPPING CENTER – DAY
JANUARY 13TH
BRADENTON, FLORIDA

A group of people are in a room at a shopping center, sitting at small tables filling out forms on clipboards. TOBY and RINA are near the entrance to the room. RINA is on the phone.

RINA
We have seats on the 1:10, Bill – uh, is it Bill? We were hoping you could get us something earlier.

TOBY
Please.

One of the people at the tables stands, irritatedly crumpling the form he’s been writing on.

IRRITATED MAN
This is murder, I’m out of here.

POLLSTER 1
Is something wrong, sir?

IRRITATED MAN
Yeah, keep your ten bucks.

RINA (on phone)
That might work. Is, is that into Dulles? Uh-huh.

TOBY considers the IRRITATED MAN as he walks out of the room. He follows him outside. Another POLLSTER is talking to a shopper outside the room.

POLLSTER 2
Hi, are you a registered voter?

TOBY catches up to the irritated man.

TOBY
Excuse me, sir? I’m, uh, with the polling group inside.

IRRITATED MAN
Yeah, I saw you in there.

TOBY
I was curious, why’d you walk out?

IRRITATED MAN
It’s a waste of time.

TOBY
Why?

IRRITATED MAN
Politics. What, are you guys trying to target me, or trying to find out what makes me, uh, I don’t know … what is it you want, you want me to feel like I’m part of the club? 

TOBY
Uh, maybe.

IRRITATED MAN
Well, you won’t do it with words. Not words that are pre-tested and reworked, sanded down, wrapped in a bow. Hey, you wanna impress me? Do something. Talk’s cheap, pal.

The IRRITATED MAN starts to walk off.

TOBY
You ever listen to the President when he addresses the nation?

IRRITATED MAN
Yeah, sometimes. I usually end up throwing something at the set.

The IRRITATED MAN leaves. RINA comes up to TOBY with the phone.

RINA
Josh is calling. What was that? 

TOBY
That’s my guy. That’s who I write for. (into phone) Yeah.

JOSH (voiceover)
Toby, we need you back. President’s made some decisions that are going to affect the State of the Union.

TOBY
How?

CUT TO: EXT. - WHITE HOUSE ENTRANCE – DAY

TOBY and RINA walk up to the White House, suitcases in tow.

CUT TO: INT. - LEO’S OFFICE – DAY

ANGELA, CJ, and JOSH are meeting with LEO.

ANGELA
I’m saying, if he vetoes the bill tomorrow -

LEO
How many times do I have to tell you, he’s -

CJ
He’s vetoing the amendment, we’ll make that clear.

JOSH
It’s still a veto, it’s not like Congress will forget in a week.

LEO
Could be an icy reception for the State of the Union.

The discussion continues as we see TOBY and RINA arrive at TOBY’S office.

CJ
I’m still not clear about the pardons. 

ANGELA
Maybe the First Lady could explain it.

JOSH
He’s not pardoning Lessieur or any ex-governors, he’s strictly granting commutations where minimums and guidelines have resulted in unfair sentences.

We return to LEO’S office.

CJ
Yeah, I’ve been trying to say that, but -

LEO
When pardons are rumored, lobbying takes on a life of its own.

CJ
There’s no chance he could delay?

TOBY walks into LEO’S office.

JOSH
Hey.

LEO
You’re straight from the airport?

ANGELA
Welcome to hell.

TOBY
So – Congress forced our hand with a crime bill. 

ANGELA
And the President wants to run into the fire and issue pardons.

CJ
Plenty of lemons, we just can’t find a recipe to make anything out of them.

JOSH
Except hemlock.

TOBY
Actually, I think the President’s instinct is right. We don’t run away from this, we … we pack his veto of the Hicks amendment and his policy-based pardons in with the State of the Union, make it more than just an isolated speech.

CJ
Yeah, he can come out for gay marriage in the military at the same time.

TOBY
I’m serious, I say the President announces his veto on the eve of the State of the Union. The next morning, his pardons become act two -

JOSH
Of respect for federal judges.

TOBY
And prelude to his trip to the Hill that night. Which now is more than hat-in-hand begging Congress for a laundry list of priorities, the State of the Union becomes a few words about his agenda from the President, who, as you’ve seen, is a busy guy.

LEO
It’s the closest thing I heard to what the President wants. Can we pull it off?

JOSH
Well, at least we come out swinging. Well, we own the news. Courage of our convictions.

ANGELA
Republicans will still try to demagogue us with these pardons.

CJ
Maybe we focus on the most sympathetic cases. Personal stories will make it less abstract.

TOBY
I gotta keep writing.

TOBY stands, the meeting begins to break up.

LEO
Josh – I need you to hone this list of commutations to a perfect few. I understand Justice has given some 30 names to Counsel?

JOSH
Thirty-six - we’re taking a look, too.

CJ
We need poster kids, former and future altar boys and girls.

ANGELA
Are they all doing time for crack?

JOSH
Not all, but we’re talking mandatory minimums. That means drugs. (to LEO) You want ten names?

LEO
Five or six. Remember how they’re gonna look in the Times photo and let’s spare him any recidivists.

JOSH, CJ and ANGELA exit. MARGARET enters and stands at LEO’S desk.

MARGARET
The First Lady called to remind you of your invitation to New Hampshire for Presidents’ Weekend. She doesn’t want to pressure you, but they won’t take no for an answer.

MARGARET exits. LEO sits at his desk, considering.

CUT TO: INT. - CJ’S OFFICE – DAY
JANUARY 16TH

CAROL and CJ are walking through the hall towards CJ’S office.

CAROL
Do we want to comment on a rumor that FBI agents will picket the White House if the President considers pardoning Gabriel Lessieur?

CJ
We don’t comment on rumors. Did the FBI?

CAROL
Bureau chief said that it would only be off-duty officers.

CJ
Oh, good. Any other calls?

CAROL
Ben of Glacier Bay. Is he really a park ranger? He did this Smokey the Bear riff -

CJ
What are you - ? Don’t talk to him.

CAROL
You want me to hang up?

CJ
I – put him on hold, and find me if he calls again.

CAROL
If?

CAROL exits. CHARLIE comes into the office.

CHARLIE
You were looking for me?

CJ
You never gave me the name of your friend for the MLK college junket.

CHARLIE
Yeah, that’s – forget that. It isn’t gonna happen.

CJ
Are you sure? It’s no problem.

CHARLIE
I’m sure. (pause) CJ, with the press, could you ever trust a reporter?

CJ
Is this the beginning of a joke?

CHARLIE
Never mind.

CHARLIE exits.

CUT TO: INT. - JOSH’S OFFICE - DAY 

JOSH comes out of his office and puts a folder into a rack along the wall. RINA meets him, carrying a sheet of paper.

RINA
Uh, Mr. Ziegler asked if you could give this a read and give him notes ASAP.

JOSH
Was he smiling?

RINA
Does he smile?

JOSH turns back to his office but is interrupted by DONNA.

DONNA
The Kaehlers are in the Mural Room.

JOSH
Who are the Kaehlers?

DONNA
Moneybags from Colorado, the Vice President’s out of town, the President got held up with  the Joint Chiefs.

DONNA walks back to the desk where she’s been working on pardons. JOSH follows her.

JOSH
You don’t have to be pissy.

DONNA
This is not pissy.

JOSH
Donna, it’s a huge risk for the President, we have to cull the list, we have to be brutal.

DONNA
These 36 people haven’t been culled enough, out of thousands of applicants? Forget that they’ve all been in prison for at least five years.

JOSH
For committing crimes.

DONNA
Still, they submitted petitions to Justice that took two years to inch from desk to desk. None of them are violent, although by now I would be, none of them have priors. A lot of them, their judges spoke at their sentencing against the harshness of what they had to impose.

JOSH
Doesn’t mean we stop scrutinizing.

DONNA
Scrutinize away. You tell me, do we toss out Daisy Aimes, mother of three, with two jobs, had a boyfriend who stored a kilo in her closet? She’s done eight years and is facing 11 more, that’s longer than rapists and child molesters get. There’s about 15 Daisys in here. Do we pick three?

JOSH
Donna -

DONNA
You haven’t read these files, or looked at these photos and I don’t blame you, I wish I never had. But I don’t see a list anymore. These are people. If you wanna cull them, jump in. I’m done.

WILL appears in the doorway.

WILL
Sorry, am I - ?

DONNA
No, uh, he’s got the Kaehlers in the Mural Room, we know.

WILL
Actually you may want to skip the Kaehlers, they’re not here by chance.

JOSH
What do you mean?

WILL
Their son petitioned for clemency, they’re here to plead his case.

JOSH
There’s a major party contributor with a family member under pardon consideration?

DONNA
No, there’s no Kaehler on the list.

WILL
He’s the wife’s son, from a former marriage. His name is Morrisey?

DONNA
Donovan Morrisey? Estes Park, high school senior who FedExed LSD.

WILL
I could tell them you’re tied up.

DONNA
No. I will.

CUT TO: INT. - OUTER OVAL OFFICE – NIGHT

CHARLIE is putting on his coat. ANGELA walks up to him.

ANGELA
Charlie …

CHARLIE
He’s gone for the day.

ANGELA
Charlie, she’s gonna be working here, you can’t ignore her.

CHARLIE
Good night, Angela.

CHARLIE walks out of the office, ANGELA follows.

ANGELA
Give her the respect of taking her calls, don’t get mad and write her off the guest list.

CHARLIE
She’s beyond college editors, way beyond. Her family founded the Afro-American.

ANGELA
If you want to know a girl’s entire history and career plan before you get involved, I have two words for you: search engine.

CHARLIE
So you knew she was joining the press corps?

ANGELA
I didn’t. I’m friends with her aunt.

CHARLIE
I should’ve guessed. The sprawling web of District aunts that can’t be avoided.

ANGELA
Unless you date the President’s daughter.

CHARLIE stops and stares at ANGELA.

CHARLIE
Have a nice weekend.

CHARLIE exits.

CUT TO: INT. - OVAL OFFICE – DAY

PRESIDENT BARTLET is meeting with LEO, JOSH, and TOBY.

BARTLET
How did it ever get this far?

JOSH
He has his mother’s name. He fit all our criteria for commutation.

BARTLET
We didn’t put it together, maybe the press won’t, either.

LEO
Sir, if they do -

TOBY
Your message gets stampeded. ‘White House bends justice for big bucks.’

JOSH
Even though we weren’t.

TOBY
And who’s gonna believe that? The kid’s parents practically bankroll the Colorado party not to mention that White House visit.

BARTLET
So this kid gets screwed for having an important family.

TOBY
Sir, you can commute him sometime in the future.

LEO
How’s Counsel doing on the rest of the list?

JOSH
I touched base with them about an idea, I know you and Toby need to work on the new sections of the speech.

LEO
No, we need to settle this.

JOSH
If you want to throw light on how minimums and guidelines conspire to produce disproportionate punishments -

BARTLET
And worse, leave judges impotent. Our judicial system is predicated on an individual’s right to a fair trial. But how individual is that process if a 258-box grid seals your fate before you ever step foot in front of a judge, a federal judge, that my office has invested considerable effort in selecting, who is then constrained from exercising basic common sense while 29-year-old prosecutors, who make their bones on their win-loss record, hold the only discretion in the whole system?

LEO (to TOBY)
Were you taking notes?

TOBY
Got it.

JOSH
Sir, let’s say the list stays at 36 names, or 35 without this Colorado man. We don’t monkey around creating a few poster kids, we say all these cases represent a larger injustice. It’s not just about them. 

LEO and BARTLET exchange looks. BARTLET nods.

BARTLET
Is she waiting outside?

JOSH
She is. But honestly, sir, I -

BARTLET
No – she took the bullet we all managed to dodge, show her in, please.

JOSH goes to the door.

JOSH
Hey. You can come in.

DONNA enters.

DONNA
Mr. President.

BARTLET
I understand you have a message for me.

DONNA
Yes, sir. I promised Mrs. Kaehler I’d do my best.

BARTLET
What did she say?

DONNA
She said her son, Donovan, made a terrible mistake when he was still a teenager. It doesn’t excuse anything, but her divorce was very hard on him. By the time he went to trial, the shock of his arrest had given their family a wake-up call. Donovan had completed a drug treatment program, finished high school and been accepted to college. Unfortunately, the guidelines prevented the judge from considering any of those things. She said after Donovan finished one year in prison – missed one birthday, one Christmas, one fly-fishing season – the other six years he spent in Leavenworth have been a frozen hell. Her words, ‘a frozen hell.’ She wasn’t … she’s … she’s someone who copes. But, she said if it would make a difference, she’d get on her knees. She begged for your mercy. That’s all.

BARTLET
Thank you, Donna.

DONNA exits. There’s a pause as the men consider what they’ve heard.

LEO
Mr. President?

BARTLET
Take him. Take Donovan off the list.

LEO
You can pardon him in the spring, after the dust settles.

BARTLET
Yeah.

BARTLET slowly walks out of the OVAL OFFICE.

FADE OUT.
END ACT THREE.
* * *

ACT FOUR

FADE IN: INT. - OVAL OFFICE – DAY
JANUARY 20TH
MORNING OF THE STATE OF THE UNION

PRESIDENT BARTLET is at his desk, giving a televised address.

BARTLET
… the price tag for our failure to learn this lesson is far too costly. We have to listen to what our federal judges are telling us about the sentencing guidelines and mandatory minimums. And Congress has to wean itself from the expensive high they get enacting laws that appear tough on crime, but are ineffective. I will never surrender in the war on drugs, but if you’re consistently getting slaughtered on the battlefield, you’ve probably misjudged your enemy. I don’t offer these pardons today to kingpins or career traffickers who lay waste to our innocent citizens. But I do extend these clemencies like amnesties after a prolonged, bloody war, to some among us who have fallen to a ravaging and confounding enemy. I offer these clemencies confident that if we re-enlist our -

CUT TO: INT. - LEO’S OFFICE – NIGHT
THAT NIGHT; BEFORE STATE OF THE UNION

LEO is watching the tape of BARTLET’S speech from that morning.

BARTLET (voiceover)
- judges’ wisdom, we stand a better chance of prevailing against crime. We have to accept that to be truly tough on crime, we must first understand how to be smart on crime -

ABBEY enters the office behind LEO.

ABBEY
That’s our boy.

BARTLET (voiceover)
… it was not a simple lack of -

LEO
If it was you whispering pardons in his ear – it was the right thing.

ABBEY
I don’t whisper, Leo. That’s not how it works between us. My job is to help Jed be as good a President as he is a man.

LEO
Oh?

ABBEY
I’m not gonna sit back and judge anymore. I’m gonna jump in and get my hands dirty.

LEO
We can use the help. 

ABBEY
Come on in here. Let’s have a cup of tea, Leo.

ABBEY leads LEO into the OVAL OFFICE.

ABBEY
Unless you ignore my invitations on principle these days.

LEO
About Presidents’ Weekend, I’m thrilled. But I thought I’d give you a chance -

ABBEY
To back out? We want to see you, we invited you. It’s been ages since we stayed up late, arguing the proper sequence of hands in Shanghai Rum.

LEO
It’s one set, one run, a run and a set.

ABBEY laughs.

LEO
I thought you might reconsider, you may not have gotten your invitation yet. 

ABBEY
Is this about Jenny’s wedding?

LEO
Yeah.

BARTLET enters the office, holding a few ties.

BARTLET
I can’t dress for this thing without you. Which one screams ‘dominance’?

ABBEY
Do I get to wear it afterwards?

BARTLET
No comment.

ABBEY (offering a cup to LEO)
Darjeeling?

LEO
Thank you.

ABBEY (looking at BARTLET’S ties, then selecting one)
Leo thinks we should reconsider attending his ex-wife’s wedding.

BARTLET
No way.

LEO
You’re old friends. Jenny’d like it.

ABBEY
We plan on sending them something nice, don’t we, Jed?

BARTLET
Something for the kitchen. A juicer, maybe.

ABBEY
Encourage Howard to lose a few pounds. 

BARTLET
Or his-and-hers binoculars. They have these prism optics now.

ABBEY
Mmm, I don’t think Howard actually goes outdoors, he’s more of a Discovery Channel type of birder.

LEO is looking on, smiling at the BARTLETS’ banter.

BARTLET
That’s probably better, with his asthma.

ABBEY
Ah.

BARTLET
A nice book, then. 

ABBEY
Mmm.

BARTLET
Something with large print, of course.

ABBEY
Yeah. Um-hmm.

BARTLET
We’ll think of something.

LEO
You two are evil.

BARTLET
We’ve always loved Jenny.

ABBEY
But you’re the one we want to spend the weekend with. To union.

All three clink their tea cups.

ABBEY
All states of it.

BARTLET
Hear, hear.

CUT TO: INT. - DONNA’S DESK – NIGHT

We are back to the scene from the TEASER, only we see DONNA’S perspective. We hear a wolf whistle as CJ and TOBY walk down the hall. DONNA answers her phone.

DONNA
Josh Lyman’s office.

TOBY
Now I remember why I love this night.

CJ
You love this night ‘cause in two hours you’ll have a sour mash -

DONNA
That’s me. I’m Donna Moss.

TOBY (in background)
The press conference was a hit.

CJ (in background)
The President did well this morning.

TOBY (in background)
Are they ranting on cable about -?

DONNA
Uh-huh.

Whatever she’s hearing is affecting DONNA. We hear the scene continue in the background.

CJ (in background)
About what we expected.

RINA (in background)
Extra gum. For your big night.

CUT TO: INT. - WHITE HOUSE FOYER – NIGHT

ANGELA and MEESHELL are walking into the West Wing.

MEESHELL
Guess this makes it official.

ANGELA
You do your family proud.

MEESHELL
Are you sure I shouldn’t just stick my head in and say ‘hello’?

ANGELA
I wouldn’t.

MEESHELL
I’d keep it professional. You know, just shake hands. I don’t want it to be awkward.

ANGELA
Number one, I don’t believe you. You got broken heart written all over you. Number two, he’s got the State of the Union in less than an hour.

MEESHELL
I just thought -

ANGELA
Don’t be a fool. Stay out of there.

ANGELA walks away. MEESHELL thinks for a moment, then heads in a different direction.

CUT TO: INT. - DONNA’S DESK – NIGHT

DONNA is stricken by what she heard on the phone. She slowly walks down the hallway towards CJ’S office. We hear the discussion from the TEASER in the background.

CAROL (in background)
It’s Gentle Ben on hold.

CJ (in background)
You put him on hold?

CAROL (in background)
That’s what you told me to do!

CJ (in background)
Carol, maybe you ought to -

DONNA has reached CJ’S doorway.

DONNA
CJ.

CJ
Donna, my darling, would you pick up line one and tell this guy you can’t find me? 

CJ sees the look on DONNA’S face.

CJ
What’s wrong?

DONNA
I just had a call from Anne Kaehler, Donovan’s sister. He killed himself.

CJ
Who’s Donovan?

CUT TO: INT. - HALLWAY OUTSIDE ROOSEVELT ROOM – NIGHT

WILL is walking quickly towards LEO’S OFFICE. RINA catches him at a doorway.

RINA
I lost Mr. Ziegler, he was just here -

WILL
Dorry. Can’t help.

WILL continues to LEO’S OFFICE, where TOBY, CJ, JOSH, DONNA, and MARGARET are standing.

WILL
You heard?

CJ
It hit the wires?

WILL
I got a call. Does the President know?

BARTLET calls out from inside the OVAL OFFICE. We see BARTLET, ABBEY and LEO having tea through the open door.

BARTLET
Looks like the gang is hovering.

ABBEY
Come on in, guys.

LEO comes to the doorway.

LEO
What’s up?

DONNA breaks away from the group and escapes down the hall.

CJ (to JOSH)
Go on.

TOBY
We’ve got this.

JOSH chases after DONNA.

CUT TO: INT. - OUTER OVAL OFFICE – NIGHT

CHARLIE is gathering papers at his desk. MEESHELL enters. We saw this scene before as well.

MEESHELL
Charlie?

CHARLIE
Ms. Anders.

MEESHELL
Ms.? You sorry son of a =

MEESHELL slaps CHARLIE. As he recoils, BARTLET steps out of the OVAL OFFICE.

BARTLET
Charlie, are we -

CHARLIE and MEESHELL stand quietly uncomfortable.

BARTLET
I beg your pardon.

CHARLIE
Mr. President, may I have a moment?

BARTLET goes back inside the OVAL OFFICE and closes the door.

CUT TO: EXT. - OUTSIDE THE WHITE HOUSE ENTRANCE – NIGHT

The motorcade is waiting to depart, with Secret Service agents and DC policemen bustling about. JOSH is talking to DONNA.

JOSH
There’s nothing you could have done.

DONNA
It’s stupid. I don’t even know why -

JOSH
It’s not stupid. You met them. They got to you. 

DONNA
I need to learn how to not be so … how to keep things at arm’s length.

JOSH
I hope not.

TOBY comes outside, putting on his coat.

TOBY
We’re heading over. (to DONNA) The President asked if you’d escort the special guests.

JOSH puts his arm around DONNA and they head towards the entrance.

CUT TO: INT. - OUTER OVAL OFFICE – NIGHT

MEESHELL
So a, a one-night thing would’ve worked better for you?

CHARLIE
I know three weeks was too long.

A Secret Service agent, DONNIE, leans through the doorway.

DONNIE
Charlie – they’re ready.

MEESHELL starts to walk out of the office.

CHARLIE
Actually, the first two weeks were pretty great.

MEESHELL
When you thought I was nobody? No threat?

CHARLIE
I protect him! It’s my job!

MEESHELL
And I meant no threat to you. When you said he wasn’t just the President, I understood.

CHARLIE
I’ll see you around, Meeshell.

MEESHELL turns and walks glumly away.

CUT TO: INT. - ROOSEVELT ROOM – NIGHT
TWO HOURS LATER

The ROOSEVELT ROOM is set up for a reception, with waiters carrying trays of food and music playing. As the camera moves through the room and into the hallway, we see TV screens with the news program Capitol Beat and its post-address coverage of the speech.

MODERATOR (on TV)
Were you surprised by the warmth of the reception?

PANELIST (on TV)
I was. When you consider our government was gridlocked two months ago over budget disputes, tonight’s State of the Union had a welcome forward momentum.

MODERATOR (on TV)
Absolutely. Let’s take another look at some of the significant high points.

BARTLET (on TV)
The hard work of forming this more perfect union beongs to us all. We need to be as wise as we are resolute, as smart as we are strong.

The camera moves to the hallway outside the Mural Room, where DONNA is leading a group of some of the special guests. She gestures for them to enter the Mural Room.

DONNA
The President will join us shortly for photos … if anyone would like refreshments?

DONNA follows the guests into the room, where she is greeted by MR. HOLMES, standing next to his sister, KANDY.

MR. HOLMES
That was quite a speech the President made.

DONNA
Quite a day for your organization.

MR. HOLMES
Yes, ma’am. I wish that you could have been in there when we made those 35 phone calls to the families this morning.

The people in the Mural Room begin to applaud as BARTLET enters.

DONNA
President Bartlet. Wonderful speech, sir.

BARTLET
Thank you.

DONNA 
Mr. President, this is Mr. Holmes of Families Against Mandatory Minimums.

BARTLET
How are you, sir?

MR. HOLMES
Sir.

DONNA
And his sister, Kandy.

BARTLET
Hi.

KANDY
Hello.

DONNA
She just got home a few hours ago.

MR. HOLMES
Sir, there are no words to express our gratitude. Today has been overwhelming.

KANDY
Thank you, sir.

DONNA
Kandy was saying on the way over she feels like she’s been hit by lightning.

BARTLET
I hope it’s not quite that random.

KANDY
I can never repay you.

BARTLET
Oh, yes, you can. You got the second chance you deserve, but it’s also a heck of a burden. If you screw up again, you don’t just hurt yourself and your family. You damage me, and worse - you hurt all those prisoners still hoping for the fair shake most of them won’t get. Am I right, Donna?

DONNA
Yes, Mr. President.

BARTLET
Miss Holmes, you need to take your life in your hands and make sure that none of those left behind are ever more deserving than you.

KANDY
I will, sir. I promise.

BARTLET
Okay.

KANDY
Thank you.

BARTLET (to MR. HOLMES)
Keep in touch.

MR. HOLMES
Yes, sir.

BARTLET walks away.

MR. HOLMES
Bless you all. It must be an honor to work for him.

DONNA
It is.

A hint of a smile flits across DONNA’S face.

DISSOLVE TO: END TITLES.
FADE TO BLACK.
THE END.
* * *

The West Wing and all its characters are properties of Aaron Sorkin, John Wells Productions, Warner Brothers Television, and NBC. No copyright infringement is intended.

The West Wing Transcript 

Episode 5x11 – The Benign Prerogative
Original Airdate: January 14, 2004

Friday, October 31, 2025

A Treasure Trove Of Transcripts

  

During my almost eight-year-long project of rewatching The West Wing and blogging my thoughts about every episode, one of my go-to resources was westwingtranscripts.com. Compiled by volunteers over the years, starting in 2004 as The West Wing was still on the air, it was the place to go to get pull quotes and to verify what some of the dialogue was ... without going through the hassle of pausing and repeating the streaming episode or the DVDs.

I deeply appreciate the work done by all those volunteers over the years, and hereby give my thanks in public for all they've done. You guys saved me a lot of work over these eight years.

As with many things, however, even the West Wing Transcripts site wasn't perfect. For whatever reason, it doesn't include transcript from many episodes after Aaron Sorkin's departure following Season 4; while there's only three episodes missing from Season 5, most of Season 6 was never uploaded, as well as the final eight episodes from Season 7. So, I thought, now that my complete rewatch blog is done ... why don't I do the work and complete the transcripts for the entire series?

That's what I intend to do here. I'll go back to those missing episodes from the West Wing Transcripts site and create my own transcripts. I intend to reach out to whatever contact I can find from that website to see if they are still taking submissions to complete their collection - I really doubt it, seeing it appears the last transcript uploaded was in 2008 (almost 20 years ago, ay-yi-yi!) and the copyright on the webpage covers 2004-2017 - but I'll try. 

And in any event, if that site is no longer taking additions, you can at least find the missing transcripts here. Maybe it'll take me another eight years, maybe not. But let's get started!

As I complete my transcripts, the links will appear here, as well as the individual separate entries on my blog.

 

SEASON FIVE

Episode 5.10, The Stormy Present

Episode 5.11, The Benign Prerogative

Episode 5.18, Access

 

SEASON SIX

Episode 6.4, Liftoff

Episode 6.5, The Hubbert Peak

Episode 6.6, The Dover Test

Episode 6.7, A Change Is Gonna Come

Episode 6.8, In The Room

Episode 6.9, Impact Winter

Episode 6.10, Faith Based Initiative

Episode 6.11, Opposition Research

Episode 6.12, 365 Days

Episode 6.13, King Corn

Episode 6.14, The Wake Up Call

Episode 6.15, Freedonia

Episode 6.16, Drought Conditions

Episode 6.17, A Good Day

Episode 6.18, La Palabra

Episode 6.19, Ninety Miles Away

Episode 6.20, In God We Trust

Episode 6.21, Things Fall Apart

Episode 6.22, 2162 Votes

 

SEASON SEVEN

Episode 7.15, Welcome To Wherever You Are

Episode 7.16, Election Day Part 1

Episode 7.17, Election Day Part II

Episode 7.18, Requiem

Episode 7.19, Transition

Episode 7.20, The Last Hurrah

Episode 7.21, Institutional Memory

Episode 7.22, Tomorrow 

 

 

THE WEST WING TRANSCRIPT: The Stormy Present (S5E10)

THE WEST WING
5x10 - “THE STORMY PRESENT”
TELEPLAY BY JOHN SACRET YOUNG
STORY BY JOHN SACRET YOUNG & JOSH SINGER
DIRECTED BY ALEX GRAVES


Transcribed by Walking, Talking, And Yelling At Clouds
(kegofglory.blogspot.com)


TEASER

THE STORMY PRESENT

We see the hand of an unseen person writing with a fountain pen on a sheet of paper. We read the word “AMERICA.”


CROSSFADE TO: INT. - RESIDENCE BATHROOM – NIGHT
MONDAY – 6:00 PM

We see PRESIDENT BARTLET in front of the mirror in the bathroom. As he starts to button his cuffs, the telephone rings. He answers it.

BARTLET
Yeah? … Please, tell President Lassiter I’ll call him back, I’m late as it is … I know he called before. Yeah.

He hangs up. 

CROSSFADE TO: a closeup as the writing on the paper continues. The stationery is labeled “OWEN LASSITER.” We can read the following:

“AMERICA, A COUNTRY FOUNDED BY REFUGEES, POPULATED BY IMMIGRANTS, MADE STRONG BY THE SWEAT OF THE TIRED, THE POOR UNTIL IT BECAME AMERICA.

“AN IDEA, A FLAME, A CITY ON A HILL, A VISION FOR ALL WHO BELIEVE IN LIBERTY. AN EXPERIMENT”

CUT TO: a closeup of the pen writing “OF ISLAM.”

CROSSFADE TO: INT. - RESIDENCE – NIGHT

We see CHARLIE in the residence talking to PRESIDENT BARTLET, offscreen.

CHARLIE
Excuse me, Mr. President, sir, you forgot Kevin Barkofsky.

BARTLET
I’m sure I did.

CHARLIE
He’s been waiting in the Roosevelt Room.

BARTLET
Who is he?

CHARLIE
One of the candidates to paint your official Presidential portrait.

BARTLET
It’s a put-up job, Charlie, a conspiracy.

BARTLET walks out into the room where CHARLIE waits.

BARTLET
Official Presidential portraits aren’t official at all, it’s Abbey who wants it. Send Mr. Barkofsky on his way.

CHARLIE
Every President has one, sir.

BARTLET
I’m not sitting for any portrait, unless of course you dig up Gilbert Stuart, or who did Lincoln?

CHARLIE’S cell phone rings.

CHARLIE
I have no idea.

BARTLET
Why, when you think of Lincoln you think of the photographs, how he aged.

CHARLIE answers his phone.

BARTLET
Particularly that last one, when the plate broke. Fifty-six, and he looked ancient.

CHARLIE
It’s Leo.

CROSSFADE TO: The hand holding the fountain pen writing on the stationery. We can see part of what is written:

“TO RETURN TO THE AGE FROM WHICH OUR FOREFATHERS FLED. FUNDAMENTALISM IS”

CROSSFADE TO: INT. - OUTER OVAL OFFICE – NIGHT

Through the windows we see BARTLET and LEO walking on the Portico.

BARTLET
I’m late.

LEO
General Alexander is waiting in the Oval.

BARTLET
I should have brought my tie.

LEO
We’ve got a situation.

The camera pushes in to: INT. - OVAL OFFICE – NIGHT

The two enter the Oval Office to meet a waiting GENERAL ALEXANDER.

BARTLET
Of course we do. General, you have a tie?

ALEXANDER
Mr. President, several hours ago protesters began gathering in Riyadh, calling for free speech, press, and popular elections.

CROSSFADE TO: The writing on the paper, over which we hear ALEXANDER’S briefing continue. We read the words “NEED FOR AN AMERICAN EMPIRE.”

ALEXANDER (voiceover)
It’s in the streets. Already maybe a thousand – midnight over there and it’s still growing.

CROSSFADE TO: INT. - OVAL OFFICE – NIGHT

BARTLET
Who’s leading the protests?

ALEXANDER
We don’t know. State’s calling the embassy waking everyone up. One thing’s clear, Mr. President, in Riyadh – this has never happened before. 

BARTLET
Leo?

LEO
Free speech is good. A free-for-all for a quarter of the world’s oil reserves laced with rabid anti-American sentiment …

BARTLET
Yeah.

CROSSFADE TO: The hands of the unseen writer. He finishes his note, then pulls open a drawer and we see an envelope addressed “JED BARTLET, THE PRESIDENT OF THE UNITED STATES, THE WHITE HOUSE.” The drawer closes.

SMASH CUT TO: MAIN TITLES.
END TEASER.
***

ACT ONE

FADE IN: INT. - SITUATION ROOM
MONDAY – 6:45 PM

PRESIDENT BARTLET walks through the doors, as the military staffers in the meeting rise.

STAFFER
Ten hut.

BARTLET
Gentlemen.

LEO AND OTHERS
Sir.

BARTLET
Please.

Everyone sits.

BARTLET
Did you reach Secretary Berryhill?

UNDERSECRETARY BARROW
Sir, he’s in Tokyo, he’d like to fly to Jordan to monitor the situation.

BARTLET
Good. General?

ALEXANDER
The number in the streets seems now to be several thousand, primarily students and young clerics, Mr. President, and they seem to be using anti-American rhetoric yet demanding democratic reforms.

LEO
Are they armed?

BARROW
CNN’s reporting they’re not.

BARTLET
George, do we have any real intelligence on these people?

CIA DIRECTOR ROLLIE
Mr. President, our intel in Riyadh is only slightly better than in the rest of the Middle East.

LEO
Which is to say lousy.

BARROW
Sir, the good news is at the moment, the Saudis are very concerned with their image in the West. If the demonstrations remain nonviolent -

BARTLET
We have some time before they start breaking legs?

LEO
I think public beheadings are more their style.

BARROW
It will give us a chance to establish contact with the leaders of the protest. If they are democratic -

SECRETARY HUTCHINSON
Sir, I don’t need to remind you that any sort of chaos on the Arabian Peninsula could destabilize the entire Middle East, throw the global economy into crisis.

ROLLIE
And if this is a trojan horse or fundamentalist coup -

LEO
We better start buying hybrids.

HUTCHINSON
And gas masks. Mr. President, the devil you know -

BARTLET
Is one I’m pretty tired of dancing with. Get me better intelligence. Leo?

PRESIDENT BARTLET stands.

BARTLET
Let’s get the ambassador in here first thing. Thanks, everybody.

ALL
Thank you, Mr. President.

CUT TO: INT. - WHITE HOUSE BRIEFING ROOM

CJ is giving a briefing to reporters. We see her on monitors as the camera sweeps across the room.

CJ
You want the latest on Riyadh, so do I. We can watch CNN together.

Reporters call out to be recognized.

KATIE
Any update on former President Lassiter’s condition?

CJ
President Lassiter is recovering nicely from the operation, and if I took as many trips abroad as he does, I’d have to get my hip replaced as well. Now let me see if I can answer the rest of your questions before you ask them, so I can get dressed. Yes, the President will be attending the annual gala at Ford’s Theatre tonight, yes, it’s the theatre where Lincoln was shot, yes, we’re expecting the President’s Lincolnalia to be in rare form, and yes, the bad jokes can start now, and that means I can’t call on, hmmm, see, I told you we were done.

The reporters laugh and thank CJ as she leaves the podium. A reporter, RANDAL FIERSTIN, rushes up behind her. They talk as they walk out of the briefing room.

FIERSTIN
CJ – a source in the Pentagon says the military is funding mind control experiments?

CJ
Mind control? Who are you?

FIERSTIN
Randal Fierstin, Backslash magazine.

CJ (chuckling)
Backslash magazine? Oh, come on. Who let you in here?

FIERSTIN
I have a source. Two, in fact.

CJ
Randal, I meant bad jokes about Ford’s Theatre.

FIERSTIN
So the White House has no comment.

CJ
The White House in this dimension? (to herself) Backslash magazine ...

She walks out into the hallway where she nearly collides with TOBY, who is finishing tying his bow tie. They begin walking together.

CJ
You’re dressed and ready to go.

TOBY
This is true.

CJ
I’m not.

TOBY
Also true.

CJ
Is there a reason you’re following me?

TOBY
Do I need a reason?

CJ
You’re avoiding the President.

TOBY
Yeah.

CJ
I don’t have to go, do I?

TOBY
Into the valley of death rode the six hundred.

CJ
That’s helpful. What do you know about mind control experiments at the Pentagon?

TOBY
MK Ultra.

JOSH enters through a doorway.

CJ
Excuse me?

TOBY
In the 50s, it was the CIA mind control research program started in response to the Chinese attempt on US prisoners.

CJ
Like, the, uh -

CJ and TOBY
The Manchurian Candidate.

JOSH
Like what’s gonna happen to us tonight.

CJ
You’re ready, too.

JOSH starts to leave the room.

JOSH
It’s a far, far better thing I do.

CJ
Maybe things’ll be different this year.

JOSH and TOBY
Noooooo.

CJ
But it’s long gone, yes? Mind control?

The three are now in the hallway. DONNA walks up behind them. TOBY walks away.

DONNA
Worked on Freddy Briggs when I was sixteen, look what happened to him.

JOSH
Freddy Briggs?

DONNA
He was my first - was he my first?

JOSH
Sixteen?

DONNA, JOSH and CJ continue down the hallway.

CJ
Is there a reason why I’m the only one who’s not dressed?

DONNA
Was your dress stolen?

CJ
No.

DONNA
Well, a copy of the Bill of Rights was stolen.

CJ
There are copies of the Bill of Rights lying around?

DONNA
George Washington sent copies to each of the thirteen original colonies, North Carolina’s got snatched at the end of the Civil War by one of Sherman’s men.

JOSH
Scintillating.

The three have arrived at DONNA’S desk.

DONNA
The soldier was from Connecticut.

CJ
Josh is from Connecticut.

DONNA
Oh, that’s right.

JOSH
Go, Whalers. Not a ton to get excited about in the Nutmeg State.

DONNA (reading from a folder)
The FBI seized the document, both states are claiming ownership and the case has landed in federal courts.

DONNA hands the folder to JOSH.

CJ
Didn’t North Carolina steal the Whalers?

DONNA
Guys, people are going crazy, the President’s appearing in Raleigh next week, they’re already handing out flyers.

JOSH
Okay. Who’s on at the AG’s office?

DONNA
That would be Freddy Briggs.

JOSH
No.

DONNA
No, but I had you.

JOSH
Sixteen.

CJ heads into her office, grabbing a dress on a hanger off the door. She closes the blinds, and is distracted by the report on the TV as she starts to take off her clothes. The camera moves to reveal TOBY sitting on the sofa, who is also watching the TV and reacts to something said on the report.

TOBY
Yeah, no kidding.

CJ (startled)
Toby!

TOBY
Yeah?

CJ
Was there something you wanted?

TOBY
World peace?

CJ
Toby, I’m not protecting you, go hide from the President somewhere else.

She ushers TOBY out.

CJ
Out!

She closes the door.

CUT TO: INT. - LEO’S OFFICE – NIGHT

We start with a closeup of a TV screen showing news coverage of the Saudi Arabian protests. PRESIDENT BARTLET walks into the office.

BARTLET
Waiting for your date?

LEO
She’s late, go figure.

BARTLET
You start dating younger women, I hear you’re old enough to be her father.

LEO
Al Jazeera’s reporting ten thousand in the streets and protests now in Jeddah, Buraydah, Rafha.

BARTLET
Was State able to find out anything?

LEO
They’re still digging, Berryhill’s en route to Jordan and the King’s brother is on his way down from New York.

BARTLET
Bitar? I guess we’re not the only ones who think this is a thing.

LEO
Yeah.

BARTLET
I’ll see you at the theatre.

We pull back out of LEO’S office to see ANGELA BLAKE crossing to the hallway.

ANGELA
Josh? Josh.

JOSH appears in the hallway.

JOSH
Hey.

JOSH pulls ANGELA away from LEO’s office. They continue out towards the foyer.

JOSH
You might not want to be … have you been to Ford’s Theatre?

ANGELA
It’s my first time, actually.

JOSH
Oh, well, you gotta talk to the President about Lincoln. About the Civil War, sit with him – it’s educational.

TOBY leans out of a doorway.

TOBY
What are you doing? You’re sitting ducks out there, he’s on his way.

CJ sweeps in, wearing her dress.

JOSH
Maybe if we don’t ask, we don’t mention it -

CJ
Yeah, if you don’t miss the easy ones.

JOSH
I missed a question? I didn’t miss a question.

TOBY
It wasn’t me.

CJ
We had to go downstairs into the basement with him and open the damn museum.

ANGELA
What are you talking about?

JOSH
Nothing. It’s nothing. You gotta sit with him.

DONNA joins the rest.

DONNA
I’m not sitting with him, I drew the short straw last year.

TOBY
He’s gonna start in with Lincoln’s First Inaugural Address, and then carry on straight through to the letter Lincoln wrote to the woman who lost all her sons – who didn’t really lose all her sons.

CJ
You have Carl Sandburg’s number?

TOBY
Carl Sandburg is dead.

DONNA
Sure, Carl, take the easy way out.

JOSH murmurs something as PRESIDENT BARTLET arrives.

BARTLET
I’m not going to ask this year, don’t worry -

Everyone greets him with “Good evening, Mr. President.” They all start moving through the foyer toward the exit.

BARTLET
I’m not going to ask – what was the line of dialogue that made the audience laugh that John Wilkes Booth used as cover, to enter the Presidential box? I’m not going to ask about the broken lock to the box, the snapping shinbone, “sic semper tyrannis,” Major Rathbone, and Clara Harris, or the exact time Lincoln drew his final breath.

JOSH
I know that one, it’s 7:21:55.

BARTLET
And the final heartbeat?

JOSH stands dumbstruck.

TOBY
He … had to open his mouth.

BARTLET
Every year, Josh. Always the first wrong. Angela! Why don’t you ride with me.

ANGELA takes BARTLET’s arm and they lead the rest down the hallway. CJ slaps JOSH on the head with her handbag.

JOSH
Ow!

CUT TO: INT. - HALLWAY – NIGHT

LEO rushes out of a doorway looking at his watch. As he puts on a scarf he meets his daughter, MALLORY.

MALLORY
Hi, Dad. Sorry.

LEO
It’s not nice to keep a gentleman waiting.

MALLORY
I know.

LEO
Wow, I hardly recognize you.

MALLORY
Oh, and why is that, do you suppose?

LEO
Yeah, well, that’s why we’re here, so you can tell me everything that’s going on.

MALLORY
Okay.

They start walking down the hallway.

MALLORY
Did I mention I’m taking that job in Tanzania?

LEO
Yeah, let’s go.

LEO and MALLORY meet several Secret Service agents going the opposite way. One speaks into his wrist microphone.

AGENT
The President’s dead.

LEO and MALLORY stop, stunned.

LEO
What’s going on?

MALLORY
What’s happening, Dad?

PRESIDENT BARTLET appears around the corner of the hallway.

LEO
Sir?

BARTLET
President Lassiter is dead.

FADE TO: INT. - WHITE HOUSE HALLWAY – DAY
TUESDAY – 10:00 AM

JOSH and TOBY are walking down a hallway.

JOSH
Republican.

TOBY
Right-wing Republican.

JOSH
Conservative.

TOBY
Attila-the-Hun conservative.

JOSH
Lunatic wife.

TOBY
Lunatic! Lady Macbeth of a wife.

JOSH
Didn’t Lassiter vote against the Emancipation Proclamation?

TOBY
I’m not writing the eulogy.

JOSH
You’re riding shotgun on Air Force One -

TOBY
I am not.

CJ joins the two outside LEO’S office.

CJ
I thought it was a hip operation.

TOBY
All good things must come to pass.

They enter LEO’S office as the camera follows them inside.

LEO (voiceover)
Angela Blake, Lt. Colonel Castorp.

ANGELA (voiceover)
It’s a pleasure, Colonel.

LEO
Colonel?

CASTORP
I have the file here, sir.

He hands a file folder to LEO.

JOSH
The file?

LEO
The dead Presidents’ file. Oh, this is Lt. Colonel Castorp, from the Military District of Washington. Upon a President’s death, his unit coordinates travel of dignitaries and handles protocol in concert with the wishes of the family.

TOBY
You keep a file on all the Presidents?

CASTORP
Yes, sir.

JOSH
You got one on Walken?

LEO
Thanks, Colonel.

CASTORP gathers his things and exits.

LEO
President Lassiter’s funeral will be held at the Lassiter Library in Costa Mesa.

JOSH
The one with the fake Oval.


LEO
And the President’s giving one of the eulogies.

TOBY looks away.

LEO
I’m staying to monitor the situation in Riyadh. I need CJ here to brief - Toby, I don’t want to hear about it, you’re on Air Force One writing the eulogy. Josh? You’ll help the Lt. Colonel coordinate with Mrs. Lassiter.

JOSH
Leo, I got lawyers from Connecticut and North Carolina coming down -

LEO
What?

JOSH
A Union soldier stole a copy of the Bill of Rights at the end of the Civil War -

LEO
We’ve got a dead President and a time bomb in Riyadh and you’re arbitrating the Civil War?

ANGELA
I did hear they’re threatening to rally in Raleigh.

LEO
Yeah. Introduce Donna to Lt. Colonel Castorp. Class dismissed.

JOSH, TOBY, and ANGELA leave the office.

CJ
Leo, I got a question yesterday – tell me we’re not conducting mind control research at the Pentagon.

LEO
We’re not conducting mind control research at the Pentagon.

CJ
You’re not doing it on me right now?

LEO
Well, there might be something at DARPA.

CJ
DARPA? The guys at DOD who research flying cars and X-ray vision?

LEO
Also the guys who invented GPS, stealth technology and the Internet.

CJ
Well, that’s money well spent, but if the public finds out we’re spending taxpayer dollars on mind control -

LEO
Give the DOD a call.

CUT TO: INT. - WHITE HOUSE HALLWAY – DAY

JOSH and DONNA walk through a doorway.

DONNA
To babysit the First Widow?

JOSH
Beehive hair, dewlaps, hysterical phone calls all hours of the day and night, and Lt. Colonel Castorp, you’re gonna love it.

DONNA
Why can’t you do it?

JOSH
I’m gonna be watching a re-enactment of Gettysburg in the Roosevelt Room.

DONNA
Since when do you care about the Bill of Rights? The Civil War is -

JOSH
Whaler pride.

DONNA
You sold me down the river.

JOSH (as he enters his office)
Mine eyes have seen the glory of the coming of the Lord.

CUT TO: INT. - OVAL OFFICE – DAY

PRINCE BITAR and LEO are sitting in chairs.

BITAR
I love New York. At dawn the light on the water towers and the tops of the buildings … funny thing, these water wells, hundreds of feet above the ground -

PRESIDENT BARTLET enters.

BARTLET
Hell of a long way to toss a canteen. (LEO and BITAR stand) Prince Bitar. 

BITAR and BARTLET shake hands. BARTLET gestures to the chair.

BARTLET
Please.

They all sit.

LEO
The Prince was giving me a virtual tour of New York.

BITAR
Mr. President, I come with greetings from the royal family, who again wish to convey their pleasure at the way our countries have weathered recent storms in keeping with our long-term friendship.

BARTLET
And Leo here thought you were coming to talk about the protests.

BITAR
Protests? Hardly. A few errant schoolboys.

LEO
A few thousand schoolboys and a couple thousand clerics.

BITAR
It’s of no concern.

BARTLET
Your country’s crying out for reform.

BITAR
These things must be done at the proper pace.

BARTLET
Well, you’ve got more than ten thousand people who seem to think you’re not moving fast enough.

BITAR
We’ve announced plans for municipal elections.

BARTLET
I recall you passed a law to elect municipal councils in 1975.

LEO
It hasn’t happened yet. You’ll forgive us if we don’t hold our breath.

BITAR
Mr. President, do you really wish to see the results of popular elections in my country? The royal family is very large. There are thousands of members. At times some have been … less than progressive. But we do want change. Manageable change.

BARTLET
You’ll keep us in the loop on the situation in the capital?

BITAR
Of course. And yet if things suddenly become unruly, we -

BARTLET
I trust you’ll consult with us.

LEO
As friends do.

BITAR
As you would consult with us.

BARTLET
Thank you.

All three stand, BITAR shakes hands with BARTLET and then LEO. 

BITAR
Mr. President, when these schoolboys protest, when they truly wish to denounce us, you know what they say? They call us “Americans.”

BITAR exits the Oval Office. 
FADE OUT.
END ACT ONE.
* * *

ACT TWO

FADE IN: EXT. – ANDREWS AIR FORCE BASE – DAY
THURSDAY – 8:00 AM

Air Force One is taxiing to park. We see the Presidential motorcade arriving. The limousines stop, the doors opening simultaneously. PRESIDENT BARTLET exits one limousine, he shakes hands and greets someone. D. “WIRE” NEWMAN exits another limousine, and he and his wife greet BARTLET. We hear TOBY on the phone as we

CUT TO: INT. - WHITE HOUSE HALLWAY – DAY

JOSH is walking through a doorway, cell phone to his ear. 

TOBY (voiceover)
Why former President Newman wanted to fly with the GOP geriatric brigade …

JOSH
I tell ya, I’m gonna crank up The Battle Hymn of the Republic -

TOBY (voiceover)
Josh, shut up. You want a history lesson, I’m in Madame Tussauds -

CUT TO: EXT. - ANDREWS AIR FORCE BASE – DAY

A group of older politicians are walking together, TOBY stands behind them on the phone.

TOBY
All of Lassiter’s men, there’s Robert Rosiello who I think tried to sell back Alaska when he was Secretary of the Interior, Max Pearlman, who served three to five, Earl Rankowski, he’s on oxygen, Dwight Mothman – uh, they must have exhumed him -

CUT TO: INT. - ROOSEVELT ROOM – DAY

JOSH is standing outside the Roosevelt Room looking through the windows at two people sitting inside as TOBY speaks.

TOBY (voiceover)
Bobby Bodine, Josh, the one who said, “We have enemies without, and within, and we must purge” - 

CUT TO: EXT. - ANDREWS AIR FORCE BASE – DAY

TOBY is walking towards Air Force One with the older politicians.

TOBY
He actually used that word - “purge them all, until we are purified.” (under his breath) Purified. – Who needs Dante, I’m on my way to Hell at 30,000 feet.

CUT TO: INT. - ROOSEVELT ROOM – DAY

JOSH enters the Roosevelt Room and greets the people inside.

JOSH
Uh, Josh Lyman.

FAIRFAX
Ralph Fairfax, from Fairfield.

JOSH
You must be MaryLou.

MERRIWETHER
Merriwether, and a pleasure, Mr. Lyman. Mr. Lyman, wouldn’t you agree that in the chaos and disarray of war, to make off with one of our state’s most prized possessions, a precious piece of our heritage, doesn’t that sound more like raping and pillaging than liberation?

FAIRFAX
We bought it legitimately.

MERRIWETHER
You stole it.

JOSH
Well, I think we’re off to a promising start.

MERRIWETHER
It is a copy of the Bill of Rights, it belongs -

FAIRFAX
To the Union. You seceded. This is why we needed General Order 100.

JOSH
General Order 100.

FAIRFAX
The declaration that all confiscated rebel property belonged to the Union.

MERRIWETHER
Which was trumped by Special Order 88.

JOSH
Special Order 88.

MERRIWETHER
Mm-hmm, issued by a Union general, all archives and other property entrusted to Carolina must be returned. Besides, the Bill of Rights made 100 unconstitutional, it violated due process.

JOSH
You know, one of my law school classmates published an article on the constitutionality of Lincoln’s general order.

MERRIWETHER
Akhil Amar?

JOSH nods.

MERRIWETHER
You went to law school at Yale?

JOSH
Well, Yale’s close to home.

FAIRFAX
You’re from Connecticut!

MERRIWETHER (simultaneously)
You’re from Connecticut?

JOSH
(pause) Go, Whalers.

CUT TO: INT. - OUTSIDE LEO’S OFFICE – DAY

A closeup of a TV screen shows MSNBC coverage of the President preparing to leave for Lassiter’s funeral, while we hear audio about the protests in Saudi Arabia. CJ comes around the corner as LEO exits his office.

CJ
The President on his way?

LEO
Yeah. Of course we had to get the forklift out for Toby.

CJ
CNN’s reporting larger crowds in the smaller cities. Where are you going?

LEO
I’m meeting Mallory at Olberdorfer’s. I was supposed to take her to Ford’s Theatre the other night, with all that was going on I kind of had to – I’ll be back in an hour.

LEO exits. CAROL appears in the hallway and hands a giant stack of papers to CJ.

CAROL
The DARPA budget.

CJ
I thought it was classified.

CAROL
Apparently not. It’s on the Internet.

CJ
Hoisted on their own petard. Any word back from the DOD?

CAROL
Not yet. There’s a man in your office.

CJ
Okay …

CAROL
I didn’t see him come, I turned around, and he was there.

CJ
A man in my office.

CAROL nods. They both look around the corner.

CJ
Is he dashing?

CAROL
Not how I’d describe him.

CJ continues into her office, where a man, DR. MAX MILKMAN, is standing behind her desk looking at her laptop.

CJ
Can I help you?

MILKMAN
There are no firewalls on here.

CJ
Excuse me?

MILKMAN
I could certainly do something with this.  

CJ
Or I could call security to do something with you.

MILKMAN
Oh, sorry.

CJ moves behind her desk and closes her laptop.

MILKMAN
I’m Dr. Max Milkman, from the Defense Advanced Research Projects Agency -

CJ
Dr. Milkman.

MILKMAN
Yes.

CJ
The man from DARPA.

MILKMAN
Yes.

CJ
I’ve been reading about you. Operation Midnight Climax, setting up brothels, creating and testing LSD on the patrons without their knowledge of course, talk about a mind-blowing experience.

MILKMAN
Please, Ms. Cregg. That was ARPA.

CJ
ARPA?

MILKMAN
ARPA, not DARPA.

CJ
Well, I can’t tell you how comforting that is.

CUT TO: INT. - AIR FORCE ONE CONFERENCE ROOM – DAY

TOBY is sitting at the table, his laptop open in front of him. We hear the pilot making an announcement.

GANTRY (voiceover)
Ladies and gentlemen, this is Colonel Gantry speaking. We’ve radioed ahead and it looks like clear skies the rest of the way.

CHARLIE enters the room as Gantry continues in the background.

CHARLIE
You okay?

TOBY
Do I look okay?

CHARLIE
Not so much. I think Bobby Bodine was looking for you.

CHARLIE exits.

GANTRY (voiceover)
We’ll be back with an update as soon as we’ve begun our initial descent into Los Angeles.

TOBY
Enemies without and within.

The camera pans out of the conference room and into the corridor. Reporters are taking photographs of PRESIDENT BARTLET and NEWMAN.

BARTLET 
Thank you. (to NEWMAN) Come on, I’ll show you around.

NEWMAN
Looks like a new plane.

BARTLET
Reconditioned and reconfigured, I think. 

NEWMAN
I don’t care much for the color.

BARTLET
You should see what we’ve done with the house.

NEWMAN
The Mauve House?

BARTLET chuckles.

NEWMAN
What, shades of puce?

CHARLIE appears, handing BARTLET a note.

NEWMAN
Wouldn’t doubt it. Listen, I got the NSC brief this morning.

BARTLET
Yeah, I wish they wouldn’t do that.

NEWMAN
Those protesters are talking about democracy, Jed.

BARTLET
Oh, we don’t know what they’re talking about, DW, not yet. The royal family has been -

NEWMAN
Their convenience, getting fat and rich off the oil we gobble up, spending their extra billions promoting radical Wahhabists.

The two exit the corridor into the conference room.

NEWMAN
Ah, that was a bad bed we made. Had to live with it in my day, but it’s time for a change. Trust the people, Jed. They’ll make rational decisions.

TOBY, unseen by the two Presidents before, speaks from the corner of the room, a bottle of whiskey in his hand.

TOBY
In the deserts of Arabia, are there any rational decisions? Excuse me, sorry, Mr. President.

BARTLET
Raiding the pantry, Toby?

TOBY
Just a prop, sir, to help me with the eulogy.

BARTLET
You know President Newman?

TOBY
Yes, sir. Voted for you a couple of times.

NEWMAN
You seem to be voting against me at the moment.

BARTLET
It’s hard to get Toby to speak his mind.

TOBY
Mr. President, it just seems to me that most Muslims on the Arabian Peninsula believe they must choose between the law of Allah and the laws of man. 

NEWMAN
I see, Arabs don’t make rational decisions, only fundamentalist ones -

TOBY
Without strong guidance the popular elections could be a one-time event.

NEWMAN
Strong guidance – you think we should colonize?

TOBY
No, I think we should run away. As fast and as far away as we can.

BARTLET
I think our friends in Britain would argue it’s the best way to midwife modernity.

NEWMAN
Didn’t they do a bang-up job with the Arabian Peninsula.

CHARLIE appears in the doorway.

CHARLIE
Mr. President, President Bartlet. It’s Leo, sir. You want to -

BARTLET
I’ll take it here. (to TOBY) Would you excuse us?

TOBY (gathering his laptop, leaving with the bottle of whiskey)
Mr. President.

BARTLET (answering the phone)
Yeah?

LEO (voiceover)
Sir, there’s been a development.

The phone call continues as the scene cuts between AIR FORCE ONE and the SITUATION ROOM, where LEO, GENERAL ALEXANDER, BARROW and other military personnel are there.

LEO
Protesters have surrounded the Aramco facility in Dhahran.

BARTLET
They’re picketing the Saudi oil headquarters?

ALEXANDER
The compound includes forty homes, 200 people, including 50 Americans.

BARTLET
Are they at risk?

LEO
The protesters are refusing to let anyone in or out until their demands are met.

BARROW
Mr. President, we’ve also managed to identify a number of the leaders of the protest. They appear to be renegade members of the royal family.

NEWMAN and BARTLET exchange looks.

CUT TO: INT. - AIR FORCE ONE CABIN – DAY

TOBY is in his seat, a glass of whiskey in his hand, the bottle in his lap. CHARLIE is sitting next to him. TOBY is listening to DONNA on the phone.

DONNA (voiceover)
The honor guard will escort the casket from the library to the grounds after the buglers warm up and before they seat the President.

The phone call continues as the scene cuts between DONNA at her desk and TOBY on AIR FORCE ONE.

DONNA
The Reverend will open and close the program and Mrs. Lassiter requested that the President give the final eulogy. Mrs. Lassiter also asked if she could have five minutes with the President.

TOBY
I feel like I’m on the voyage of the damned. 

DONNA
Village. It was village.

TOBY
What’s the difference. Why are we descending?

DONNA (voiceover)
What?

TOBY (shouting)
This plane, it’s going down.

DONNA
What?

CHARLIE
We’re landing to pick up President Walken.

DONNA
Charlie, has he been drinking?

CHARLIE is about to answer, but TOBY gives him a signal.

CHARLIE
I don’t think so.

CHARLIE reaches over and takes the whiskey bottle.

TOBY
You know what, Donna, we are dealing with a foreign policy dilemma of unmatched perplexities with unintended consequences lurking at every turn - 

DONNA
Charlie, what’s he talking about?

TOBY
Maybe not so unlike a woman.

DONNA
Toby, focus. Mrs. Lassiter wants five minutes with the President.

TOBY begins quietly singing the theme song from M*A*S*H.

TOBY
“Suicide is painless ...”

DONNA
Charlie, is he singing?

CHARLIE
I don’t think so.

TOBY
“It brings on ... many changes.”

TOBY reaches for the whiskey glass and CHARLIE slaps his hand.

CUT TO: INT. - AIR FORCE ONE CONFERENCE ROOM – DAY

BARTLET and NEWMAN continue listening to the phone briefing from the SITUATION ROOM as the scene cuts between the two locations.

HUTCHINSON (voiceover)
Dhahran’s the nerve center, it goes down the world loses five million barrels a day not to mention 50 Americans. 

BARROW
It’s a non-violent protest. Mr. President, we’ve located a political officer at the embassy, a Dan Strosser, who has a relationship with one of the princes leading the protest. He’s on leave, we’re tracking him down.

BARTLET
George, what’s your take?

ROLLIE
This prince, Arujunha, he was educated here at Harvard, but anything’s possible, he could be a real reformer or not.

HUTCHINSON (voiceover)
In the meantime, we need to prepare to evacuate the Americans from the Dhahran compound. 

BARROW
Gentlemen, this looks and feels like the beginning of a real democratic movement. Over the next few hours, as we learn more about -

HUTCHINSON
Sir, this is Iran in ‘79, not ‘97. Even if this Arujunah has noble motives, the not-so-silent majority is not going to vote for a more perfect union. We could be a few hours away from civil war.

BARTLET
George, if their troops, if the national guard is mobilizing, how long do we have?

ROLLIE (voiceover)
A couple hours, maybe less.

BARTLET
Okay. Ted, you and Berryhill have an hour to track down this Strasser guy. Miles, I want you to stay in constant contact with the security forces at the compound. And General? Fuel up the Chinooks and the Peleliu. We hear any noise out of Dhahran -

ALEXANDER
Yes, sir.

LEO
Do you want to let Bitar know we’re holding him accountable for the safety of our -

BARTLET
You send that message, they’re definitely going to start knocking heads. Tell him we’re confident in the monarchy’s ability to broker a peaceful solution. (pause) One hour, gentlemen. We’re gonna have to make a call.

LEO and HUTCHINSON react.

BARTLET (to NEWMAN)
There ought to be a warning sign when you hitch up to be the leader of the free world.

NEWMAN nods wryly.

FADE OUT.
END ACT TWO.
* * *

ACT THREE

FADE IN: INT. - ROOSEVELT ROOM – DAY
THURSDAY – 12:45 PM

JOSH is sitting alone. ANGELA enters, standing in a doorway.

ANGELA
What happened in here?

JOSH
I’m not biased, just ‘cause I’m from Connecticut.

ANGELA
Uh-huh.

JOSH
I can understand why North Carolina thinks it’s entitled to the Bill of Rights.

ANGELA
Uh-huh.

JOSH
Okay. Fine. I’m biased, they denounced the Constitution, they denounced the Bill of Rights, they seceded from the Union -

ANGELA
You want to go back 140 years? Why not 200? North Carolina’s the reason we have a Bill of Rights in the first place. Your midnight-riding New England patriots were ready to dump the bill into the Long Island Sound.

JOSH
Where are you from?

ANGELA
Asheville.

JOSH
North Carolina?

ANGELA
We said no rights amendments, no ballgame, we refuse to ratify the Constitution without it.

JOSH
Well, for such champions of the bill you certainly placed a lot of importance on those rights in the 1800s, especially the parts about life, liberty, property -

ANGELA
You’re gonna lecture me on equal rights?

JOSH
How does a state that fought for slavery have the gall to claim ownership in a document that -

ANGELA
First, Josh – the war wasn’t just about slavery, it was about industry. Second, that’s exactly why North Carolina needs an original copy on display in Raleigh, to remind them, and third, Connecticut has the highest per-capita income in the country. 

FAIRFAX and MERRIWETHER enter the room behind JOSH.

ANGELA
They want the damn piece of paper so badly why don’t they just offer to compensate North Carolina?

FAIRFAX
Oh, we’d be willing to pay.

CUT TO: INT. - AIR FORCE ONE CORRIDOR – DAY

WALKEN
Come on, Bess.

We see GLENALLEN WALKEN’S dog, Bess, enter the aircraft on a leash, followed by WALKEN himself.

BARTLET
Glen, good to see you.

WALKEN
Mr. President, it’s good to see you. Just like a fraternity reunion. Where’s the keg? Or maybe better break out the bingo instead.

Bess barks.

WALKEN
Shut up, Bess! Come on.

CUT TO: INT. - AIR FORCE ONE OFFICE – DAY

We see a TV screen with coverage of the protests on Saudi Arabia. NEWMAN is watching it as WALKEN and BARTLET enter.

BARTLET
Come in. You know President Newman?

WALKEN
Mr. President, we’ve met before.

NEWMAN
Oh, yes. So, what are you up to these days, Glen? Vouchers? School prayer? 

WALKEN
Actually, it’s more like dog walking, and of course my spin class.

NEWMAN
I’m surprised you’re not looking for another place to bomb.

WALKEN
I like to make an impression.

NEWMAN
Well, you certainly did that. But why should I complain – I’m sure it helped precipitate the current situation.

BARTLET
Maybe I should have taken a longer vacation.

NEWMAN
And let him wage war with the rest of the Arab world?

WALKEN
To think I heard you were one of my biggest fans.

BARTLET
The old formulas don’t work, DW, we need to make new choices. Glen, the protesters are surrounding the Aramco compound in Dhahran. 

NEWMAN
What do you think, Glen? Should we invade?

WALKEN
We need wholesale change in the region, this is an opportunity. We’re the only superpower left, why wouldn’t we go into Riyadh?

NEWMAN
The more of the world we inhabit, the better it is for the human race.

WALKEN
Buck stops here.

NEWMAN
Ah, yes, the almighty dollar. In my four years we spent $200 billion on foreign oil. And a hundred billion protecting the leaders of the countries that supplied it. How many lunches did I have, playing footsie with some Saudi prince, promising to sell them AWACS and Bradleys and all in the name of stability. But I paid a premium.

BARTLET
These people hate us.

NEWMAN
Of course they hate us. Because we support their oppressors, because we are their oppressors.

BARTLET
Glen, I’m not sure we have the stomach for empire.

WALKEN
I’m not looking for empire, I’m not looking to colonize. If this protest is a call for democracy, I think we should create a provisional secular government, oversee the transition, and get out as fast as we can.

NEWMAN
Leaving them with a weak state and a hated Vichy government. You really want to make a difference, Jed, then support this Arujunah, from the sidelines. You start saddling up camels in every country in the Middle East, then you better be prepared to spend the next 50 years sifting through sand. Because this isn’t a quick run on the beach, Jed. This is the new world order.

There is a knock at the door. CHARLIE leans into the doorway.

CHARLIE
Mr. President? We’re ready for takeoff.

BARTLET
Thank you.

CUT TO: INT. - CJ’S OFFICE – DAY

As we see coverage of the Saudi protests on her TV screens, CJ is looking through the DARPA budget and talking to DR. MILKMAN.

CJ
It seems you’re happy enough to publicize your work on micro-nano cameras, gecko fingertip adhesion, something delightfully nicknamed Smellovision -

MILKMAN
There is the brain-machine interface program, it measures the processes in the brain in hopes of detecting deceptive intent -

CJ
So not mind control, mind reading.

MILKMAN
It’s all part of a new counterterrorism initiative, and the heart of our strategy is bio-surveillance, we’re mining existing health databases to determine -

CJ
You’re looking at medical records?

MILKMAN
It’s totally anonymous.

CJ
You’ll have Social Security numbers, addresses, personal data.

MILKMAN
Just for the human ID program.

CJ
Human ID?

MILKMAN
Human identification at a distance, where we use a variety of biometric technologies to focus on body parts, face identification, human kinematics -

CJ
Kinematics?

MILKMAN
Oh, yeah. It’s amazing what we can tell from the human stride. Personality, intention, pathology, criminality. All from scrutinizing one’s gait.

CJ.
Yeah. I gotta go.

She gets up and walks to the door. MILKMAN watches her. CJ stops at the doorway and looks at MILKMAN scrutinizing her gait.

CUT TO: INT. - AIR FORCE ONE CABIN – DAY

TOBY is still in his seat with his laptop. PRESIDENT BARTLET brings him a cup of coffee and sits with him.

BARTLET
Hey. 

TOBY
Thank you.

BARTLET (nodding towards the laptop)
How you doing?

TOBY
I’ve been … walking up and down these aisles – looking at these old men – these great, and terrible old men – and thinking: prosperous, free, and democratic Saudi Arabia, something to wish for. But the men on this plane spent the better part of the late 20th century trying to play God in other countries. And the regimes they anointed are the ones that haunt us today. Yeah, I’m not making much progress with the eulogy.

BARTLET
Did you ever meet President Lassiter?

TOBY
No.

BARTLET
He’s an arrogant bastard. Pompous, high and mighty know-it-all. He used to call me in the residence, wake me up in the middle of the night to pontificate on Teddy Roosevelt, or whatever President had a birthday that week. When we were elected, I really thought we were gonna own the place. Do it differently, better. Now I realize, the men on this plane are the only others who have been there before – and really know. I wished I’d taken more of his calls.

CHARLIE comes down the aisle.

CHARLIE
Sir? It’s Leo.

BARTLET gets up and follows CHARLIE down the aisle. The camera pans to TOBY’S laptop, showing a blank document labeled “EULOGY FOR PRESIDENT LASSITER.”

CUT TO: INT. - AIR FORCE ONE, PRESIDENTIAL OFFICE – DAY

BARTLET walks to the phone and presses a button.

BARTLET
Hey.

LEO (voiceover)
Did Walken make it on board?

BARTLET
They really broke the mold on that one. What have you got?

LEO (voiceover)
Dhahran’s quiet.
 
The phone call continues as the scene cuts between AIR FORCE ONE and LEO’S OFFICE.

LEO
But there’s been an outbreak of fighting in Riyadh.

BARTLET (voiceover)
How serious?

LEO
A bunch of imams throwing stones, a number of people were injured.

LEO
And they found Strosser, the guy at the embassy. Says Arujunah’s a true reformer, a believer in checks-and-balances democracy.

BARTLET
Wouldn’t lie about chopping down cherry trees.

LEO (voiceover)
That’s the gist.

BARTLET
Okay. Tell Alexander I want the Truman battle group moved into the Gulf, and set up a call with Bitar.

LEO
It – sir …

BARTLET
It’s time to tell him, Leo. Real change, or he can start looking for a new kingdom.

We see LEO’S impassive face as the call is disconnected. BARTLET sits back at his desk. We hear Colonel Gantry on the speaker.

GANTRY
This is the Captain speaking. We are beginning our descent, please return to your seats and fasten your seat belt.

FADE OUT.
3 HOURS LATER
FADE IN: EXT. - OUTSIDE THE LASSITER LIBRARY – DAY

A raised podium is set up with a Presidential lectern. Rows of seats are arranged on the ground before the podium. An American flag flies at half-staff. TOBY is sitting alone in one of the seats. His phone rings. He searches for it, finds it in his jacket on another chair, and answers it.

TOBY
Hello.

DONNA (voiceover)
Well, at least you’re not singing. How is it?

TOBY
Oh, don’t ask.

CUT TO: INT. - DONNA’S DESK – DAY

DONNA
Okay. … How is it?

TOBY (voiceover)
Sad.

CUT TO: OUTSIDE THE LASSITER LIBRARY

TOBY
It’s … (clears throat) It’s just sad.

CUT TO: EXT. - PORTICO OUTSIDE THE LASSITER LIBRARY – DAY

CHARLIE, carrying a phone, walks up to PRESIDENT BARTLET.

CHARLIE
Sir?

BARTLET
Hmm?

CHARLIE
It’s Leo.

BARTLET
Thanks. (takes phone) Yeah?

The phone call continues as the scene cuts between the PORTICO OUTSIDE THE LASSITER LIBRARY and the SITUATION ROOM.

LEO
Mr. President, I’m with Secretary Hutchinson and General Alexander. The national guard has started to fan out around the protests in Riyadh and Dhahran.

BARTLET
Where’s Bitar?

LEO (voiceover)
We haven’t been able to reach him, he’s apparently on a plane back to Riyadh.

BARTLET
General, I want you to ready a peacekeeping mission. Leo - fax, FedEx, carrier pigeon, I don’t give a damn how, but get word to the Crown Prince: any unprovoked use of force and I’m going to freeze the sale of all military arms. We’re gonna stop training his precious national guard, hell, tell him if he can use saving American lives as a pretext for force, so can I.

BARTLET hangs up and turns to see NEWMAN, who just walked up behind him. He tosses the phone back to CHARLIE, who walks away.

NEWMAN
Did you see all those books?

BARTLET
Um-mmm.

NEWMAN
Do you think Lassiter actually read Shakespeare? I would have thought he was more of a Melville fan. He called me, you know. When we all found out about your illness?

BARTLET
He must have been livid.

NEWMAN
I was livid. I wanted to call the White House, call CNN – there was Lassiter on the phone, telling me to can it. 

The two Presidents begin to walk.

BARTLET
There’s a Wilson quote: “Is the present war a struggle for a just and secure peace or for a new balance of power? There must be not a balance of power, but a community of power. Not organized rivalries, but an organized common peace.” Ah, what the hell – Woodrow Wilson didn’t have all the answers.

NEWMAN
No. Neither did Lassiter, God knows. And, then again – neither did I. But, at least at the end, we were all asking the right questions.

FADE OUT.
END ACT THREE.
* * *

ACT FOUR

FADE IN: EXT. - A PERGOLA OUTSIDE THE LASSITER LIBRARY - DAY

WALKEN is sitting on a bench smoking a cigar, as Secret Service agents move about. BARTLET arrives.

BARTLET
Hey, Glen.

WALKEN
Mr. President.

WALKEN stands.

BARTLET (gesturing for him to sit)
Please.

WALKEN
Miss Libby’s looking for you.

BARTLET sits next to WALKEN.

WALKEN (referring to his cigar)
This going to bother you?

BARTLET
Not at all. World’s certainly turned upside-down since Owen Lassiter’s time.

WALKEN
True enough. Went on a trip to China with him one time, we had dinner in Beijing. We couldn’t find a bathroom. Talk about yellow peril. The two of us are out in the bushes, and Owen Lassiter’s reciting Lincoln’s second State of the Union.

BARTLET
“The dogmas of the quiet past are inadequate to the stormy present.”

WALKEN
Something like that. I lost touch with him towards the end. He started making all these strange trips to nonsense places, old battlefields … but I can’t help wondering how he’d react to the situation in Riyadh.

BARTLET
Me, too. I’ll catch up with you, Glen.

BARTLET stands and walks away.

CUT TO: INT. - OUTSIDE LEO’S OFFICE – DAY

We first see a closeup of a TV showing CNN coverage of the unrest in Saudi Arabia. CJ walks up and is joined by JOSH coming out of the Roosevelt Room.

CJ
How’s it going with Grant and Lee?

JOSH
They’re gonna hold a signing ceremony, maybe even a 21-musket salute.

CJ
You reached an agreement.

JOSH
The Union will stand.

They both look at the TV.

JOSH
Freedom, and the right to assemble for one and all.

CJ
Yeah, well, not if the man from DARPA has anything to do with it.

JOSH
Ah, DARPA.

CJ
They’re sifting through medical records.

JOSH
Just trying to protect you.

CJ
Haven’t you had enough trouble haggling over the Bill of Rights for one day?

They move into LEO’S office.

JOSH
Does the press have the story?

CJ
Huh?

JOSH
The mind control story, didn’t you say it was going to break?

CJ
Yeah.

JOSH
So, the story breaks, the public has roughly the same reaction you’re having, no more mind control, no more sifting.

CJ
No more gait scrutiny.

JOSH
Democracy in action, you gotta love it.

LEO appears around the corner, talking with ALEXANDER.

LEO
So we need to send in 30,000 troops?

ALEXANDER
Initially.

LEO
And if this were to move beyond peacekeeping?

ALEXANDER just looks at LEO.

LEO
Yeah, okay. I’ll be down in a minute. (to JOSH and CJ) Is it important?

JOSH
Mmm, no.

CJ
Not really, no.

CJ and JOSH exit as LEO sits at his desk. As he is looking through papers, MALLORY walks in the door.

MALLORY
Hi, Dad.

LEO
Mal, what are you doing here?

MALLORY
I have something to tell you, it’s why I’ve been late, I-I just didn’t want -

LEO
You all right?

MALLORY
Yeah. No, not really. (she sits) It’s hard for me, because of who you are – we are … oh, I hate this, can I just go?

LEO
I don’t think so.

MALLORY
Mom’s getting remarried.

LEO (after a slight pause)
I know that.

MALLORY
You know that?

LEO
She called me.

MALLORY
She called you. She said she didn’t.

LEO
Mal, I appreciate the concern. I’m fine.

MALLORY
See, I knew it.

LEO
Knew what?

MALLORY
I just didn’t want you to hear it – I didn’t want you to be alone when you heard.

LEO
It’s okay. I’m just sorry we haven’t had more time together.

The camera pushes in on LEO’S empty chair as he gets up and joins MALLORY.

LEO (voiceover)
I though we’d have a nice night at the theatre the other night but we got this little problem in the Middle East …

CUT TO: EXT. - OUTSIDE THE LASSITER LIBRARY – DAY

A bugler plays Taps as an honor guard stands ready. An American flag is folded. BARTLET, WALKEN, NEWMAN and Newman’s wife stand respectfully. The flag is presented to the widow, LIBBY LASSITER. The honor guard delivers the 21-gun salute.

FADE OUT.

FADE IN: INT. - LASSITER LIBRARY – NIGHT

LIBBY LASSITER and PRESIDENT BARTLET are moving through the hallway into a display area.

LIBBY
Mr. President, I want to thank you for coming.

BARTLET
Of course I came, Libby.

LIBBY
Owen would have loved the eulogy. Who wrote it? The humor so dry, and – and sad. I always thought you detested him.

BARTLET
That’s a long time ago.

LIBBY
I know he called you, just the other day, but you didn’t call him back. Several times.

She opens the door into the replica Oval Office and enters. 

LIBBY
But … you never called him back.

BARTLET follows LIBBY. We see a hospital bed in the middle of the room. Books are piled on the furniture.

LIBBY
When we left the White House, I thought we’d have some time together. His job was done, but he took to traveling. To Korea, to the Philippines, to Vietnam, and to Europe – any spot where American boys had shed blood. Even the Civil War. 

We see the bookshelves are filled with labeled jars containing soil.

LIBBY
He’d fill a jar, come back to this room, this oval room he’d had built. He’d come here to think. He took to eating here, and sleeping here. Even after the operation. And when they came, they found him here.

BARTLET examines the labeled jars.

BARTLET
Battlefields.

LIBBY
Yes. 

She opens a drawer and takes out an envelope.

LIBBY
I wanted you to come, because he left this for you.

BARTLET takes the envelope. It is the one we saw at the beginning of the episode, addressed to Jed Bartlet.

BARTLET
Thank you.

He opens the envelope and takes out the note. As he begins reading, he exchanges a look with LIBBY.

BARTLET
“We owe it to ourselves to stand in this dirt as survivors and witnesses. We have to cure ourselves of the itch of the absolute knowledge or power or right. We have to close the distance between the push-button order and the human act. We have to touch people -”

CHARLIE enters and hands a phone to BARTLET.

CHARLIE
Sir, it’s Leo.

BARTLET (takes the phone)
Did you talk to the Crown Prince?

The phone call continues as the scene cuts between the LASSITER LIBRARY and the SITUATION ROOM.

LEO
We’re too late, sir. A protester in Riyadh fired on the national guard. There was tear gas, more gunfire -

BARTLET
A protester fired?

LEO (voiceover)
We think it was a member of the national guard dressed as a protester.

BARTLET
Are there casualties?

LEO (voiceover)
Twenty, thirty. Probably hundreds more in the aftermath.

BARTLET
Our people are safe?

LEO (voiceover)
Crowds in Dhahran have dispersed – Riyadh, Jeddah, it’s all breaking up.

BARTLET
And the leaders of the protest? Arujunah?

LEO
No.

BARTLET
(pause) Okay.

LEO (voiceover)
I guess this changes things.

BARTLET
I’m not sure it changes anything.

He hangs up. He looks at the note again. We see the final words:

“JED – GO SEE LINCOLN AND LISTEN. OWEN LASSITER.”

CUT TO: EXT. - LINCOLN MEMORIAL – NIGHT

BARTLET walks up the steps of the Memorial in front of the statue of Lincoln. He looks up at it. The camera pulls back, fading to more and more distant shots of BARTLET and Lincoln.

DISSOLVE TO: END TITLES.
FADE TO BLACK.
THE END.
* * *

The West Wing and all its characters are properties of Aaron Sorkin, John Wells Productions, Warner Brothers Television, and NBC. No copyright infringement is intended.

The West Wing Transcript

Episode 5x10 -- "The Stormy Present"

Original Airdate: January 7, 2004